Sturm und Drang, Vol. 2: Haydn, Gluck, Vanhal, Mysliveček, J.C Bach The Mozartists & Ian Page

Cover Sturm und Drang, Vol. 2: Haydn, Gluck, Vanhal, Mysliveček, J.C Bach

Album Info

Album Veröffentlichung:
2020

HRA-Veröffentlichung:
09.10.2020

Label: Signum Classics

Genre: Classical

Subgenre: Vocal

Interpret: The Mozartists & Ian Page

Komponist: Johann Christian Bach (1735-1782), Josef Myslivecek (1737-1781), Johann Baptist Vanhal (1739-1813), Joseph Haydn (1732-1809), Christoph Willibald Gluck (1714-1787)

Das Album enthält Albumcover Booklet (PDF)

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Formate & Preise

FormatPreisIm WarenkorbKaufen
FLAC 96 $ 14,50
  • Franz Joseph Haydn (1732 - 1809): Symphony No. 39 in G Minor, Hob 1:39: I
  • 1Symphony No. 39 in G Minor, Hob 1:39: I. Allegro assai05:50
  • 2Symphony No. 39 in G Minor, Hob 1:39: Ii. Andante05:38
  • 3Symphony No. 39 in G Minor, Hob 1:39: Iii. Menuet e Trio03:28
  • 4Symphony No. 39 in G Minor, Hob 1:39: Iv. Finale. Allegro di molto04:44
  • Christoph Willibald Gluck (1714 - 1787): Paride ed Elena:
  • 5Paride ed Elena: "o del mio dolce ardor"03:10
  • 6Paride ed Elena: "tutto qui mi sorprende"01:10
  • 7Paride ed Elena: "le belle immagini"04:02
  • Johann Baptist Vanhal (1739 - 1813): Symphony in D Minor, Bryan D1:
  • 8Symphony in D Minor, Bryan D1: I. Allegro05:33
  • 9Symphony in D Minor, Bryan D1: Ii. Andante arioso06:26
  • 10Symphony in D Minor, Bryan D1: Iii. Menuetto e Trio03:54
  • 11Symphony in D Minor, Bryan D1: Iv. Presto05:56
  • Franz Joseph Haydn: Stabat Mater:
  • 12Stabat Mater: "fac me vere tecum flere"05:22
  • Josef Mysliveček (1737 - 1781): Semiramide:
  • 13Semiramide: "tu mi disprezzi ingrato"02:51
  • Johann Christian Bach (1735 - 1782): Symphony in G Minor, Op. 6, No. 6: I
  • 14Symphony in G Minor, Op. 6, No. 6: I. Allegro03:16
  • 15Symphony in G Minor, Op. 6, No. 6: Ii. Andante più tosto Adagio07:49
  • 16Symphony in G Minor, Op. 6, No. 6: Iii. Allegro molto02:28
  • Total Runtime01:11:37

Info zu Sturm und Drang, Vol. 2: Haydn, Gluck, Vanhal, Mysliveček, J.C Bach

Ohne Kompromisse: Ian Page und sein Ensemble The Mozartists widmen sich in einer siebenteiligen Reihe dem sogenannten Sturm und Drang in der Musik. Der aus der Literaturwissenschaft übernommene Begriff bezeichnet das Phänomen einer kompromisslosen Expressivität und Leidenschaft, welche die Musik in der Zeit von den frühen 1760er bis in die 1780er Jahre ergriff und sich u. a. in ausgiebigem Gebrauch von Molltonarten niederschlug. Anhand exemplarischer Werke von Haydn und Gluck sowie weniger bekannter Namen erforscht auch die zweite Folge den Beginn dieser Bewegung und ihrer engen Verbindung zur Opernmusik der Zeit. Ein ebenso spannendes wie aufschlussreiches Projekt!

Ida Ränslöv, Mezzosopran
The Mozartists
Ian Page, Dirigent




Ian Page
is the founder, conductor and artistic director of Classical Opera and The Mozartists. He began his musical education as a chorister at Westminster Abbey, and studied English Literature at the University of York before completing his studies at the Royal Academy of Music in London. At the start of his career he worked on the music staff at Scottish Opera, Opera Factory, Drottningholm and Glyndebourne, working with such conductors as Sir Alexander Gibson, Nicholas McGegan, Mark Wigglesworth, Ivor Bolton and Sir Charles Mackerras.

With Classical Opera he has conducted most of Mozart’s operas, including the world premières of the “original” version of Mitridate, re di Ponto and a new completion of Zaide, as well as the UK premières of Gluck’s La clemenza di Tito, Telemann’s Orpheus and Jommelli’s Il Vologeso, and the first new staging for 250 years of Johann Christian Bach’s Adriano in Siria. In 2009 he made his Royal Opera House début conducting Arne’s Artaxerxes at the Linbury Studio Theatre, and his studio recording of the work was released in 2011 on Linn Records.

He also devised and conducted Classical Opera’s recordings of ‘The A-Z of Mozart Opera’ (Signum Classics) and ‘Blessed Spirit – a Gluck retrospective’ (Wigmore Hall Live), both of which were selected for Gramophone magazine’s annual Critics’ Choice, and in 2012 he embarked on a new complete cycle of Mozart opera recordings with Classical Opera. He is the creator and driving force behind of MOZART 250, a ground-breaking 27-year journey through Mozart’s life, works and influences, and in 2017 founded The Mozartists to facilitate his ever-expanding concert work.

Ian is deeply committed to nurturing and championing outstanding young singers and players – for several years he was a professor at the Royal College of Music, and he has given masterclasses for the Guildhall School of Music & Drama and The Royal Opera’s Jette Parker Young Artists Programme. He is also a passionate spokesman for classical music, opera and the arts, and has broadcast on BBC 4 and Sky Arts.

The Mozartists
were created in 2017 by conductor, Ian Page, as a natural extension of his pioneering work with internationally renowned opera company, Classical Opera.

Classical Opera is best known for its current series, Mozart 250, in which they perform each year the operas and music that Mozart and his contemporaries composed 250 years ago. Comprising many of today’s leading period instrumentalists, The Mozartists perform alongside some of the world’s most exciting young singers.

In this concert, The Mozartists present a wide- ranging selection of works by Haydn, including a piano trio, songs, duets and some of his most delightful folksong settings, interspersed with two dramatically charged A minor sonatas by Mozart and Koželuch, played on the fortepiano by Steven Devine.



Booklet für Sturm und Drang, Vol. 2: Haydn, Gluck, Vanhal, Mysliveček, J.C Bach

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