- Michael Gilbertson (b. 1987): Born:
- 1Gilbertson: Born09:45
- Edie Hill (b. 1962): Spectral Spirits:
- 2Hill: Spectral Spirits: I. Prelude. These Birds02:22
- 3Hill: Spectral Spirits: II. Eyewitness. Henry David Thoreau and the Passenger Pigeon01:40
- 4Hill: Spectral Spirits: III. The Naming00:15
- 5Hill: Spectral Spirits: IV. Passenger Pigeon06:41
- 6Hill: Spectral Spirits: V. Eyewitness. Gert Goebel and the Paroquets01:43
- 7Hill: Spectral Spirits: VI. The Naming00:17
- 8Hill: Spectral Spirits: VII. Carolina Parakeet03:27
- 9Hill: Spectral Spirits: VIII. Eyewitness. Lucien M. Turner and the Migration of the Curlews03:50
- 10Hill: Spectral Spirits: IX. The Naming00:20
- 11Hill: Spectral Spirits: X. Eskimo Curlew03:55
- 12Hill: Spectral Spirits: XI. Eyewitness. Mr. Wilson and the Ivory-Bill02:07
- 13Hill: Spectral Spirits: XII. The Naming00:19
- 14Hill: Spectral Spirits: XIII. Ivory-Billed Woodpecker05:11
- Michael Gilbertson: Returning, Pt. 1:
- 15Gilbertson: Returning, Pt. 1: What Knits Us09:32
- Returning, Pt. 2:
- 16Gilbertson: Returning, Pt. 2: I Thought of Staying Quiet09:23
Info zu Born
Contemporary music needn’t sacrifice order and aesthetic appeal, even when it deals with complex issues. A glowing example of this is BORN: THE MUSIC OF EDIE HILL AND MICHAEL GILBERTSON, with conductor Donald Nally leading GRAMMY-winning professional chamber choir The Crossing on a breathtakingly beautiful expedition into themes of extinctions, relationships and their complexities, loss, and love.
Throughout this splendid amalgamation of Hill’s and Gilbertson’s ethereal, energetic, raw, and impactful compositions, the nuance of Nally’s conducting, and The Crossing’s superb expressiveness are ever-present. Singing that is transcendent and authentic.
Donald Nally, conductor
is a professional chamber choir conducted by Donald Nally and dedicated to new music. Consistently recognized in critical reviews, The Crossing has been hailed as “ardently angelic” (Los Angeles Times, 4/14) and “something of a miracle” (The Philadelphia Inquirer, 7/14). Formed by a group of friends in 2005, the ensemble has since grown exponentially and “has made a name for itself in recent years as a champion of new music.” (The New York Times, 2/14). Highly sought-after for collaborative projects, The Crossing was the resident choir of the Spoleto Festival, Italy in 2007; appeared at Miller Theatre of Columbia University in the American premiere of James Dillon’s Nine Rivers with the International Contemporary Ensemble (ICE); joined Bang on a Can’s first Philadelphia Marathon; and has appeared with the American Composers Orchestra, Network for New Music, Lyric Fest, Piffaro, red fish blue fish, Tempesta di Mare Baroque Chamber Orchestra, PRISM Saxophone Quartet, Toshimaru Nakamura, Dolce Suono, and in the summer of 2013, The Rolling Stones. The ensemble has sung in such venues as Walt Disney Concert Hall, The Kennedy Center, Carnegie Hall, and the Metropolitan Museum of Art; they made their Lincoln Center debut this past summer in a world premiere of John Luther Adams in a collaboration with the Mostly Mozart Festival, Lincoln Center Out of Doors Festival, eighth blackbird, Jack Quartet, and TILT brass.
The Crossing frequently commissions works and has presented over forty world premieres. Upcoming projects include commissions with Pelle Gudmundsen-Holmgreen, David T. Little, Joel Puckett, Santa Ratniece, Caroline Shaw, Kile Smith, Lewis Spratlan, Hans Thomalla, Anna Thorvaldsdottir, and Toivo Tulev. The ensemble recently released two recordings on the Innova label: Christmas Daybreak– with world premiere recordings of James MacMillan and Gabriel Jackson—and I want to live – with the complete choral works for women by David Lang. Recordings soon to be released include Lewis Spratlan’s Hesperus is Phosphorus and Gavin Bryars’ The Fifth Century, both commissioned by The Crossing and on the Innova label, as well as Choral Music of Greg Brown on the Navona label. The Crossing is the recipient of two ASCAP Awards for Adventurous Programming as well as the Dale Warland Singers Commissioning Award from Chorus America.
is responsible for imagining, programming, commissioning, and conducting at The Crossing. He is also director of choral organizations at Northwestern University and chorus master of The Chicago Bach Project. He has held distinguished tenures as chorus master for Lyric Opera of Chicago, Welsh National Opera, Opera Philadelphia, Spoleto USA, and for many seasons at the Spoleto Festival in Italy. He has served as artistic director of the Vocal Arts Ensemble of Cincinnati and the Choral Arts Society of Philadelphia. Among the many ensembles Donald has guest conducted are the Latvian State Choir in Riga, the Grant Park Symphony Chorus in Chicago, the Philharmonic Chorus of London, and the Santa Fe Desert Chorale. His ensembles have sung with the Philadelphia Orchestra, the Pennsylvania Ballet, Spoleto USA, the BBC Symphony Orchestra, Sinfonia Cymru, RAI National Symphony Orchestra, and ICE; his work is heard on numerous recordings on the Chandos, Navona, and Innova record labels. Donald is the recipient of the distinguished alumni merit award from Westminster Choir College and the Louis Botto Award for Innovative Action and Entrepreneurial Zeal from Chorus America; he is the only conductor to have two ensembles receive the Margaret Hillis Award for Excellence in Choral Music - in 2002 with The Choral Arts Society of Philadelphia, and in 2015 with The Crossing. His book, Conversations with Joseph Flummerfelt, was published in 2011.
Dieses Album enthält kein Booklet