Handfuls of Night (Explored) Penguin Cafe
- 1Winter Sun (Audio Commentary)00:20
- 2Winter Sun03:58
- 3Chinstrap (Audio Commentary)00:23
- 5Chapter (Audio Commentary)00:14
- 7Adelie (Audio Commentary)00:15
- 9At the Top of the Hill, They Stood… (Audio Commentary)00:12
- 10At the Top of the Hill, They Stood...05:40
- 11Pythagoras on the Line Again (Audio Commentary)00:35
- 12Pythagoras on the Line Again05:50
- 13The Life of an Emperor (Audio Commentary)00:30
- 14The Life of an Emperor04:56
- 15Gentoo Origin (Audio Commentary)00:18
- 16Gentoo Origin05:32
- 17Midnight Sun (Audio Commentary)00:08
- 18Midnight Sun04:07
- 19Handfuls of Night (Audio Commentary)02:14
- 20More Milk (Bonus Track)04:55
Info zu Handfuls of Night (Explored)
Musikalische Expedition in die Antarktis: Zwischen Minimalismus und Surrealismus entschwebt das wundervolle "Handfuls of Night" in antarktische Klangwelten. Der neue Longplayer von Penguin Cafe (dem Nachfolger des legendären Penguin Cafe Orchestra) ist von der Antarktis inspiriert - von der letzten Expedition, die Robert Falcon Scott dorthin unternahm, einer Reise, die Penguin-Cafe-Mastermind Arthur Jeffes selbst 2005 machte und den vier Pinguin-Arten die dort leben und für die Greenpeace Arthur Jeffes den Auftrag erteilte, jeder ein eigenes Stück zu komponieren, um das Bewusstsein für die Gefährdung der Antarktis zu stärken. Eingespielt mit darmbesaiteten Violinen, Bratsche, Cello, Bass, Percussion, Klavier und Flügel, Synthesizer, Harmonium und weiteren Instrumenten, haben Penguin Cafe eine Reihe von eindrucksvollen musikalischen Panoramaaufnahmen geschaffen. Die körnige Synthese von Klaviertönen lässt uns den Wind, die Eisdecken und Gletscher hören, die sich kaum wahrnehmbar aber doch unaufhaltsam bewegen. Sanft tauchen wir mit Adélie-Pinguinen durch Krill und Blasen in die dunkle Tiefe. "Handfuls of Night" ist ein synästhetisches Fest, das intellektuellen Anspruch mit emotionalem Tiefgang vereint, kristallklare Folktronica- und Ambient-Stücke, die uns in unwirkliche Weiten versetzen, immer wieder tauchen rhythmische Wiederholungen auf, die sich ganz leicht verändern, angesiedelt zwischen Minimalismus, Krautrock und Klavier-Kaskaden. So erschafft Arthur Jeffes eine kinetische Wirbelbewegung, die das Album antreibt und es zu einer musikalischen Expedition macht, zu einem Spiegelbild jener tatsächlichen Reise, die den Longplayer inspiriert hat.
Arthur Jeffes, piano (1-9), harmonium (3-8), percussion (2, 3, 5, 7), melodica (5)
Vincent Greene, viola (2-8)
Darren Berry, percussion (2-8)
Andy Waterworth, double bass (2-8)
Neil Codling Khono, acoustic guitar (2), granular synthesis (1, 2, 4, 9)
Des Murphy, xylophone (2, 3, 7, 8), Sunrise Portable Organ (6)
Tom Chichester, Clark harmonium (3, 5, 6, 7)
Cass Browne, percussion (2, 3, 6, 7)
Oli Langford, violin (2-8)
Stroh Viol (1), viola (7, 8)
Rebecca Waterworth, cello (2-8)
Oli Langford, additional string arrangements (2, 3, 7, 8)
Vincent Greene, additional string arrangements (8)
Produced by Arthur Jeffes
“My father, Simon Jeffes, was in the south of France in 1972-73, where he got terrible food poisoning from some bad shellfish and spent 3 or 4 days with a terrible fever. During this, he had very vivid waking dream – a nightmare vision of the near future – where everyone lived in big concrete blocks and spent their lives looking into screens. There was a big camera in the corner of everyone’s room, an eye looking down at them. In one room there was a couple making love lovelessly, while in another there was a musician sat at a vast array of equipment but with headphones on so there was no actual music in the room. This was a very disconnected de-humanising world that people had made for themselves…
However you could reject that and look further afield, and if you went down this dusty road you would eventually find a ramshackle old building with noise and light pouring out into the dark. It’s a place you just fundamentally want to go into, and this is the Penguin Cafe. There are long tables and everyone sits together, and it’s very cheerfully chaotic. In the back there is always a band playing music that you are sure you’ve heard somewhere but you have no idea where – and that is the Penguin Cafe Orchestra – they play this music.
When my dad woke up he decided that he would write the music that would be played by the band from his dream, and so with that as a criteria he then wrote for the next 25 years and that is the world that we now also inhabit…” (Arthur Jeffes, BBC London, February 8th 2014)
Penguin Cafe was founded by Arthur Jeffes in 2009, bringing together a talented and disparate group of musicians from the likes of Suede, Gorillaz and Razorlight, initially to perform his father Simon Jeffes’ legacy of world renowned Penguin Cafe Orchestra music, ten years after his untimely death in 1997.
Arthur, a talented composer in his own right, quickly began to create new and unique genre-defying music, with the spellbinding philosophy of the Penguin Cafe always in his mind.
Arthur utilizes many different instruments and influences including elements of African, Venezuelan, Brazilian, Bluegrass, Classical, Avant-Garde & Minimalist music, using a variety of instruments from strings, pianos, harmoniums, slide guitars, cuatros, kalimbas, experimental sound loops, mathematical notations and more.
To date, Arthur’s Penguin Cafe has released two acclaimed albums of fresh, innovative and beautiful music that have achieved the seemingly impossible feat of creating something new and different and still exciting the worldwide fan base of original PCO followers.
The new album ‘The Imperfect Sea’, a collection of dance records made on real instruments, is due for release May 5th 2017 accompanied by a special show at Le Poisson Rouge in New York, followed by more live dates across UK, USA, Japan and Europe throughout 2017.
Arthur William Phoenix Young Jeffes born 21 July 1978, London is an English composer, producer, musician and arctic explorer. He is the founder and frontman of the Penguin Cafe and is one half of the band Sundog. Other work includes composing film scores and most recently producing Sam Lee’s new album out in 2015.
Jeffes was born in London to the artist Emily Young and musician and composer, Simon Jeffes. Jeffes’s interest in experimental music was recognised by his father when he took a hammer to the keys of his father’s piano. While both of his parents nurtured his musicality he was encouraged to base any career on a strong academic background. He read Archaeology and Anthropology at Trinity College, Cambridge.
In 2007, Jeffes brought together original members of the PCO for a set of memorial concerts to mark ten years since his father’s death. Encouraged by the public’s response to the concerts, Jeffes decided that keeping his father’s music alive and adding to the mythology behind the band was a worthwhile endeavour. He founded the Penguin Cafe with a brand new line-up, including Cass Browne of Gorillaz, Neil Codling of Suede, Oli Langford of Florence and the Machine and Darren Berry of Razorlight. They have released two albums, A Matter of Life… (2008) and The Red Book (2014).
In 2012, Jeffes was commissioned by the artist Nelly Ben-Hayoun to write several pieces for the NASA Kepler Project to be played by the International Space Orchestra. The pieces “1420” and “Aurora” were beamed into Space in 2013. “1420” was inspired by the WOW! Signal.
2017 sees Arthur releasing the new Penguin Cafe album with extensive touring, alongside animation and dance projects.