Come Sorrow Ensemble Près de votre oreille, Robin Pharo, Thibaut Roussel, Anaïs Bertrand and Nicolas Brooymans

• Robert Jones (1577 - 1617): The Second Booke of Songs and Ayres:
• 1The Second Booke of Songs and Ayres: Come Sorrow (London, 1601)05:38
• John Dowland (1563 - 1626): Dowland's adew for Master Oliver Cromwell:
• 2Dowland's adew for Master Oliver Cromwell, P 13 (London, 1600)05:09
• Robert Jones: The Second Booke of Songs and Ayres:
• 3The Second Booke of Songs and Ayres: Love wing'd my hopes05:26
• 4The Second Booke of Songs and Ayres: O How my thoughts04:52
• John Dowland: The Frog Galliard
• 5The Frog Galliard, P 2302:16
• Robert Jones: The Second Booke of Songs and Ayres:
• 6The Second Booke of Songs and Ayres: Fie Fie03:08
• Tobias Hume (1569 - 1645): The First Part of Ayres:
• 7The First Part of Ayres: The Souldiers Song (London, 1605)02:05
• 8The First Part of Ayres: A Souldiers Galliard (London, 1605)01:16
• 9The First Part of Ayres: What greater grief (London, 1605)03:24
• Alfonso Ferrabosco II (1575 - 1628): Lessons for 1, 2 and 3 Viols:
• 10Lessons for 1, 2 and 3 Viols: The first tuning - Almain III (London, 1609)02:18
• 11Lessons for 1, 2 and 3 Viols: The first tuning - Galliard II (London, 1609)03:44
• 12Lessons for 1, 2 and 3 Viols: The first tuning - Coranto IV (London, 1609)01:16
• Robert Jones: The Second Booke of Songs and Ayres:
• 13The Second Booke of Songs and Ayres: Now what is love03:34
• 14The Second Booke of Songs and Ayres: ove's God is a boy03:19
• Tobias Hume: The First Part of Ayres:
• 15The First Part of Ayres: Alas poor man10:00
• 16The First Part of Ayres: Fain would I change01:57
• 17The First Part of Ayres: Tobacco01:45
• Robert Jones: The Second Booke of Songs and Ayres:
• 18The Second Booke of Songs and Ayres: Did ever man thus love as I07:01
• Tobias Hume: The First Part of Ayres:
• 19The First Part of Ayres: A Pavin06:40
• John Dowland: The Second Booke of Songs or Ayres:
• 20The Second Booke of Songs or Ayres: Flow my teares04:36
• Robin Pharo:
• 21Crépuscule (Bonus Track)04:52
• Total Runtime01:24:16

Info for Come Sorrow

Over and above the research on the role of the viola da gamba in the English vocal repertoire, our programme also seeks to provide an experience of total immersion in the chamber music of this era, which can induce meditation and contemplation as potently as it can arouse humour and joy. Through the work of four major British composers, it presents pieces that we have too few opportunities to hear, as well as other more famous works which are the glory of the Elizabethan repertoire. Come Sorrow is the melancholy title of our programme, but also and especially that of one of the most beautiful vocal pieces written by Robert Jones.

Ensemble Pres de votre oreille

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Booklet for Come Sorrow