Whisky and Death Robin Laing

Album Info

Album Veröffentlichung:
2016

HRA-Veröffentlichung:
06.10.2020

Label: Robin Laing

Genre: Folk

Subgenre: Folk Rock

Interpret: Robin Laing

Das Album enthält Albumcover

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  • 1Whisky and Death03:41
  • 2Whisky Lullaby04:57
  • 3All the Whisky Men05:00
  • 4Magic Ship of Dreams03:04
  • 5Johnnie and Me04:05
  • 6Shackleton's Hut03:23
  • 7Jasper 'Jack' D02:49
  • 8Slow as Molasses05:18
  • 9Hemingway's Whiskey03:28
  • 10The Sentosa Sails Away03:55
  • 11Pestering Jim03:46
  • 12Mcginty's Meal and Ale05:48
  • 13Whisky Cathedral03:39
  • 14Ugly Betty04:00
  • 15All Summer Long04:18
  • Total Runtime01:01:11

Info zu Whisky and Death

A fifth album release from one of Scotland's premier folk singer/songwriters Robin Laing.

A man with a passion and this 5th album on songs about whisky Robin Laing continues to paint his pictures, from the raw materials, through the process of distilling and that delight of pouring into a glass and finally the lip smacking death of yet another dram.

Time to quench a wee thirst now.

Robin Laing, vocals
Kevin O'Reilly, piano, keyboards
Jenna Reid, fiddle
Ewan Laing, drums, percussion
Alan Langdon, e-bass, double bass
Conor Smith, electric guitar, acoustic guitar, percussion
Scott Murphy, saxophone
Murray McFarlane, trumpet
Garry Innes, accordion
Cariss Crosbie, backing vocals
Rachel Lightbody, backing vocals
David Scott, backing vocals
David Roddie, acoustic guitar
Jordan Roddie, hand percussion




Robin Laing
is a Scottish folk-singer and songwriter. Robin is originally from Edinburgh, and Edinburgh will always be his spiritual home. His affection for that city and indeed Scotland is evident in the subject matter of many of his songs. Robin now lives in the idyllic setting of rural Lanarkshire. Already he is sniffing out the local songs and finding possible subjects for composition.

Until September 1996, Robin's musical activities were semi-professional and fitted into a life dominated by a busy professional career as Director of a major Scottish mental health charity. Still he managed to do a fair bit of touring and release two solo albums, "Edinburgh Skyline" (1989) and "Walking in Time" (1994). He was also involved in two CD projects - "The Music and Song of Edinburgh", and "The Merry Muses". In September 1996 Robin "downshifted" to a full-time career in music - something he had wanted to do for some time.

Since becoming full-time professional Robin has created a one-man show on the subject of Scotch whisky called "The Angels' Share", has released another album (based on the show) and has toured extensively both in the UK and abroad. He has also been running traditional song classes in Lanarkshire and has become the Convener of a new organization, The New Makars Trust, which aims to promote songwriting in Scotland.

The Angels' Share combined two of Robin's passions - folk song and whisky - a powerful combination! When not exploring the purely cultural aspects of whisky, Robin is sometimes to be found on the Tasting Panel of the Scotch Malt Whisky Society. It's a difficult job, but someone has to do it! During the Edinburgh Festival Fringe he has joined forces with Jim Malcolm to do "Whisky, Women and Song" at the SMWS.

In terms of folk music, Robin's real interest is in folk song and especially the old Scots Ballads, or "Muckle Sangs" as they are sometimes known. However, he also has a tremendous respect for the songs of Robert Burns, (not just the rude ones), and the tradition of Scots fiddle music that has come from people like William Marshall, Scott Skinner and the Gow family. Robin's instrument is the classical guitar and some of these fiddle tunes transfer quite well.

In the folk tradition, Robin's influences are The Corries, Ewan McColl, Lizzie Higgins and Hamish Henderson, all for different reasons. He has many other influences; musically, from classical composers like Bach and Mahler, in poetry from Tennyson and in songwriting terms from Paul Simon and Stan Rogers, to name just a few. All of these influences find their way into the process that produces Robin's own song compositions. They have a variety of styles because of this, and tend to have their main strength in the lyrical side of the composition. The songs are constructed with care and attention and a great deal of selection along the way.



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