Holst: The Planets, Op. 32 London Symphony Orchestra & Sir Colin Davis

• Gustav Holst (1874 - 1934): The Planets, Op. 32:
• 1The Planets, Op. 32: I. Mars, the Bringer of War07:07
• 2The Planets, Op. 32: II. Venus, the Bringer of Peace08:20
• 3The Planets, Op. 32: III. Mercury, the Winged Messenger04:16
• 4The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity08:06
• 5The Planets, Op. 32: V. Saturn, the Bringer of Old Age09:21
• 6The Planets, Op. 32: VI. Uranus, the Magician05:59
• 7The Planets, Op. 32: VII. Neptune, the Mystic06:35
• Total Runtime49:44

Info for Holst: The Planets, Op. 32

The Planets became one of the most popular and widely recognised musical works of the 20th century. Holst himself conducted the LSO in two early recordings of his masterpiece. Sir Colin Davis's blazing performance, recorded over three evenings in June 2002, promises to be one of the classical releases of the year.

"Colin Davis, as might be expected, has no problems, conjuring like Uranus the Magician, the full panoply of atmosphere, stillness and energy from the vitruoso LSO" (Daily Telegraph)

Ladies of the London Symphony Chorus, London
London Symphony Orchestra
Colin Davis, conductor

Digitally remastered

Sir Colin Davis
The traditional road to success for a conductor used to be an apprenticeship in an opera house as a coach, playing the piano for singers in rehearsal. Colin Davis chose another route, partly by necessity. Unable to play the piano, he was not allowed into the conducting course at the Royal College of Music in London. So, he achieved an important international career by taking the initiative to form ensembles and conduct for friends at first. Early successes included the founding of the Chelsea Opera Group, a company which to this day gives performances of little known operas in concert.

Davis was soon working with professional orchestras including the BBC Scottish Symphony. His first ‘break’ was at Sadler’s Wells in 1958 when his conducting of Mozart’s Abduction from the Seraglio began a lifelong connection with that composer. The Edinburgh Festival followed along with Glyndebourne. His concert career blossomed in the mid 1960′s alongside his opera work and his other passion for Berlioz began to bring him to the attention of record lovers. He has recorded all the major works of Berlioz, including the first complete (and still regarded as the landmark) recording of Les Troyens.

Davis has enjoyed a career-long affiliation with Philips Classics, recording along with Berlioz, Mozart, the complete symphonies of Sibelius (while he was Principal Guest Conductor of the Boston Symphony in the 1970s) and much more.

This album contains no booklet.