R. Strauss: Oboe Concerto, Serenade & Sonatina No. 2 Alexei Ogrintchouk

Cover R. Strauss: Oboe Concerto, Serenade & Sonatina No. 2

Album info

Album-Release:
2017

HRA-Release:
07.07.2017

Label: BIS

Genre: Classical

Subgenre: Concertos

Artist: Alexei Ogrintchouk

Composer: Richard Strauss (1864-1949)

Album including Album cover Booklet (PDF)

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  • Richard Strauss (1864 - 1949):
  • 1Oboe Concerto in D Major, TrV 292: I. Allegro moderato08:26
  • 2Oboe Concerto in D Major, TrV 292: II. Andante09:24
  • 3Oboe Concerto in D Major, TrV 292: IIIa. Vivace04:34
  • 4Oboe Concerto in D Major, TrV 292: IIIb. Allegro02:46
  • 5Serenade in E-Flat Major, Op. 7, TrV 10609:15
  • 6Sonatina No. 2, TrV 291 "Fröhliche Werkstatt": I. Allegro con brio12:30
  • 7Sonatina No. 2, TrV 291 "Fröhliche Werkstatt": II. Andantino, sehr gemächlich05:30
  • 8Sonatina No. 2, TrV 291 "Fröhliche Werkstatt": III. Menuett - Etwas lebhaft04:26
  • 9Sonatina No. 2, TrV 291 "Fröhliche Werkstatt": IV. Einleitung und allegro16:11
  • Total Runtime01:13:02

Info for R. Strauss: Oboe Concerto, Serenade & Sonatina No. 2

Despite his advanced age and the chaos surrounding him, Richard Strauss remained highly productive well into the 1940s. As the Second World War was coming to an end in 1944-45, the eighty-year-old composer was working on his Oboe Concerto and Sonatina No. 2 for winds, as well as the Metamorphosen for strings. While the latter work was an explicit response to the destruction Strauss was witnessing, in the Concerto and the Sonatina the composer seemed to be turning his mind away from the events surrounding him. There is a pastoral quality to the oboe concerto, with a highly tuneful solo part and more than occasional touches of nostalgia for the 18th century. Similarly, Strauss headed the score of the sonatina with a dedication ‘to the spirit of the immortal Mozart at the end of a life full of thankfulness’.

To an extent, one might say that Strauss at the end of his life returned to the musical models of his youth. It is therefore fitting that these two works frame the Serenade in E flat major for wind ensemble, composed more than sixty years earlier in the tradition of entertainment music by Schubert and Mendelssohn. Alexei Ogrintchouk, one of today’s leading oboists, has proven himself in previous recordings for BIS ranging from Bach to Nikos Skalkottas and Antal Doráti. With sterling support from the Royal Concertgebouw Orchestra conducted by Andris Nelsons, he here makes light of the considerable difficulties of the solo part of the oboe concerto, and also directs his colleagues from the orchestra’s wind section in the works for wind ensemble.

Alexei Ogrintchouk, oboe
Royal Concertgebouw Orchestra
Andris Nelsons, conductor



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Booklet for R. Strauss: Oboe Concerto, Serenade & Sonatina No. 2

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