I Insist Kazemde George

• 1Things Line Up04:20
• 2Coasts07:12
• 3Balance05:32
• 4Skylight06:36
• 5Haiti04:24
• 6I Insist09:00
• 7Happy Birthday06:01
• 8Parkside10:06
• 9This Spring06:59
• 10Understanding07:29
• Total Runtime01:07:39

Info for I Insist

I Insist is the debut album from Brooklyn-based saxophonist and composer Kazemde George. The title is a shout-out to Max Roach’s landmark 1960 protest album We Insist! Freedom Now Suite, a statement of George’s own determined disposition as a Black American, and an acknowledgement of our turbulent times. Leading a quintet of stellar New York players - vocalist Sami Stevens, keyboardist Isaac Wilson, bassist Tyrone Allen II, and drummer Adam Arruda - the record is a vibrant collection of ten original compositions inspired by George’s interest in music of the African diaspora. “Understanding” features a Cuban changüí-inspired groove. “Haiti” originates from one of George’s own looped electronic beats. Stevens contributes lyrics to the laid-back “Skylight” and the somewhat sorrowful “Happy Birthday,” as well as wordless vocals to three others. The music is unapologetically swinging and fully engaged, whether simmering on a low flame or reaching climactic heights of intensity.

Kazemde George, tenor saxophone
Sami Stevens, vocals
Isaac Wilson,Wurlitzer and piano
Tyrone Allen II, acoustic bass
Adam Arruda, drums

Kazemde George
is an African American jazz saxophonist, composer, and beat-maker based in Brooklyn who exhibits a gift for streamlined, emotionally direct melodies, articulated with a warm tone and a certain guiding restraint. Raised by Caribbean parents in Berkeley, California, Kaz was exposed to a wide range of musical styles, and has been playing Piano, Saxophone, and Percussion from an early age.

During high school, Kazemde developed a passion for Jazz while studying the oral tradition under the tutelage of Khalil Shaheed, Charles McNeal and Susan Muscarella. He also began to make electronic music under the moniker “KG,B”. KG,B’s beats are inspired by Hip-Hop producers such as J Dilla, Madlib, and Flying Lotus, who he sees as modern the counterparts of early Jazz innovators.

In 2007, Kazemde moved to Boston to attend school, and in 2014, Kazemde completed the Harvard/New England Conservatory (NEC) Joint program, receiving his Bachelors in Neurobiology (Harvard) and his Masters in Jazz Composition (NEC). At NEC, Kazemde studied privately with Jerry Bergonzi, Cecil McBee, Donny McCaslin, John McNeil, Jason Moran, Danilo Pérez, and Miguel Zenón. In 2012, he received Harvard’s George Peabody Gardener Fellowship to study traditional music in La Habana, Cuba for ten months. Through his travels, Kaz has expanded his focus from Hip-Hop and Jazz to the full spectrum of musical styles which blossomed from the African Diaspora, including Afro-Cuban, Afro-Caribbean, Afro-Brazilian, and African-American traditions. As he sees it, the study of these musical styles serves as a way to regain cultural histories that where lost through the processes of African-American Slavery.

Today, his focus is aligned towards music, but Kazemde is also a biologist at heart, and his quest to understand this wide breadth of styles is driven by an analytical mind with a scientific approach.

Kazemde has performed with Solange Knowles and Saint Heron, David Murray, Román Filiú, and Jason Moran, at venues and festivals such as, Dizzy's Coca-Cola Club, Zinc Bar, The Bitter End, Irving Plaza, Yoshi's, Black Cat, Cafe Stritch, The David Rubinstein Atrium at Lincoln Center, Panama Jazz Festival, Made In America Festival, AfroPunk, and Panorama NYC Music Festival

My Mission: My goal is to establish my own style as a creative innovator of African-American music, and to help in elevating communities of underprivileged youth through music and other cultural education. I will travel and immerse myself in American communities heavily influenced by African musical traditions in order to study, teach, and perform. I also hope to have the opportunity to explore places like Brazil, The Caribbean, West Africa, and the American South as part of my journey.

This album contains no booklet.