Ready for the Storm Lori Lieberman

• 1Alive In The World03:56
• 2A Piece Of Me05:13
• 3He Sings03:43
• 4Ready For The Storm05:01
• 5Photograph03:38
• 6Letter Of Explanation05:36
• 7I Would Wait03:54
• 8Three Days03:13
• 9Lucky Life04:04
• 10How I Wish03:44
• 11Water03:55
• 12Burden And Gift04:02
• 13Leftover Promises04:08
• 14Last Thing On My Mind03:57
• 15Stand For You04:23
• Total Runtime01:02:27

Info zu Ready for the Storm

Inspiriert durch ein Konzert von dem legendären Don McLeanschrieb Lori Lieberman 1972 ein kurzes Gedicht, aus dem schließlich das weltbekannte Lied Killing Me Softly entstand. Als der Sänger - dessen Song American Pie gerade die Charts stürmte - seinen trauriges Lied Empty Chairs spielte, fühlte Lori sich, als ob Don McLeandirekt in ihre Seele singen würde. Obwohl sie wohl am bekanntesten aufgrund dieses Songs ist, hat Lori Lieberman insgesamt 17 Alben aufgenommen. Ihr neustes Werk Ready For The Rain wurde von dem preisgekrönten, USamerikanischem Toningenieur und Produzenten Bob Clearmountain abgemischt.

Lori Lieberman, Gesang, Gitarre

Mixed by Bob Clearmountain

Lori Lieberman
Born in Los Angeles but raised in Switzerland, Lieberman expressed her feelings early on in journals and in song. One of three sisters, her early musical influences began with Donovan, Francoise Hardy, and Dionne Warwick, but her inspirations shifted when her sister returned from college in Maine, and gifted Lori with her favorite music from U.S. which included Joni Mitchell, Judy Collins, and Tom Rush. “I finally felt at home with their musical sensibilities and their writing really reached into my heart, “ she says. She began to write her own material, playing in high school bands and later, in college in Boston, before landing her first record deal with Capitol Records in the early 1970s.

Lieberman went on to record five more albums for Capitol (Lori Lieberman, Becoming, A Piece of Time, Straw Colored Girl, and The Best of Lori Lieberman), which featured a young Larry Carlton, Joe Sample, Merry Clayton, and members of the LA Express, to name a few. She toured extensively throughout the U.S. and Europe, along with Billy Joel, Randy Newman, John Sebastian, and others. However, it was her association with a little known New York–based record label, Millennium/RCA, that she was most encouraged to step away from the mainstream. Under Jimmy Ienner’s guidance, she wrote one of her most candid collections of songs entitled Letting Go.

As the styles of the music industry changed from James Taylor to disco, Ms. Lieberman struggled to create music that fit in. “One awful meeting led to another until the day I walked into a publisher’s office,” she says, recalling the moment she called it quits. “He put his hand up as if to say, ‘hold on’ while he continued to discuss his dinner plans. I waited, got up, and left. I remember thinking, ‘I’m done.’ And I was.” With a mischievous laugh, she adds, “The same publisher is now a realtor and has friend-requested me on Facebook… I think I’ll make him wait!”

Lieberman focused on her family life, the mother of three children (Em, Daniel, and Will), and stayed away from the music business for the next 15 years. She regards that time as one of the happiest and most fulfilling of all, and yet, she secretly kept on writing songs that no one heard, in her small studio in the upstairs corner of her home.

Her music took a backseat until producer and audiophile, Joseph Cali, coaxed a reluctant Lieberman out of the shadows, and got her singing again. In the time spent away from the music business, Cali was surprised to find that she had continued writing, putting her thoughts and music in her secret archive. He had an idea to involve his former partner in Cello Music and Film, engineer Mark Levinson, to create a two-mic live experience with Lieberman for the audiophile community.



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Lori Lieberman
Born in Los Angeles but raised in Switzerland, Lieberman expressed her feelings early on in journals and in song. One of three sisters, her early musical influences began with Donovan, Francoise Hardy, and Dionne Warwick, but her inspirations shifted when her sister returned from college in Maine, and gifted Lori with her favorite music from U.S. which included Joni Mitchell, Judy Collins, and Tom Rush. “I finally felt at home with their musical sensibilities and their writing really reached into my heart, “ she says. She began to write her own material, playing in high school bands and later, in college in Boston, before landing her first record deal with Capitol Records in the early 1970s.

Lieberman went on to record five more albums for Capitol (Lori Lieberman, Becoming, A Piece of Time, Straw Colored Girl, and The Best of Lori Lieberman), which featured a young Larry Carlton, Joe Sample, Merry Clayton, and members of the LA Express, to name a few. She toured extensively throughout the U.S. and Europe, along with Billy Joel, Randy Newman, John Sebastian, and others. However, it was her association with a little known New York–based record label, Millennium/RCA, that she was most encouraged to step away from the mainstream. Under Jimmy Ienner’s guidance, she wrote one of her most candid collections of songs entitled Letting Go.

As the styles of the music industry changed from James Taylor to disco, Ms. Lieberman struggled to create music that fit in. “One awful meeting led to another until the day I walked into a publisher’s office,” she says, recalling the moment she called it quits. “He put his hand up as if to say, ‘hold on’ while he continued to discuss his dinner plans. I waited, got up, and left. I remember thinking, ‘I’m done.’ And I was.” With a mischievous laugh, she adds, “The same publisher is now a realtor and has friend-requested me on Facebook… I think I’ll make him wait!”

Lieberman focused on her family life, the mother of three children (Em, Daniel, and Will), and stayed away from the music business for the next 15 years. She regards that time as one of the happiest and most fulfilling of all, and yet, she secretly kept on writing songs that no one heard, in her small studio in the upstairs corner of her home.

Her music took a backseat until producer and audiophile, Joseph Cali, coaxed a reluctant Lieberman out of the shadows, and got her singing again. In the time spent away from the music business, Cali was surprised to find that she had continued writing, putting her thoughts and music in her secret archive. He had an idea to involve his former partner in Cello Music and Film, engineer Mark Levinson, to create a two-mic live experience with Lieberman for the audiophile community.

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