Harry Our King: Music for King Henry VIII Tudor Capella de la Torre & Katharina Bäuml
- 1England be glad02:05
- 2Missa pro defunctis Introitus03:03
- 3Gentil Prince de renom03:15
- 4Nil maius superi vident à 503:40
- 5The hunt is up04:01
- 6Green groweth the holly03:21
- 7Jay pryse amours04:23
- 8Blow thy horn, hunter02:21
- 9Pavan La Battaglia03:40
- 10And I were a maiden02:33
- 11Pray we to God à 302:26
- 12Fortune esperée02:11
- 13Fortune my foe01:50
- 14Fortune my foe (instr)04:06
- 15If love now reigned02:21
- 16A Robin, gentle Robin02:51
- 17Taunder naken02:35
- 18Gagliarde La Battaglia02:12
- 19Pastime with good company03:25
- 20Helas Madame02:55
- 21La doune cella02:20
- 22Adieu madame ma maistresse04:03
- 23Sancta Maria à 604:17
Info for Harry Our King: Music for King Henry VIII Tudor
“Harry our King”, the new album of the well-known German ensemble Capella de la Torre, is a fairytale-like interpretation of music from the court of King Henry VIII Tudor of England. King Henry was a well-educated and creative art lover, who played and composed music himself and gathered at his court artists and scholars from all over Europe. On this vibrant new recording songs and dances of Henry VIII and his contemporaries are made into a musical kaleidoscope of courtial life with all its aspects of love, leisure and religiousness. Famous tenor Charles Daniels with his unique Old English pronunciation makes this music very much alive!
Capella de la Torre
Charles Daniels, tenor
Jeremy West, cornetto
Hildegard Wippermann, shawm, recorder
Detlef Reimers, sackbut
Regina Hahnke, bass dulcian, recorder
Johannes Vogt, lute
Peter A. Bauer, percussion
Katharina Bäuml, shawms, direction
Capella de la Torre
is a group of musicians who have made a name for themselves as specialists in historical performance practice. The ensemble's aim is to give listeners an immediate experience of the rich and hitherto neglected repertoire of mediaeval and renaissance music by performing it to a professional standard.
The name "de la Torre" has a double meaning. In the first place, it pays homage to the Spanish composer Francisco de la Torre, who wrote his "Danza Alta" at the beginning of the 16th century. This is probably the most famous piece for what was then known as "capella alta", an ensemble of wind instruments such as shawms, dulcians, sackbuts and cornetti. Capella de la Torre has specialized in music written for the "capella alta". Secondly, the name may be taken in a literal sense: "de la Torre" means "from the tower" and groups of wind players (Spanish: ministriles) often played on towers or balconies at festivals and other official occasions. "Torres de los Ministriles" are still to be found in many Spanish towns today.
Capella de la Torre does not confine itself to Spanish music, however, but also plays music written throughout the rest of Europe for the "hauts instruments" or "loud instruments". In general, it tries to breathe life into the old traditions of "ministriles", "piffari" and "Stadtpfeiffer".
In the music world of today there are very few ensembles centred around historical double-reed instruments. This is particularly so in Germany.
born in Munich, Germany, studied modern oboe in the Conservartories of Hannover with Klaus Becker, Hamburg with Rainer Herweg and Mannheim with Winfried Liebermann graduating with 1st Class Honours. She has performed as oboe soloist in the “Gustav Mahler Orchestra” and has tought oboe at the School of Music of Hamburg.
In Hamburg she also elaborated her musical skills by studying historical woodwind instruments with Renate Hildebrand at the Hamburg Conservatory, finished her studies with the Diploma with 1st Class Honours. For further widening her expertise of historical oboes and shawms she then studied with Katharina Arfken at the “Schola Cantorum”, Basel and has participated in master classes with Ku Ebbinge, Alfredo Bernardini, Paul Dombrecht and Bruce Haynes. Katharina has worked with Claudio Abbado, Pierre Boulez, Gottfried von der Goltz, Andrea Marcon, Carles Magraner, Marc Minkowski, Michael Schoenheit y Ludger Remy and has performed with Akademie für Alte Musik Berlin, Les Musiciens du Louvre, Barockorchester L´Arco, L´Arpa Festante, Musica Fiata, Dresdner Instrumentalconcert, Capella de Ministrers, Orquesta Barroca de Sevilla and Ministriles de Marsias.
In 2005 Katharina has founded the ensemble “Capella de la Torre”, which is dedicated to the music of the 15th and 16th centuries especially for double reed instruments.
Katharina has appeared in various recordings of CDs and radio broadcastings, e.g. for Radio France, MDR, NDR and WDR. She has given master classes of medieval and renaissance music at the Conservatory of Amsterdam and is currently living in Braunschweig, Germany, where she also teaches oboe and shawm.
With the accordeon-player Margit Kern Katharina Bäuml founded 2011 the Duo Mixtura, where the two musicians combine music o the Renaissance with contemprary music written especially for the duo. www.ensemble-mixtura.de
Katharina Bäuml is giving in masterclasses at the conservatorys of Geneva and Hannover and she teaches in Berlin.