And a Birch and Grasses… Ieva Parša & Andrejs Osokins

• Emilis Melngailis (1874 - 1954):
• 1Melngailis: Nebij mēnesnīcas, nebij ziedu02:07
• 2Melngailis: Kā zagšus02:06
• 3Melngailis: Ganiņš01:55
• 4Melngailis: Jaunā gaisma01:45
• 5Melngailis: Pirmais marts03:15
• Kristaps Pētersons (b. 1982):
• 6Pētersons: Mūzika klavierēm09:01
• Emilis Melngailis:
• 7Melngailis: Pasaciņa02:04
• 8Melngailis: Pār ceļu zaķītis pārskrēja01:30
• 9Melngailis: Uz rīta pusi01:56
• 10Melngailis: Zeltītas lapas03:09
• Kristaps Pētersons:
• 11Pētersons: Dziesma ar Eduarda Veidenbauma dzeju03:06
• Emilis Melngailis:
• 12Melngailis: Man mirdzēja zvaigzne01:42
• 13Melngailis: Kā diena bez saules02:59
• 14Melngailis: Vientulība no cikla klavierēm Mazie meti03:24
• Kristaps Pētersons:
• 15Pētersons: Smilgas08:03
• Emilis Melngailis:
• 16Melngailis: Rauduves balss02:27
• 17Melngailis: Bērzs i varavīksna02:20
• 18Melngailis: Divas mazas rociņas02:30
• 19Melngailis: Alpu kvēles01:05
• Total Runtime56:24

Info zu And a Birch and Grasses…

People sometimes chuckle at the fact that Emilis Melngailis and Arnold Schoenberg were both born in the same year, 1874 – just think, the apologist for ancient folk-song diatonics and the founder of twelvetone technique as peers! But one must understand that Melngailis belonged to those relatively few for whom art expresses not so much humanity's strained relationship with reality but rather serves as a reflection of the ultimate harmony, beauty and magnificence of nature and the world around us.

Almost a century and a half younger than Melngailis, the avantgarde composer Kristaps Pētersons, who has written numerous chamber and symphonic works and won several national and international awards, is also, paradoxically, in some ways related to Melngailis, namely, in his applied, constructive approach to creativity and, above all, in not shying away from prosaic themes in music.

Dramatic saturation, exquisite musical imagination, a developed sense of style – with these vocal qualities Parša has attracted the attention of many Latvian composers, who have in turn dedicated compositions to her. Emilis Melngailis is one of Parša’s favourite Latvian classical composers.

Andrejs Osokins has a wide stylistic range and is as perceptive of and attentive to the specifics of Latvian music as he is to those of world classics.

On this subject, he made a significant statement: quot;The first artist is Nature herself. In every snowflake she shoots forth her divine pattern. In infinite richness she has formed the scales of fishes, the slickness of snails, the colours of crystals, the flowers of the land. The observant eye perceives it, transposes it and creates the pattern of its own genus. quot;...Almost a century and a half younger than Melngailis, the avantgarde composer Kristaps Petersons, who has written numerous chamber and symphonic works and won several national and international awards, is also, paradoxically, in some ways related to Melngailis, namely, in his applied, constructive approach to creativity and, above all, in not shying away from prosaic themes in music. The most striking example in this respect is Mikhail and Mikhail Play Chess (2008), his opera about the battles between world champions Mikhail Tal and Mikhail Botvinnik at the chess board...Opera and concert singer Ieva Parsa has earned diplomas in choral conducting and pedagogy, but she is at her best in chamber music. While equally successful in interpreting the classics and 20th-century music, she is most sovereign and in demand when it comes to contemporary and experimental vocal art, even winning the Latvian Music Award for her work in these genres. Dramatic saturation, exquisite musical imagination, a developed sense of style – with these vocal qualities Parša has attracted the attention of many Latvian composers, who have in turn dedicated compositions to her. Emilis Melngailis is one of Parsa's favourite Latvian classical composers. Andrejs Osokins is an exceptional concert pianist and ensemble player. He regularly performs with the most prestigious symphony orchestras and conductors in Europe and has won more than ten international piano competitions in ten years. He has a wide stylistic range and is as perceptive of and attentive to the specifics of Latvian music as he is to those of world classics

Ieva Parša, mezzo-soprano
Andrejs Osokins, piano

Ieva Parša
Opera and concert singer Ieva Parša has earned diplomas in choral conducting and pedagogy, but she is at her best in chamber music. While equally successful in interpreting the classics and 20th-century music, she is most sovereign and in demand when it comes to contemporary and experimental vocal art, even winning the Latvian Music Award for her work in these genres. Dramatic saturation, exquisite musical imagination, a developed sense of style – with these vocal qualities Parša has attracted the attention of many Latvian composers, who have in turn dedicated compositions to her. Emilis Melngailis is one of Parša’s favourite Latvian classical composers.

Andrejs Osokins
is an exceptional concert pianist and ensemble player. He regularly performs with the most prestigious symphony orchestras and conductors in Europe and has won more than ten international piano competitions in ten years. He has a wide stylistic range and is as perceptive of and attentive to the specifics of Latvian music as he is to those of world classics.

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