Elgar: Symphony No. 2 & Serenade Edward Gardner
- Edward Elgar (1857 - 1934): Symphony No. 2 in E-Flat Major, Op. 63:
- 1Symphony No. 2 in E-Flat Major, Op. 63: I. Allegro vivace e nobilmente17:44
- 2Symphony No. 2 in E-Flat Major, Op. 63: II. Larghetto14:02
- 3Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo08:00
- 4Symphony No. 2 in E-Flat Major, Op. 63: IV. Moderato e maestoso14:51
- Serenade in E Minor, Op. 20:
- 5Serenade in E Minor, Op. 20: I. Allegro piacevole03:05
- 6Serenade in E Minor, Op. 20: II. Larghetto05:45
- 7Serenade in E Minor, Op. 20: III. Allegretto02:33
Info zu Elgar: Symphony No. 2 & Serenade
Following a highly-praised recording of Symphony No. 1 last year, Edward Gardner and the BBC Symphony present here an electrifying interpretation of Elgar’s Symphony No. 2, with the addition of one of his most performed works: the Serenade for Strings.
Having now become experts in British repertoire with highly lauded series of Walton and Britten, they reveal all the aspects of Elgar’s masterpiece in this surround sound recording. Symphony No. 2 is richly orchestrated and skilfully constructed, drawing on hugely varied resources of harmony, rhythm and melody, and making considerable use of thematic transformation as a unifying technique.
While the Symphony No.2 is one of the greatest products of Elgar’s maturity, the Serenade in E minor for Strings is perhaps the most charming product of his youth. In this three-movement piece dominated by a deeply passionate Larghetto, the strings of the BBC Symphony superbly encapsulate all the emotions offered by this graceful work: tender, lyrical and intense.
“…This is a splendid release. Recording the BBC Symphony in Watford Colosseum makes for an ideal soundstage. And Edward Gardner may just be Britain’s next Adrian Boult.” (Steven Kruger, Fanfare)
“… Gardner demonstrates an unerring sense of how the tricky transitions work in this piece [Sym No. 2] and his appreciation of its harmonic delights is self-evident. And he has the seasoned instincts of the BBC Symphony Orchestra ensuring a naturalness and spontaneity through all the phrasing… The Serenade for Strings is a lovely, understated bonus, the gorgeous slow movement blossoming at its heart without a trace of emotional excess…” (Edward Seckerson, Gramophone magazine)
BBC Symphony Orchestra
Edward Gardner, conductor
Recognised as one of the most talented conductors of his generation, Edward Gardner began his tenure as Music Director of English National Opera in May 2007 with a new critically acclaimed production of Britten’s Death in Venice. Under his direction, the ENO has presented a series of stellar productions, including Boris Godunov, Cavalleria Rusticana & Pagliacci, Der Rosenkavalier, Punch and Judy, Peter Grimes and most recently a double bill of The Rite of Spring and Bluebeard’s Castle. In recognition of his talent and commitment, Edward received the Royal Philharmonic Society Award in 2008 for Best Conductor and this year, the Olivier award for Outstanding Achievement in Opera. Equally successful outside ENO, Edward’s future operatic engagements include debuts with Lyric Opera of Chicago, The Metropolitan Opera New York and La Scala, Milan. A regular at Paris Opera since 2004/5, Edward’s most recent production there was Stravinsky’s Rake's Progress in 2007/8.
In 2008 Edward returned to Glyndebourne Festival Opera with a production of Britten’s Turn of the Screw.Since making his successful debut in 2005 with the BBC Symphony Orchestra at the Aldeburgh Festival, Edward has been re-invited each year to the orchestra and in 2008 conducted the UK premiere of Saariaho’s Adriana Mater in concert at the Barbican as well as making his Proms debut. Edward works regularly with the Halle Orchestra, the City of Birmingham Symphony Orchestra and the Orchestra of the Age of Enlightenment in the UK. Internationally, he works with the Bamberg Symphony, Gothenburg Symphony, Bergen Philharmonic, Trondheim Symphony Orchestra, Melbourne Symphony, Saint Louis Symphony Orchestra, NAC Ottawa and the Indianapolis Symphony amongst others.
In 2009/10 he will make his debut with the NHK Symphony Orchestra and Netherlands Radio Philharmonic Orchestra and return to the BBC Proms. Future seasons include the Philharmonia, London Philharmonic and Rotterdam Philharmonic.Edward has signed an exclusive contract with Chandos Records from 2009 with plans to record 2 discs per season. He has also made a number of recordings for EMI Records; Alison Balsom/Gothenburg Symphony Orchestra; Kate Royal/the Academy of St. Martin-in-the-Fields and Kate Royal/English National Opera Orchestra.Born in Gloucester in 1974, Edward was educated at Cambridge, and the Royal Academy of Music where he studied under the instruction of Colin Metters. He graduated in 2000 and went on to assist Mark Elder at The Hallé Orchestra for 3 years before being named as Musical Director of Glyndebourne Touring Opera in 2004, a position he held for 3 years.
The BBC Symphony Orchestra
The BBC Symphony Orchestra has played a central role at the heart of British musical life since its inception in 1930; and (as the flagship orchestra of the BBC) it provides the backbone of the BBC Proms with at least a dozen concerts each year including the First and Last Nights. The BBC SO has a strong commitment to 20th-century and contemporary music—recently it has given world premieres of BBC commissions by leading composers such as John Adams, Elliott Carter, Brian Elias, Vic Hoyland, Matthias Pintscher, Karlheinz Stockhausen, and Judith Weir. The 2009–10 season included commissions and premieres from Ian McQueen, Bill Frisell/Mike Gibbs, Ryan Wigglesworth and Peter Eötvös.
Jiøí Bìlohlávek took up the post of Chief Conductor in 2006 and he and the BBC SO perform together frequently across the season both in the UK and internationally. The orchestra also works regularly with Principal Guest Conductor David Robertson, Oliver Knussen, recently appointed Artist in Association, and Conductor Laureate Sir Andrew Davis.