Stage Struck (Remastered) Rory Gallagher

• 1Shin Kicker04:01
• 2Wayward Child04:28
• 3Brute Force And Ignorance04:12
• 4Moonchild06:06
• 5Hellcat04:38
• 6Bad Penny06:38
• 7Keychain05:03
• 8Follow Me05:56
• 9Bought And Sold04:40
• 10The Last Of The Independents05:35
• 11Shadow Play05:06
• Total Runtime56:23

Info zu Stage Struck (Remastered)

Stage Struck is the eleventh album and the third live album by Irish singer/guitarist Rory Gallagher. Recorded between November 1979–July 1980 and Released 2nd November 1980. The album documents Gallagher’s world tour in support of his 1979 album Top Priority. Accordingly, it features many songs from that album as well as hard-driving, almost metal, rock versions of songs from his ‘Calling Card’ and ‘Photo Finish albums, Glenn Tipton from Judas Priest “I was just stunned by his use of an old battered Stratocaster, a Vox AC-30 [amp], and a Rangemaster treble booster. The guitar had so much energy that I think he’s the guy, really, that made me pick up the guitar.”

"Guitarist Gallagher's third officially released live album (during his lifetime) captures him on a grinding world tour in 1979 and 1980, pumping out blues-rockers with requisite aggression, yet none of the charm and subtlety that made his previous concert recordings so essential. The song selection is weak as it concentrates on lesser tracks from his late-'70s collections, but more problematically, the Irishman sounds like he's rushing the tunes and generally playing too loud. The arrangements bludgeon the songs behind a Wall of Sound, as Rory spits, rather than sings the lyrics, shouting above the crashing fray. This is particularly true of "Bad Penny," one of two newly added tracks for the revised 2000 edition, where Gallagher growls out the words as if they had little or no meaning, then shifts into a reggae beat that adds nothing to this version of one of his better tracks. While the live shows might have gone down well on-stage, when they're transferred to album, the excitement is lost, and instead of Gallagher's classy, snappy, eclectic mix of blues, folk, and rock, Stage Struck sounds like plodding, second-rate Bad Company or Foghat. Where both previous live discs added a few acoustic tunes as well as digging into deep blues to vary the sound and show Gallagher's versatility, this one stays firmly rooted in straightforward sluggish rock, with precious little roll. All the songs push the five-minute mark, but none have the sizzle and compactness of Gallagher's best work. He sounds like he's going though the motions for the first time in his career, making this a below par, if not quite valueless document. The two additional tunes total about 11 minutes, but the disc is at least 20 minutes short of its potential playing time. Surely there must have been other tapes from this tour of better quality to tack on here. In any case, this is a disappointing reminder that even the best artists can release inferior work. For prime live Gallagher, stick with either 1972's peppy Live in Europe, the blistering Irish Tour '74, or the terrific posthumous release BBC Sessions." (Hal Horowitz , AMG)

Rory Gallagher, guitar, harmonica, vocals
Gerry McAvoy, bass
Ted McKenna, drums

Digitally remastered

Rory Gallagher
After a career cut short by illness and a premature death, guitarist, singer, and songwriter Rory Gallagher left his mark in the blues and rock worlds. His hard-charging, intensely rhythmic playing style on his 1961 Stratocaster still casts a long shadow over rock & roll: Queen's Brian May imitated not only his playing but his gear early on; he credits Gallagher with the root of his sound. Eric Clapton said it was Gallagher who got him "back into the blues." Johnny Marr acknowledges a great debt as well: After learning how to play the guitarist's classic Deuce album track-for-track at 13, he revealed Gallagher's influence throughout his career. Marr also said that he received mentorship and advice on his conduct on-stage and off. Even U2's the Edge and Slash sing his praises and credit his influence. While Gallagher didn't tour the U.S. very often, he lived on the stages of Europe. But he was well-known on Yankee shores for his marathon-length, no-holds-barred live shows at clubs and theaters across North America. While never a major presence on radio in the United States, Gallagher nonetheless racked up a handful of semi-hit singles with "Laundromat," "I Walk on Hot Coals," "Shadow Play," and "Philby," as well as a slew of acclaimed albums from 1971's Deuce and the remarkable Irish Tour in 1974, through Calling Card in 1976 and Top Priority in 1979. Even after the hits, Gallagher continued to pump out high-quality albums including 1982's Jinx and 1990's Fresh Evidence. Even after his accidental death on an operating table in 1995, Gallagher continued to win over new fans and influence artists of many stripes, including the mystery writer Ian Rankin, who created a posthumous compilation called The Continental Op in 2013 comprised of the guitarist's many songs about spies and suspense. Gallagher was born in Ballyshannon, County Donegal, Irish Republic, on March 2, 1948. Shortly after his birth, his family moved to Cork City in the south, and at age nine he became fascinated with American blues and folk singers he heard on the radio. An avid record collector, he had a wide range of influences, including Leadbelly, Buddy Guy, Freddie King, Albert King, Muddy Waters, and John Lee Hooker. Gallagher would always try to mix some simple country blues songs into his recordings.

He began his recording career after moving to London, when he formed a trio called Taste. The group's self-titled debut album was released in 1969 in England and later picked up for U.S. distribution by Atco/Atlantic. Between 1969 and 1971, with producer Tony Colton behind the board, Gallagher recorded three albums with Taste before they split up. He began performing under his own name in 1971, releasing his 1970 debut, Rory Gallagher, for Polydor Records in the U.K. The album was picked up for U.S. distribution by Atlantic, and later that year he recorded Deuce, also released by Atlantic in the U.S.

His prolific output continued, as he followed up Deuce with Live in Europe (1972) and Blueprint and Tattoo, both in 1973. Irish Tour 1974, like Live in Europe, did a good job of capturing the excitement of his live shows on tape, and he followed that with Calling Card for Chrysalis in 1976, and Photo Finish and Jinx for the same label in 1978 and 1982. By this point, Gallagher had made several world tours, and he took a few years of rest from the road. He got back into recording and performing live again with the 1987 release (in the U.K.) of Defender. His last album, Fresh Evidence, was released in 1991 on the Capo/I.R.S. label. Capo was his own record and publishing company that he set up in the hopes of eventually exposing other great blues talents.

Some of Gallagher's best work on record wasn't under his own name; it's music he recorded with Muddy Waters on The London Sessions (Chess, 1972) and with Albert King on Live (RCA/Utopia, 1977). Gallagher made his last U.S. tours in 1985 and 1991, and admitted in interviews that he'd always been a guitarist who fed off the instant reaction and feedback a live audience can provide. In a 1991 interview, he said: "I try to sit down and write a Rory Gallagher song, which generally happens to be quite bluesy. I try to find different issues, different themes and different topics that haven't been covered before...I've done songs in all the different styles...train blues, drinking blues, economic blues. But I try to find a slightly different angle on all these things. The music can be very traditional, but you can sort of creep into the future with the lyrics."

Gallagher passed away from complications after a liver transplant on June 14, 1995, at age 47. In 2019, to mark what would have been Gallagher's 50th year of recording, his estate released the four-disc anthology Blues, featuring rare and unreleased recordings from the '70s to the '90s. (Richard Skelly, AMG)

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