Donnacha Dennehy: The Hunger Alarm Will Sound
Entschuldigen Sie bitte!
Sehr geehrter HIGHRESAUDIO Besucher,
leider kann das Album zurzeit aufgrund von Länder- und Lizenzbeschränkungen nicht gekauft werden oder uns liegt der offizielle Veröffentlichungstermin für Ihr Land noch nicht vor. Wir aktualisieren unsere Veröffentlichungstermine ein- bis zweimal die Woche. Bitte schauen Sie ab und zu mal wieder rein.
Wir empfehlen Ihnen das Album auf Ihre Merkliste zu setzen.
Wir bedanken uns für Ihr Verständnis und Ihre Geduld.
- Donnacha Dennehy (b. 1970): Donnacha Dennehy: The Hunger
- 1Donnacha Dennehy: The Hunger - I Have Seen and Handled the Black Bread11:35
- 2Donnacha Dennehy: The Hunger - I Feared He Would Die11:16
- 3Donnacha Dennehy: The Hunger - Black Potatoes06:35
- 4Donnacha Dennehy: The Hunger - Keening03:11
- 5Donnacha Dennehy: The Hunger - Dreadful Winter13:06
Info zu Donnacha Dennehy: The Hunger
Donnacha Dennehy's The Hunger—out August 23, 2019 on Nonesuch Records—explores Ireland's Great Famine. Performed by Alarm Will Sound led by Alan Pierson, soprano Katherine Manley, and sean nós singer Iarla Ó Lionáird, the libretto draws from first-hand accounts by American humanitarian Asenath Nicholson. The Hunger "bears hearing and rehearing," said the Washington Post. "It is powerful, and it makes a statement."
As Dennehy explains, "The Famine was a topic I had wanted to address in my music for a long time. Only when I discovered Asenath Nicholson's Annals of the Famine in Ireland, published in 1851, was a route unlocked for me. Her astonishing first-hand accounts became the piece's main narrative thread. She made the arduous journey from the U.S. to Ireland, when countless others were going in the opposite direction, and traversed the entire country, often on foot, and often staying in the homes of the suffering, in order to chronicle the conditions of starving Irish people."
He continues, "To counterpoint Nicholson's perspective, I invented an elderly Irish character, written for Iarla Ó Lionáird. The sense of how incapable bureaucracy is at dealing with a quickly transforming crisis, and how that bureaucracy can be used as a screen for being unfeeling, is implied by the narrative that Asenath tells of the old man's dealings with the hunger relief station, and the way the music surges and fades, embodying the old man's Sisyphean task." The Hunger has been performed as a staged "docu-cantata" in venues including BAM and the Kennedy Center. Alan Pierson leads Crash Ensemble, Manley, and Ó Lionáird in a performance at Abbey Theatre in Dublin, August 19–24. In September, Alarm Will Sound performs a concert version of the piece at Princeton University, where Dennehy is on faculty; Kaufman Music Center's Merkin Hall in collaboration with Irish Arts Center NYC, as part of Ecstatic Music's tenth anniversary season; and at Boston's Jordan Hall at the New England Conservatory for a performance in partnership with Oxfam America.
"The Irish potato famine of the late 1840s was a critical event in the history of both Ireland and the U.S., and it is surprising how few works of art have engaged with it. This work by composer Donnacha Dennehy helps address the lack. It is billed as an opera but lies somewhere between opera and cantata: there is no chorus, but no dramatic action, either. The Hunger features two voice parts: an American woman named Asenath Nicholson, who was an actual historical figure who traveled to Ireland and documented what she saw, and a nameless Man who embodies the sufferings of the Irish people. Nicholson is sung by an operatic soprano, Katherine Manley, and the Man by a sean-nós singer, Iarla Ó Lionáird. In Dennehy's hands, this is a powerful and flexible concept. Nicholson's lines are in prose, but as the piece develops and her understanding deepens, her musical idiom begins to take on Irish characteristics. (Sample the short but intense fourth section, "The Keening.") The accompaniment is by the 20-piece ensemble Alarm Will Sound, which has generally specialized in multimedia productions. Indeed, The Hunger started life as one of these, with the music presented concurrently with lectures by the likes of Noam Chomsky shown on screens. It is likely that many listeners will prefer the non-academic version here, created by the composer himself. The sound, from a New Jersey university auditorium, is surprisingly good, and the booklet includes a complete libretto. The piece runs for under an hour and may easily find applications in teaching students about the great famine." (James Manheim, AMG)
Alarm Will Sound
Born in Dublin in 1970, Donnacha Dennehy has had work featured in festivals and venues around the world, such as the Edinburgh International Festival, Royal Opera House, Carnegie Hall, The Barbican, BAM, Huddersfield Contemporary Music Festival, Dublin Theatre Festival, ISCM World Music Days, WNYC's New Sounds Live, Bang on a Can, Ultima Festival, Musica Viva, Saarbrucken Festival, Schleswig-Holstein Festival, and the Gaudeamus Festival. Nonesuch previously released Dennehy's Grá Agus Bás in 2011.
has carved a long and unique career in music in Ireland. From his iconic early recording of the vision song "Aisling Gheal" as a young boy to his ground breaking recordings with Dublin's Crash Ensemble he has shown a breadth of artistic ambition that sets him apart in the Irish Music fraternity. He has worked with a stellar cast of composers internationally including Dennehy, Nico Muhly, Dan Trueman, Gavin Bryars, and David Lang and he has performed and recorded with such luminaries as Peter Gabriel, Robert Plant, Nick Cave, and Sinead O'Connor. O'Lionáird previously performed on Nonesuch's 2011 release, Donnacha Dennehy's Grá Agus Bás.
studied at the Royal College of Music, London. Her early career had great success in baroque and classical repertoire with Handel in particular. She later went on to develop a reputation for her exploration of the contemporary repertoire, including world premières by Michel van der Aa and Donnacha Dennehy. Manley has also performed in the musicals of Rodgers and Hammerstein and Lerner and Loewe to critical acclaim, including performances in the UK, France, and the US.
Alarm Will Sound
is a twenty-member band committed to innovative performances and recordings of today's music, gaining a reputation for performing demanding works with energetic skill. The group's performances have been described as "equal parts exuberance, nonchalance, and virtuosity" by Financial Times and as "a triumph of ensemble playing" by the San Francisco Chronicle. The New York Times has said that Alarm Will Sound is "one of the most vital and original ensembles on the American music scene." Nonesuch previously released the ensemble's 2009 album a/rhythmia and its recording of Steve Reich's Radio Rewrite (2014) and his Music for Large Ensemble (Triple Quartet, 2001)
has been praised as "a dynamic conductor and musical visionary" by the New York Times. In addition to his work as artistic director of Alarm Will Sound, he is principal conductor of the Crash Ensemble; has served as artistic director of the Brooklyn Philharmonic; and has acted as a guest conductor for the Los Angeles Philharmonic, Chicago Symphony Orchestra, London Sinfonietta, Orchestra of St. Luke's, Steve Reich and Musicians, Ensemble Connect, Tanglewood Music Center Orchestra, New World Symphony, and Silkroad. Pierson's previous Nonesuch releases include Donnacha Dennehy's Grá Agus Bás (2011) and Alarm Will Sound's a/rhythmia (2009).
Dieses Album enthält kein Booklet