Elgar & Vaughan Williams: Works for Violin & Piano Jennifer Pike & Martin Roscoe

• Sir Edward Elgar (1857 - 1934): Violin Sonata in E Minor, Op. 82:
• 1Violin Sonata in E Minor, Op. 82: I. Allegro09:04
• 2Violin Sonata in E Minor, Op. 82: II. Romance. Andante07:28
• 3Violin Sonata in E Minor, Op. 82: III. Allegro non troppo09:04
• Ralph Vaughan Williams (1872 - 1958): Violin Sonata in A Minor: I. Fantasia.
• 4Violin Sonata in A Minor: I. Fantasia. Allegro giusto09:09
• 5Violin Sonata in A Minor: II. Scherzo. Allegro furioso ma non troppo06:11
• 6Violin Sonata in A Minor: III. Tema con variazioni11:28
• The Lark Ascending (Arr. for Violin & Piano):
• 7The Lark Ascending (Arr. for Violin & Piano)14:18
• Total Runtime01:06:42

Info zu Elgar & Vaughan Williams: Works for Violin & Piano

Following the success of her last album, The Polish Violin, Jennifer Pike now turns to a programme of English music that represents an essential part of her musical make-up. It was the music of Elgar that first drew her to the violin, and The Lark Ascending has featured in her programming - in many versions – throughout her career. Here we have the original version for Violin and Piano from 1914, much less frequently played than the ‘standard’ orchestral version, but fascinating for the new light it shines on such a well-known piece. Writing it against the backdrop of the First World War, Vaughan Williams took both inspiration and the title from a poem by George Meredith. Although his first sketches for a Violin Sonata date from 1887, Elgar’s Violin Sonata is one of the four late masterpieces that Elgar composed in 1918 – 19, at Brinkwells in Sussex in his final creative flush. As with The Lark, this work was composed under the shadow of the Great War. Like Elgar, Vaughan Williams wrote his only Violin Sonata towards the end of his life. Representing a culmination of the development of his compositional style, he weaves fantasy and pastoralism into the strictures of sonata form. Jennifer Pike is joined for this album by one of her regular musical partners, the pianist Martin Roscoe.

Jennifer Pike, violin
Martin Roscoe, piano

Jennifer Pike
Renowned for her “dazzling interpretative flair and exemplary technique” (Classic FM), violinist Jennifer Pike has taken the musical world by storm with her unique artistry and compelling insight into music from the Baroque to the present day. In demand as soloist and recitalist all over the world, she is known as an artist of exceptional integrity and depth, whilst her ability to “hold an audience spellbound” (The Strad) and “luminous beauty of tone” (The Observer) have established her as one of the most exciting artists performing today.

Born to British and Polish parents in 1989 she first gained international recognition in 2002, when, aged 12, she became the youngest-ever winner of the BBC Young Musician of the Year and the youngest major prizewinner in the Menuhin International Violin Competition. Aged 15 she made acclaimed débuts at the BBC Proms and Wigmore Hall, and her many subsequent Proms appearances have included the role of 2009 “featured artist”. She was invited to become a BBC New Generation Artist (2008-10), she won the inaugural International London Music Masters Award and became the only classical artist ever to win the South Bank Show/Times Breakthrough Award. Passionate about helping young people from all backgrounds enhance their lives through music, she was recently invited to become an ambassador for the Prince’s Trust and Foundation for Children and the Arts, and patron of the Lord Mayor’s City Music Foundation.

Performing extensively as soloist with major orchestras worldwide and appearing frequently on radio and television, recent highlights include concertos with all the BBC orchestras, London Philharmonic, Brussels Philharmonic, City of Birmingham Symphony, Strasbourg Philharmonic, Royal Liverpool Philharmonic, Philharmonia, Hallé, Rheinische Philharmonie, Tampere Philharmonic, Malmö Symphony, Auckland Philharmonia, Singapore Symphony and Nagoya Philharmonic orchestras. She recently performed Vaughan Williams’s The Lark Ascending live on BBC Two at a special service commemorating the centenary of the outbreak of WWI in Westminster Abbey, with the Philharmonia orchestra at the Royal Festival Hall and at her Carnegie Hall debut with the Chamber Orchestra of New York.

Highlights of the 2015/16 season include a tour to Mexico with the London Philharmonic (Saint-Saëns, Alondra de la Parra), Sibelius Concerto with the Oslo Philharmonic and Jukka-Pekka Saraste as part of the Sibelius Festival 150th year celebrations, Prague Symphony Orchestra (Beethoven, Pietari Inkinen), Tchaikovsky Symphony Orchestra (Tchaikovsky, Fedoseyev), Orquesta Clásica Santa Cecilia (Brahms, Ken-David Masur), and the BBC Philharmonic (Vivaldi) as director and soloist. Special appearances also include performing to an audience of 11,000 at the Atlas Arena in Łódź, Poland as part of the ‘Night of the Proms’ tour broadcast on Polish TV, a broadcast performance of Schindler’s List as part of BBC Two’s Holocaust Memorial Day tribute and a live broadcast on Classic FM at the Queen’s 90th Birthday celebration concert. Next season she will perform concertos by Dvorak, Elgar, Sibelius, Bruch, Tchaikovsky and Mozart with orchestras including the Royal Stockholm Philharmonic (Saraste), BBC Philharmonic (Juanjo Mena), BBC Concert Orchestra, English Chamber Orchestra, Royal Scottish National Orchestra, Royal Philharmonic Orchestra, London Philharmonic and European Union Chamber Orchestra. She has worked with many eminent conductors including Andris Nelsons, Richard Hickox, Sir Mark Elder, Christopher Hogwood, Leif Segerstam, Tugan Sokhiev, Jiří Belohlávek, John Storgårds, Sir Roger Norrington, James Gaffigan and Martyn Brabbins. She has collaborated as soloist and chamber musician with artists including Anne-Sophie Mutter, Nikolaj Znaider, Adrian Brendel, Nicolas Altstaedt, Maxim Rysanov, Igor Levit, Martin Roscoe, Tom Poster and Mahan Esfahani.

A sought-after recitalist, she recently appeared at the Mecklenburg-Vorpommern Festival, Musée d’Orsay, Musashino Foundation and LSO St Luke’s, broadcast live on BBC Radio 3. In 2017 she curated an unprecedented event at the Wigmore Hall with three concerts in one day celebrating Polish music, in which she gave the UK premiere of Penderecki’s Capriccio for solo violin and a specially commissioned new work by Paulina Zalubska. An enthusiastic promoter of new music, she has had many works written for her, including Hafliði Hallgrímsson’s Violin Concerto, which she premièred with the Scottish Chamber Orchestra and Iceland Symphony Orchestra, Charlotte Bray’s Scenes from Wonderland which she premièred with the London Philharmonic Orchestra at the Royal Festival Hall and Andrew Schultz’s Violin Concerto and Sonatina for solo violin, for which her recording was nominated for ‘Best Performance of an Australian Composition’ at the Australian Classical Music Awards.

Her prolific and widely-acclaimed discography on Chandos, Sony and ABC Classics includes the Sibelius Violin Concerto with the Bergen Philharmonic and Sir Andrew Davis, described as “superb” (The Times) and “violin genius” (Mail on Sunday), Miklós Rózsa Violin Concerto with the BBC Philharmonic and Rumon Gamba, Bach with Sinfonietta Cracovia and Schultz with the Tasmanian Symphony Orchestra. She recently recorded the Mendelssohn Violin Concerto with the City of Birmingham Symphony and Edward Gardner on Chandos, acclaimed in the Observer for her “innate musicality and mercurial technique” and as “breathtakingly beautiful” by the Sunday Herald. Her recordings of Vaughan Williams’s The Lark Ascending with the Chamber Orchestra of New York on Naxos (The Strad Recommends, 2017) and David Bednall’s new works for violin and organ for Regent Records (Editor’s Choice, The Gramophone) were released recently.

In recognition of the impact she made in the performing arts, she was awarded a postgraduate scholarship by the Guildhall School of Music and Drama at the exceptional age of 16. She has studied with David Takeno and Robert Jacoby, and in 2012 she graduated with First Class Honours from Oxford University, where she was subsequently invited to take up the position of Artist-in-Residence. She plays a 1708 violin by Matteo Goffriller.

Martin Roscoe
With an extraordinary career spanning over four decades, Martin Roscoe is unarguably one of the UK’s best loved pianists. Renowned for his versatility at the keyboard, Martin is equally at home in concerto, recital and chamber performances. In an ever more distinguished career, his enduring popularity and the respect in which he is universally held are built on a deeply thoughtful musicianship allied to an easy rapport with audiences and fellow musicians alike.

With a repertoire of over 100 concertos performed or recorded Martin works regularly with many of the UK’s leading orchestras, having especially close links with the BBC Philharmonic Orchestra, BBC National Orchestra of Wales, BBC Scottish Symphony Orchestra, Hallé, Manchester Camerata, Northern Chamber Orchestra and with the Royal Liverpool Philharmonic Orchestra, where he has given over ninety performances. Martin has also performed with orchestras and festivals across Europe, Canada, Australia and the Far East, and shared the concert platform with eminent conductors such as Sir Simon Rattle, Sir Mark Elder and Christoph von Dohnányi.

A prolific recitalist and chamber musician, Martin tours the UK extensively every season, including regular appearances at Wigmore Hall and Kings Place. He has long-standing associations with Peter Donohoe, Kathryn Stott, Tasmin Little and the Endellion and Maggini Quartets as well as more recent collaborations with Jennifer Pike, Ashley Wass, Matthew Trusler, Liza Ferschtman and the Brodsky, Escher and Vertavo Quartets. One of his most important ensembles, the Cropper Welsh Roscoe Trio, performed many times across the UK, most notably at Wigmore Hall.

Recent highlights include BBC Philharmonic Orchestra, BBC Symphony Orchestra and Royal Philharmonic Orchestra, whilst future plans include engagements with the BBC Philharmonic, BBC Scottish Symphony Orchestra and Northern Chamber Orchestra.

Martin is Artistic Director of Ribble Valley International Piano Week, Beverley Chamber Music Festival and the Manchester Chamber Concerts Society.

Having made over 500 broadcasts, including seven BBC Prom appearances, Martin is one of the most regularly played pianists on BBC Radio 3. Martin has also made many commercial recordings for labels such as Hyperion, Chandos and Naxos. He has recorded the complete piano music of Nielsen and Szymanowski, as well as four discs in the Hyperion Romantic Piano Concerto series. For the Deux-Elles label, Martin has recorded the complete Beethoven piano sonatas, the first four discs of which have been released to unanimous critical acclaim. Martin’s most recent disc is Volume 3 of the complete piano music of Dohnányi, released on Hyperion in 2015; the disc has been yet another success with reviews such as “commanding and warm-hearted... a delectable disc” (Gramophone) and “exuberant and expressive...brilliant technical precision” (BBC Music Magazine, 5 stars).

Teaching has always been an important part of Martin’s life and the development of young talent helps him to constantly re-examine and re-evaluate his own playing. He is currently a Professor of Piano at the Guildhall School of Music in London and has been awarded his Fellowship there.

Martin lives in the beautiful English Lake District which provides inspiration and relaxation, and also enables him to indulge his passions for the countryside and hill-walking.

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