Johannes Brahms: Piano Concerto No. 1 & Tragic Overture - Cherubini: Éliza (Overture) Alexander Melnikov, Sinfonieorchester Basel & Ivor Bolton

Cover Johannes Brahms: Piano Concerto No. 1 & Tragic Overture - Cherubini: Éliza (Overture)

Album info



Label: Harmonia Mundi

Genre: Classical

Subgenre: Concertos

Artist: Alexander Melnikov, Sinfonieorchester Basel & Ivor Bolton

Composer: Johannes Brahms (1833 - 1897), Luigi Cherubini (1760 - 1842)

Album including Album cover Booklet (PDF)


Formats & Prices

FormatPriceIn CartBuy
FLAC 96 $ 14.00
  • Johannes Brahms (1833 - 1897):
  • 1Brahms: Tragic Overture, Op. 8115:25
  • 2Brahms: Piano Concerto No. 1 in D Minor, Op. 15: I. Maestoso23:50
  • 3Brahms: Piano Concerto No. 1 in D Minor, Op. 15: II. Adagio13:31
  • 4Brahms: Piano Concerto No. 1 in D Minor, Op. 15: III. Rondo. Allegro non troppo12:45
  • Luigi Cherubini (1760 - 1842):
  • 5Cherubini: Éliza, ou Le Voyage aux Glaciers du Mont Saint-Bernard: Overture08:38
  • Total Runtime01:14:09

Info for Johannes Brahms: Piano Concerto No. 1 & Tragic Overture - Cherubini: Éliza (Overture)

A peak of the Romantic concerto: With his First Concerto, the young Brahms set his own course in the wake of Beethoven and Schumann and at the same time poured forth his personal emotions in this work of impressive dimensions. The Russian soloist has chosen an instrument contemporary with the premiere, a magnificent Blüthner piano from 1859, a perfect match for the Sinfonieorchester Basel under its British conductor. In addition to Brahms’s Tragic Overture, the programme also includes the much rarer Overture to Éliza, an opera by a composer whom Brahms greatly admired: Cherubini.

Alexander Melnikov, piano (Blüthner Grand Piano ca. 1859)
Sinfonieorchester Basel
Ivor Bolton, conductor

Alexander Melnikov
graduated from the Moscow Conservatory under Lev Naumov. His most formative musical moments in Moscow include an early encounter with Svjatoslav Richter, who thereafter regularly invited him to festivals in Russia and France. He was awarded important prizes at eminent competitions such as the International Robert Schumann Competition in Zwickau (1989) and the Concours Musical Reine Elisabeth in Brussels (1991).

Known for his often-unusual musical and programmatic decisions, Alexander Melnikov developed his career-long interest in historically informed performance practice early on. His major influences in this field include Andreas Staier and Alexei Lubimov. Melnikov performs regularly with distinguished period ensembles including the Freiburger Barockorchester, Musica Aeterna and Akademie für Alte Musik Berlin. As a soloist, Alexander Melnikov has performed with orchestras including the Royal Concertgebouw Orchestra, Gewandhausorchester Leipzig, Philadelphia Orchestra, NDR Elbphilharmonie Orchester, HR-Sinfonieorchester, Munich Philharmonic, Rotterdam Philharmonic and BBC Philharmonic, under conductors such as Mikhail Pletnev, Teodor Currentzis, Charles Dutoit, Paavo Järvi and Valery Gergiev.

Together with Andreas Staier, Alexander Melnikov recorded a unique all-Schubert programme of four-hand pieces, which they have also performed in concert. An essential part of Melnikov’s work is intensive chamber music collaboration with partners including cellist Jean-Guihen Queyras.

Alexander Melnikov’s association with the label harmonia mundi arose through his regular recital partner, violinist Isabelle Faust, and in 2010 their complete recording of the Beethoven sonatas for violin and piano won a Gramophone Award. This album, which has become a landmark recording for these works, was also nominated for a Grammy. Their most recent releases feature Brahms and Mozart sonatas for violin and piano.

Melnikov’s recording of the Preludes and Fugues by Shostakovich was awarded the BBC Music Magazine Award, Choc de classica and the Jahrespreis der Deutschen Schallplattenkritik. In 2011, it was also named by the BBC Music Magazine as one of the “50 Greatest Recordings of All Time.” Additionally, his discography features works by Brahms, Rachmaninov, Shostakovich and Scriabin. Along with Isabelle Faust, Jean-Guihen Queyras, Pablo Heras-Casado and the Freiburger Barockorchester, Melnikov recorded a trilogy of albums featuring the Schumann Concertos and Trios (published in 2015-16) and Beethoven’s Triple Concerto (2021). Other releases include a complete recording of Prokofiev’s piano sonatas and “Four Pieces, Four Pianos”, released in 2018 and highly acclaimed by critics.

In the 2021/22 season Alexander Melnikov will tour his project “Many Pianos”, where he performs a solo recital on different instruments reflecting the periods in which the works were written. In addition to concerts with the Orquestra Sinfonica do Estado de Sao Paulo, Sydney Symphony Orchestra and Basel Sympony Orchestra he is Artist in Residence at the 2022 Schwetzinger Festspiele.

Further highlights include performances at Muziekgebow Amsterdam, Wigmore Hall London and Konzerthaus Berlin, a concert tour to Japan with Andreas Staier, as well as concerts Isabelle Faust and Jean-Guihen Queyras.

Booklet for Johannes Brahms: Piano Concerto No. 1 & Tragic Overture - Cherubini: Éliza (Overture)

© 2010-2021 HIGHRESAUDIO