Legendary Hearts Lou Reed

Album info

Album-Release:
1983

HRA-Release:
09.04.2015

Label: Sony Music Latin

Genre: Rock

Subgenre: Singer / Songwriter

Artist: Lou Reed

Album including Album cover

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  • 1Legendary Hearts03:24
  • 2Don't Talk To Me About Work02:07
  • 3Make Up Mind02:48
  • 4Martial Law03:53
  • 5The Last Shot03:23
  • 6Turn Out The Light02:45
  • 7Pow Wow02:30
  • 8Betrayed03:10
  • 9Bottoming Out03:40
  • 10Home Of The Brave06:49
  • 11Rooftop Garden03:04
  • Total Runtime37:33

Info for Legendary Hearts

„If Legendary Hearts seemed like a disappointment in 1983, that was largely because the year before Lou Reed had released The Blue Mask, one of the finest albums of his career, and Legendary Hearts just wasn't quite as good. But pull it off the shelf today, give it a listen, and Legendary Hearts easily shuts down nearly anything Reed released in the 1970s; if it's a less obvious masterpiece than The Blue Mask, it makes clear that Reed was once again in firm command of his strengths, and making the most of them in the studio. Guitarist Robert Quine and bassist Fernando Saunders were both back on board from The Blue Mask, and they reaffirmed their status as the linchpins of the strongest band of Reed's solo career, and drummer Fred Maher rocked harder (and with fewer frills) than Doane Perry. The bracing cross-talk of Reed's and Quine's guitars had lost nothing in the year separating the two albums, and if Reed didn't seem to be aiming quite as high as a songwriter this time out, most of the tracks were every bit as intelligent and soul-searching as The Blue Mask's lineup; if there were a few moments of comic relief, like 'Don't Talk to Me About Work' and 'Pow Wow,' no one could argue that Reed hadn't earned a few laughs after songs like 'Make Up Mind,' 'The Last Shot,' and 'Betrayed.' On Legendary Hearts, Reed was writing great songs, playing them with enthusiasm and imagination, and singing them with all his heart and soul, and if it wasn't his best album, it was more than good enough to confirm that the brilliance of The Blue Mask was no fluke, and that Reed had reestablished himself as one of the most important artists in American rock.“ Mark Deming, AMG)

Lou Reed, guitar, vocals
Robert Quine, guitar
Fernando Saunders, bass
Fred Maher, drums

Recorded in 1982 at RCA Studios in New York City
Engineered by Corky Stasiak
Produced by Lou Reed

Digitally remastered

No biography found.

This album contains no booklet.

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