Twice Upon a Hell of a Time... Matt Mays
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- 1Trust Life (Acoustic)04:56
- 2Sentimental Sins (Acoustic)04:38
- 3Faint of Heart (Acoustic)03:38
- 4Drive On (Acoustic)03:52
- 5Howl at the Night (Acoustic)04:17
- 6NYC Girls (Acoustic)03:33
- 7Dark Promises (Acoustic)03:15
- 8Perfectly Wasted (Acoustic)04:05
- 9Drunken Angels (Acoustic)05:51
- 10Ola Volo (Acoustic)03:36
- 1178's, 33's & 45's (Acoustic)03:10
- 12Station Out of Range (Acoustic)05:07
- 13Never Say Never (Acoustic)03:43
Info zu Twice Upon a Hell of a Time...
Canadian singer-songwriter Matt Mays returns with the release of Once Upon a Hell of a Time....
Matt co-produced the album with collaborator Loel Campbell (Wintersleep). This is Matt Mays’ sixth album and the follow up to Coyote, winner of the 2014 JUNO Award for Rock Album of the Year.
Constantly on the move, Matt made the record all over North America with sessions in California, British Columbia, Ontario, Quebec, Nova Scotia and New York. The result is a thirteen-track rock album sure to thrill long-time fans and new listeners. Matt himself describes the album as “party rock for the heartbroken.”
After departing seminal alt-country collective The Guthries back in 2002, Matt alternated between solo projects (his self-titled debut, the faux soundtrack …When the Angels Make Contact) and band projects (the eponymous Matt Mays & El Torpedo record and 2008’s Terminal Romance). Following the dissolution of Matt Mays & El Torpedo in 2009, Matt released Coyote in 2012 to much acclaim, including the JUNO Award win.
Matt Mays, vocals, guitar
is on a quest to find and create the music that he hears in his head. When he stays still the sound of it drifts farther away: "when the vibrations stop,” he says “it’s time to move on." A few years back, Matt left wherever he was living at the time to embark on a journey into open space. To live in the midst of a world where anything could happen. A crusade into the sound, traversing the vast musical divide that he calls home. Mexico, California, Indonesia, Hawaii, Costa Rica, New York… wherever. He used surfing, yoga, and a ukulele as tools to bring him closer to the melodies and words in his head. Eventually, the sound was found. As soon as he stepped off the plane in Halifax he started work on an album he called Coyote: a proper home for all his experiences. Imagery painted with song. Coyote covers the whole spectrum of the sound that Mays finally found. “I've always loved animals that are beautiful but dangerous,” Matt explains. “It's a good analogy for life. Coyotes are native to Canada, Mexico and the United States and that's where I lived while writing this album.”
Coyote is Matt’s fifth album since his self-titled debut. Released in late 2012, it has won three MusicNS awards, been named Album of the Year by the ECMA and won a JUNO for Rock Album of the Year.
Whether it’s a California stoned and hazy rock and roll song like 'Indio' or an alone at the microphone heartstring strummer like 'Chase The Light', you'll feel it. You can tell Matt found what he was looking for. In every song you can hear a freedom in his voice, and if you listen closely enough can hear the sand from ten different beaches scratching on the fret board of his guitar. “I wanted to make songs that followed my outlook on life as honestly as possible and record them as honestly as possible. That's it.”
The gods were on Matt’s side one day while working on Coyote. He was scheduled for a mixing session at one of New York's most prestigious studios and the mix files didn't show up. Panic mode. The studio engineer asked Matt if he had any songs to record to make use of the time. Luckily, the night before Matt stayed up all night and wrote 'Take It On Faith', which ended up being Coyote’s first single. “I had no musicians handy so I was forced to play everything myself except for the drums which were played by local monster Greg Wieczorek who happened to be one street over in Soho with his drums in his car. He nailed it, first take. The whole song was recorded in a few hours. It was one of those rare sessions where everything works out.” It's fitting that fate was such an integral part of the birth of the song 'Take It On Faith'.
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