Blood Mountain (Remastered) Mastodon
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- 1The Wolf Is Loose03:34
- 2Crystal Skull03:24
- 3Sleeping Giant05:36
- 4Capillarian Crest04:25
- 5Circle of Cysquatch03:19
- 7Colony of Birchmen04:19
- 8Hunters of the Sky03:52
- 9Hand of Stone03:30
- 10This Mortal Soil05:00
- 11Siberian Divide05:28
- 12Pendulous Skin05:03
Info for Blood Mountain (Remastered)
Blood Mountain is the third full-length studio album and major label debut by American heavy metal band Mastodon. Like Mastodon's previous studio work Leviathan, Blood Mountain is a concept album. According to bassist Troy Sanders, "It's about climbing up a mountain and the different things that can happen to you when you're stranded on a mountain, in the woods, and you're lost. You're starving, hallucinating, running into strange creatures. You're being hunted. It's about that whole struggle." Guitarist Bill Kelliher considers this album to represent the earth element. At the time, bassist Troy Sanders called it "sonically the best album we have done." The band's emphasis on clean, melodic vocals instead of the harsher vocals that the band used on their early work continues to grow on this album.
The album includes guest appearances by Scott Kelly of Neurosis on "Crystal Skull", Josh Homme of Queens of the Stone Age on "Colony of Birchmen", as well as keyboard player Isaiah "Ikey" Owens and singer Cedric Bixler-Zavala of The Mars Volta on "Pendulous Skin" and "Siberian Divide", respectively.
Troy Sanders, bass, vocals
Brent Hinds, lead guitar, vocals, rhythm guitar on "Sleeping Giant"
Bill Kelliher, rhythm guitar, lead guitar on "Sleeping Giant", backing vocals
Brann Dailor, drums, percussion, backing vocals
Scott Kelly, guest vocals and additional lyrics on "Crystal Skull"
Josh Homme, guest vocals on "Colony of Birchmen" and hidden message on "Pendulous Skin"
Cedric Bixler-Zavala, guest vocals on "Siberian Divide"
Isaiah "Ikey" Owens, keyboards on "Pendulous Skin"
Recorded December 2005 – April 2006 at Robert Lang Studios, Studio Litho, and EK Studios, Seattle, Washington Produced by Matt Bayles, Mastodon
are an explosive, unbridled force. Possessing an uncanny song-writing sense, fearless innovation, unparalleled technical ability and a bottomless pool of raw talent and creativity, Mastodon are inarguably one of the most exciting new bands to form in the last 10 years.
In order to re-focus and regroup after leaving TODAY IS THE DAY in 1999, drummer Brann Dailor and guitarist Bill Kelliher opted to move back to their hometown of Rochester, New York. There, Dailor and Kelliher united with their former band Lethargy for a swansong show and demo. With the final chapter in Lethargy closed, the musicians moved to Atlanta, Georgia in January 2000 for a new start.
Only three weeks after arriving in Atlanta, Dailor and Kelliher met bassist Troy Sanders and guitarist Brent Hines at a High On Fire show that Hinds put on in his basement. Dailor and Kelliher had almost a decade of playing and touring experience together; Sanders and Hines had a half-dozen.
Within a few weeks of forming, the quartet's intense songwriting chemistry generated a myriad of hard-hitting songs. These songs merely touched the surface of the outfit's boundless well of ideas.
Under the name Mastodon, the group recorded their first demo in June 2000. With a new demo in hand, the band started a tireless tour schedule, covering most of the Eastern US as well as playing numerous regional dates supporting Queens Of The Stone Age, Morbid Angel, Cannibal Corpse and many others. Mastodon's exceptional live performances impressed to such an extent that within months a contract was inked and the band welcomed to the Relapse family.
Mastodon's exceptional live performance impressed Relapse to such an extent that within months a contracted was inked, and Mastodon welcomed to the Relapse family.
In the spring of 2001, Mastodon once again blazed through the Eastern U.S. with Eyehategod, Keelhaul and Burnt By The Sun. Mastodon blew the doors off every venue along the tour, leaving a whole new contingent of music fans awestruck and hungry for more. Their formidable live reputation helped land them a summer tour again through the East Coast and Midwest, where they linked up with The Fucking Champs. The tour lead them through innumerable festivals (Milwaukee Metalfest, Hellfest, World Series of Metal, and Mid-South Metal Fest) whose attendees witnessed an entirely new form of power and intensity.
In August, Mastodon's Relapse debut EP "Lifesblood" hit with adamantine force. "Lifesblood" illustrated the band's incredible technical prowess, memorable hooks, and earthshaking ability to rock that they had been delivering night after night in club after club.
Not only did "Lifesblood" put them on the map, it proved once and for all that Mastodon were their own band with a sound and vision that defied categorization.
Eager to continue moving forward, Mastodon honed their new material and entered Man Or Astroman?'s Zero Return Studios in Atlanta with producer/engineer Matt Bayles (Isis, Burnt By The Sun, Pearl Jam) in October, 2001 to record their first full-length "Remission".
If "Lifesblood" was just the eye-opening introduction, Mastodon certainly awakened the slumbering heavy music scene on "Remission". "Remission" bridges the soulful and technical as herculean yet incisive song-writing is effortlessly fused with an expansive and emotive tenor. Creative, distinct, graceful and strong, Mastodon's "Remission" features the traits of a benchmark release, a standard to which others will be held and ultimately measured by. Rarely is rock so pure and hard-hitting.
Songs such as the galloping "March Of The Fire Ants", the beautiful "Ol'e Nessie", "Mother Puncher"'s labyrinthine guitar workout, and the punishing "Workhorse" are nothing short of insta-classics, and the albums remaining seven tracks are not far behind.
The quartet dug into their roadwork hard upon the release of "Remission". First a two-month North American Tour supporting High On Fire, followed by strings of dates supporting Hatebreed, Clutch, and Five Pointe O followed. The quartet finished out a busy 2002 with a Japanese Tour with High On Fire and a quick Eastern US run supporting The Dillinger Escape Plan.
The Melville's 'Moby Dick'-based new album 'Leviathan', recorded in Robert Lang Studios and Litho Studios in Seattle under the aegis of producer Matt Bayles is scheduled for late August 2004.
This album contains no booklet.