Monteverdi: L'incoronazione di Poppea Les Arts Florissants & William Christie

• Claudio Monteverdi (1567 - 1643): L'incoronazione di Poppea, SV 308, Prologo:
• 1L'incoronazione di Poppea, SV 308, Prologo: Sinfonia (Live)03:39
• 2L'incoronazione di Poppea, SV 308, Prologo: Deh nasconditi, o Virtù (Fortuna, Virtù, Amore ) (Live)03:05
• 3L'incoronazione di Poppea, SV 308, Prologo: Human non è, non è celeste core (Fortuna, Virtù, Amore ) (Live)01:37
• L'incoronazione di Poppea, SV 308, Atto I:
• 4L'incoronazione di Poppea, SV 308, Atto I, Scena 1: E pur io torno qui, qual linea al centro (Ottone ) (Live)07:14
• 5L'incoronazione di Poppea, SV 308, Atto I, Scena 2: Chi parla, chi parla? (Ottone, Due soldati) (Live)03:27
• 6L'incoronazione di Poppea, SV 308, Atto I, Scena 3: Signor, deh, non partire (Poppea, Nerone) (Live)09:54
• 7L'incoronazione di Poppea, SV 308, Atto I, Scena 4: Speranza tu mi vai (Poppea, Arnalta ) (Live)05:54
• 8L'incoronazione di Poppea, SV 308, Atto I, Scena 5: Disprezzata Regina (Ottavia, Nutrice) (Live)11:08
• 9L'incoronazione di Poppea, SV 308, Atto I, Scena 6: Ecco la sconsolata (Seneca, Ottavia, Valletto) (Live)07:44
• 10L'incoronazione di Poppea, SV 308, Atto I, Scena 7: Le porpore regali, e Imperatrici (Seneca) (Live)01:16
• 11L'incoronazione di Poppea, SV 308, Atto I, Scena 8: Seneca, io miro in cielo infausti rai (Pallade, Seneca ) (Live)02:02
• 12L'incoronazione di Poppea, SV 308, Atto I, Scena 9: Son risoluto al fine (Nerone, Seneca) (Live)05:18
• 13L'incoronazione di Poppea, SV 308, Atto I, Scena 10: Come dolci, Signor, come soavi (Poppea, Nerone) (Live)05:22
• 14L'incoronazione di Poppea, SV 308, Atto I, Scena 10: Quest'eccelso diadema ond'io sovrasto (Nerone, Poppea) (Live)04:33
• 15L'incoronazione di Poppea, SV 308, Atto I, Scena 11: Ad altri tocca in sorte (Ottone, Poppea) (Live)04:27
• 16L'incoronazione di Poppea, SV 308, Atto I, Scena 12: Otton, torna in te stesso (Ottone) (Live)02:04
• 17L'incoronazione di Poppea, SV 308, Atto I, Scena 13: Pur sempre di Poppea (Drusilla, Ottone) (Live)05:07
• L'incoronazione di Poppea, SV 308, Atto II:
• 18L'incoronazione di Poppea, SV 308, Atto II, Scena 1: Solitudine amata (Seneca, Mercurio) (Live)05:20
• 19L'incoronazione di Poppea, SV 308, Atto II, Scena 2: Il comando tiranno (Liberto, Seneca) (Live)04:50
• 20L'incoronazione di Poppea, SV 308, Atto II, Scena 3: Amici, è giunta l'hora (Seneca, Famigliari) (Live)04:41
• 21L'incoronazione di Poppea, SV 308, Atto II, Scena 4: Sento un certo non so che (Valletto, Damigella) (Live)04:26
• 22L'incoronazione di Poppea, SV 308, Atto II, Scena 5: Hor che Seneca è morto (Nerone, Lucano) (Live)05:40
• 23L'incoronazione di Poppea, SV 308, Atto II, Scena 6: Idolo mio (Nerone) (Live)02:36
• 24L'incoronazione di Poppea, SV 308, Atto II, Scena 7: I miei subiti sdegni (Ottone) (Live)03:27
• 25L'incoronazione di Poppea, SV 308, Atto II, Scena 8: Tu che dagl'avi miei (Ottavia, Ottone ) (Live)05:22
• 26L'incoronazione di Poppea, SV 308, Atto II, Scena 9: Felice cor mio (Drusilla, Valletto, Nutrice) (Live)02:48
• 27L'incoronazione di Poppea, SV 308, Atto II, Scena 10: Io non so dov'io vada (Ottone, Drusilla) (Live)06:51
• 28L'incoronazione di Poppea, SV 308, Atto II, Scena 11: Hor che Seneca è morto (Poppea, Arnalta) (Live)07:43
• 29L'incoronazione di Poppea, SV 308, Atto II, Scena 12: Dorme l'incauta, dorme (Amore) (Live)02:28
• 30L'incoronazione di Poppea, SV 308, Atto II, Scena 13: Eccomi trasformato (Ottone, Amore, Poppea, Arnalta) (Live)03:53
• L'incoronazione di Poppea, SV 308, Atto III:
• 31L'incoronazione di Poppea, SV 308, Atto III, Scena 1: O felice Drusilla, o che sper'io (Drusilla) (Live)01:39
• 32L'incoronazione di Poppea, SV 308, Atto III, Scena 2: Ecco la scellerata (Arnalta, Drusilla, Littore) (Live)01:00
• 33L'incoronazione di Poppea, SV 308, Atto III, Scena 3: Signor, ecco la rea (Arnalta, Nerone, Drusilla, Littore) (Live)03:44
• 34L'incoronazione di Poppea, SV 308, Atto III, Scena 4: No, no, questa sentenza (Ottone, Drusilla, Nerone) (Live)04:45
• 35L'incoronazione di Poppea, SV 308, Atto III, Scena 5: Signor, hoggi rinasco ai primi fiati (Poppea, Nerone) (Live)07:01
• 36L'incoronazione di Poppea, SV 308, Atto III, Scena 6: Hoggi sarà Poppea (Arnalta) (Live)03:17
• 37L'incoronazione di Poppea, SV 308, Atto III, Scena 7: A Dio Roma, a Dio Patria, amici a Dio (Ottavia) (Live)04:41
• 38L'incoronazione di Poppea, SV 308, Atto III, Scena 8: Ascendi, o mia diletta (Nerone, Poppea) (Live)02:34
• 39L'incoronazione di Poppea, SV 308, Atto III, Scena 8: Per capirti negl'occhi (Nerone, Poppea) (Live)02:42
• 40L'incoronazione di Poppea, SV 308, Atto III, Scena 8: A te, sovrana Augusta (Consoli, Tribuni ) (Live)02:31
• 41L'incoronazione di Poppea, SV 308, Atto III, Scena 8: Sinfonia - Madre, sia con tua pace (Amore, Venere) (Live)02:35
• 42L'incoronazione di Poppea, SV 308, Atto III, Scena 8: Pur ti miro - pur ti godo (Poppea, Nerone) (Live)05:43
• Total Runtime03:06:08

Info zu Monteverdi: L'incoronazione di Poppea

The culmination of a three-year Monteverdi project led by conductor William Christie and director Pier Luigi Pizzi at Madrid’s Teatro Réal, L’incoronazione di Poppea brings a potent blend of sex and politics, high drama and comedy. Leading the cast are Danielle de Niese as Poppea, Philippe Jaroussky as Nerone, Max Emanuel Cencic as Ottone and Anna Bonitatibus as Ottavia.

William Christie – the French-based American conductor, best known for his work with his ensemble Les Arts Florissants – started 2012 at New York’s Metropolitan Opera, conducting The Enchanted Island, a spectacular new pastiche featuring music by Handel, Vivaldi and other composers,.

Here, he conducts an operatic performance recorded in 2010 at Madrid’s Teatro Réal: Monteverdi’s L’incoronazione di Poppea, with its potent Ancient Roman blend of sex and politics, high drama and comedy. “William Christie’s achievement with Les Arts Florissants is enormous,” wrote Spain’s leading newspaper, El País. “With 17 musicians playing period instruments, he evoked a veritable orgy of nuances, subtly created atmosphere and showed a perfect sense for the accents of the piece.” Poppea proved an apt culmination to Christie’s three-year project mounting Monteverdi’s three operas in Madrid with the Italian director Pier Luigi Pizzi, whose productions are always notable for their elegance and beauty.

Performed in a new edition of the Venetian version of the opera by the musicologist Jonathan Cable, Poppea features a starry cast. Playing the upwardly mobile temptress of the opera’s title is the glamorous American soprano Danielle de Niese, who, in the words of the New York Times, is “seductive enough to woo gods as well as mortals”. She made her international breakthrough at Glyndebourne as another legendary siren of the First Century AD – Cleopatra (in Handel’s Giulio Cesare). In an interpretation described as “overwhelming” by El País, the capricious Emperor Nero (Nerone) is embodied by French countertenor Philippe Jaroussky – in a role very different from the last operatic Roman he took on for Christie, the titular saint in Landi’s Sant’Alessio (Virgin Classics DVD 5099951899998). The brilliant Croatian countertenor Max Emanuel Cencic is a frequent sparring partner for his French colleague – not least in a recent Virgin CD of duetti da camera conducted by William Christie – and in Sant’Alessio he played Jaroussky’s mother (!); here he plays Nerone’s rival for Poppea’s love, Ottone, while Nerone’s discarded wife, Ottavia, is sung by the Italian mezzo soprano Anna Bonitatibus, described by Forumopera as “an incandescent Ottavia who vouchsafed a superb example of singing and of theatre”.

Philippe Jaroussky (Nerone)
Danielle de Niese (Poppea)
Anna Bonitatibus (Ottavia)
Max Emanuel Cencic (Ottone)
Les Arts Florissants
William Christie, conductor

Les Arts Florissants
A renowned musical Ensemble, specialized in Baroque music since 1979. Founded in 1979 by William Christie, Les Arts Florissants is one of the best-known baroque-music ensembles in the world. Established in the name of creativity, pleasure and sharing, the Ensemble — which takes its name from a short opera by Marc-Antoine Charpentier — has played a pioneering role in the revival of a repertoire that had been largely forgotten and which is now enjoyed across the globe in all the most prestigious concert houses. This pioneering spirit has never died, and Les Arts Florissants’ two artistic directors, William Christie and Paul Agnew, continue the Ensemble’s tradition of research and innovation today.

"Almost 40 years ago a group of friends and I founded Les Arts Florissants, the ensemble that has allowed me to rediscover the magnificent repertoire of the baroque age and perform it in all of the world’s most prestigious halls. At the same time, in the Vendée, I have accomplished another of my dreams: creating a unique and original garden around my 17th-century manor house, which is now the setting each year for the , where we welcome music lovers from all over the world.

“Encouraged by these years of success, I now feel it is time to put Les Arts Florissants on a firm footing for the future. For this reason, the creation of a foundation, recognized by the French government as being of “public utility,” was fundamental. And to make it possible, I have decided to gift all my properties, including my house and gardens, to the Foundation Les Arts Florissants – William Christie.

“This project is the realization of the dream of a lifetime. A dream of music and gardens, but also of the handing on of savoir-faire and passion to future generations of artists and audiences. It is here that all my desires converge and that everything begins. This is the start of a great adventure!” (William Christie)

William Christie
harpsichordist, conductor, musicologist, and teacher, is the inspiration behind one of the most exciting musical adventures of the last thirty years. A pioneer in the rediscovery of Baroque music, he has introduced the repertoire of seventeenth- and eighteenth-century France to a very wide audience. Born in Buffalo, and educated at Harvard and Yale, William Christie has lived in France since 1971. The turning point in his career came in 1979, when he founded Les Arts Florissants.

As Director of this vocal and instrumental ensemble, William Christie soon made his mark as a musician and man of the theater, in both the concert hall and the opera house, with new interpretations of largely neglected or forgotten works. Major public recognition came in 1987 with the production of Lully’s Atys at the Opéra Comique in Paris, which then went on to tour internationally to huge success.

From Charpentier to Rameau, through Couperin, Mondonville, Campra, or Montéclair, William Christie is the uncontested master of tragédie-lyrique as well as opéra-ballet, and is just as comfortable with the French motet as with music of the court. But his affection for French music does not preclude him from exploring other European repertoires and, as well as his many acclaimed performances of Italian works (Monteverdi, Rossi, Scarlatti, Landi), he broaches Purcell and Handel with as much success as Mozart, Haydn or Bach.

William Christie’s particularly busy operatic career has been marked by numerous collaborations with renowned theater and opera directors (Jean-Marie Villégier, Robert Carsen, Alfredo Arias, Jorge Lavelli, Graham Vick, Adrian Noble, Andrei Serban, Luc Bondy, Deborah Warner), which are always major events in the musical calendar. His most recent include: Les Fêtes vénitiennes by Campra at the Paris Opéra Comique in 2015 and on tour at the Brooklyn Academy of Music; Rameau, Maître à Danser in Caen in 2014 and on tour at the Bolshoi Theatre in Moscow and in Korea; Theodora in 2016 at the Théâtre des Champs-Elysées; in 2018, Handel's Jephtha and Ariodante, respectively at the Paris national Opera and at the Wiener Staatsoper, as well as L'incoronazione di Poppea at the Salzburg Festival. More recently, he conducts Platée by Rameau at the Theater an der Wien, Titon et l'Aurore by Mondonville at the Opéra Comique and Handel's Partenope on international tour.

As a guest conductor, William Christie often appears at opera festivals such as Glyndebourne (notably Hipermestra in 2017 and Giulio Cesare in 2018) or at opera houses such as the Metropolitan Opera of New York, the Zurich Opernhaus, or the Opéra National de Lyon. Between 2002 and 2007, he regularly appeared as a guest conductor with the Berlin Philharmonic.

His extensive discography (more than 100 recordings, many of which have won awards and distinctions in France and abroad) with Harmonia Mundi, Warner Classics/Erato and Virgin Classics reflects the richness of his artistic ventures. Among the most recent issues, in the « Les Arts Florissants » collection under the harmonia mundi label: La Harpe reine, Un Jardin à l’italienne, Si vous vouliez un jour, the Mass in B Minor and L'incoronazione di Poppea, "N'espérez plus, mes yeux" and "Générations".

Over the last twenty-five years, William Christie has brought to the limelight several generations of singers and instrumentalists. Indeed, most of the conductors of today’s French Baroque ensembles began their careers with Les Arts Florissants. A professor at the Paris Conservatoire from 1982 to 1995, he was in charge of the early music class, and is now often invited to give master classes or lead academies such as those at Aix-en-Provence and Ambronay. Since 2007 he has been artist in residence at the Juilliard School of New York, where he gives master classes twice a year accompanied by the musicians of Les Arts Florissants.

Wishing to develop further his work as a teacher, in 2002 William Christie created, with Les Arts Florissants, a biennial academy for young singers in Caen, Le Jardin des Voix, whose winners, after touring with Les Arts Florissants in France, Europe, and the U.S., embark on distinguished international careers. Among the talents discovered by William Christie through the Jardin des Voix are Sonya Yoncheva, Christophe Dumaux, Emmanuelle de Negri, Marc Mauillon, Amel Brahim-Djelloul, Lea Desandre or Eva Zaïcik.

Booklet für Monteverdi: L'incoronazione di Poppea