The Ultra Vivid Lament (Deluxe Edition) Manic Street Preachers

Album info

Album-Release:
2021

HRA-Release:
10.09.2021

Label: Columbia

Genre: Pop

Subgenre: Pop Rock

Artist: Manic Street Preachers

Album including Album cover

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  • 1Still Snowing in Sapporo06:08
  • 2Orwellian03:49
  • 3The Secret He Had Missed03:39
  • 4Quest for Ancient Colour04:08
  • 5Don't Let the Night Divide Us03:42
  • 6Diapause04:59
  • 7Complicated Illusions03:23
  • 8Into the Waves of Love03:10
  • 9Blank Diary Entry04:38
  • 10Happy Bored Alone03:09
  • 11Afterending03:54
  • 12Still Snowing in Sapporo (Demo)05:14
  • 13Orwellian (Demo)03:49
  • 14The Secret He Had Missed (Demo)03:39
  • 15Quest for Ancient Colour (Demo)03:41
  • 16Don't Let the Night Divide Us (Nicky Wire Home Demo)01:05
  • 17Don't Let the Night Divide Us (Demo)03:39
  • 18Diapause (Demo)05:02
  • 19Complicated Illusions (Nicky Wire Home Demo)01:19
  • 20Complicated Illusions (Demo)03:10
  • 21Into the Waves of Love (Demo)03:10
  • 22Blank Diary Entry (Demo)04:44
  • 23Happy Bored Alone (Demo)03:17
  • 24Afterending (Demo)04:03
  • Total Runtime01:30:31

Info for The Ultra Vivid Lament (Deluxe Edition)



Manic Street Preachers return with their 14th studio album ‘The Ultra Vivid Lament’

‘The Ultra Vivid Lament’ is both reflection and reaction; a record that gazes in isolation across a cluttered room, fogged by often painful memories, to focus on an open window framing a gleaming vista of land melting into sea and endless sky.

‘The Ultra Vivid Lament’s eleven tracks perfectly marry introspection, quiet rage and sublime, irresistible tunes. Those elements are there throughout, from the opening ambient hum of ‘Snowing In Sapporo’ to the galloping ‘The Secret He Had Missed’s push-and-pull duet imagining dialogue between Welsh brother and sister artists Augustus and Gwen John; via ‘Diapause’s sublime contemplation and ‘Happy Bored Alone’s stoic wishful thinking.

Musically, ‘The Ultra Vivid Lament’ is inspired by a formative years record box (ABBA, post-Eno Roxy, the Bunnymen, Fables-era REM, Lodger) though the end result could only be the unique union of James Dean Bradfield, Nicky Wire and Sean Moore, collectively one of the UK’s most consistently brilliant rock’n’roll bands for over three decades.

A departure from their last release (2018’s ‘Resistance is Futile’), ‘The Ultra Vivid Lament’ is the first Manic Street Preachers album initially conceived on piano rather than guitar. It was recorded over winter 2020/21 in Wales at Rockfield in Monmouth and the bands’ Door to the River studio in Newport with longtime collaborator Dave Eringa (The Who), before being mixed by David Wrench (Blossoms, Frank Ocean, Arlo Parks). The album features two guest vocalists: Julia Cumming (Sunflower Bean) on ‘The Secret He Had Missed’ and Mark Lanegan on ‘Blank Diary Entry’.

Manic Street Preachers



Manic Street Preachers
Band members meet in 1986 in Balckwood, South Wales. James Dean Bradfield (vocals, guitar, piano and keyboard) starts writing lyrics – later to be replaced with Nicky Wire (bass guitar, piano, and vocals). Sean Moore (drums, percussions, trumpet and vocals) joins the band and writes the music. They start off as a punk band. But when their style starts changing in 1988, bass guitarist Miles Woodward decides to leave the band. It is also the year they release their first single “Suicide Alley”. Following this release, Richey Edwards (guitar, vocals) joins the band. After signing a contract with Damaged Goods Records in 1990, they also release their first EP called “New Art Riot”. The contract only being for one release, they later sign a contract with the indie label Heavenly Records. They consequently release the single “Motown Junk” and begin working on an album.

Their debut album “Generation Terrorists” (1993) is a great success. It will be closely followed by their second album “Gold Against the Soul” – more grunge, but also more commercial, reaching the top of the UK charts. This opus is described as more personal and less political than their previous work.

In 1994, Edward’s personal issues lead him to a mental hospital. The band keeps performing live to pay for his recovery treatments. It is also the year they release “The Holy Bible”, their third studio album. The promotion for this album is quite controversial. They often appear live dressed up as terrorists/army men. Adding to the controversy, Edwards goes missing and is presumed dead after his car is found empty three days later. For six months, the band stops all activities but eventually decide to keep working.

Their next album “Everything Must Go” (1996) includes five tracks written by Edwards – as a tribute after his passing – and is critically acclaimed. The opus wins two Brit Awards. Two years later, they release “This Is My Truth Tell Me Yours” (1998) which is an international success which get them two more Brit Awards in 1999. In 2000, their limited edition single “The Masses Against the Classes” reaches the top of the UK charts with almost no promotion.

In 2001, Manic Street Preachers make another political statement playing live in Cuba for President Fidel Castro. This trip will make a documentary film called “Louder Than War”. The next year, they release their first best-of album, “Forever Delayed” with two exclusive tracks.

Their next really successful album will be “Lifeblood” in 2004. They promote in arenas around the UK following their great popular and critical success. That year, they also release an anniversary version of their album “The Holy Bible” including rare mixes, exclusive tracks, interviews and live performances.

Their next album “God Save the Manics” is also a limited edition which they give out to fans at their shows. It will later be uploaded on their website. In 2008, they receive the God-Like Geniuses Award at the NME Awards ceremony.

In 2009, their ninth album “Journal for Plague Lovers” includes bits of lyrics from Edwards which had not been used before. The opus is released as a new kind of tribute to their late friend.

Their next album “Postcards from a Young Man” (2010) is way more pop than usual. According to the members themselves, they wanted to write hit singles for this one, and match the “mass communication” trend.

In 2012, Manic Street Preachers embark on a massive European greatest hits tour. In 2013, they continue touring in Australia and New Zealand. In September, the first single for their next album comes out, “Show Me the Wonder”. The album “Rewind the Film” is released later that month and is a great success.

This album contains no booklet.

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