Delibes: Ballet Suites Royal Scottish National Orchestra & Neeme Järvi

• Léo Delibes (1836 - 1891): Sylvia, ou la nymphe de Diane (Excerpts):
• 1Sylvia, ou la nymphe de Diane (Excerpts): Les chasseresses03:08
• 2Sylvia, ou la nymphe de Diane (Excerpts): Intermezzo01:10
• 3Sylvia, ou la nymphe de Diane (Excerpts): Valse lente03:57
• 4Sylvia, ou la nymphe de Diane (Excerpts): Pizzicati02:13
• 5Sylvia, ou la nymphe de Diane (Excerpts): Moderato04:10
• 6Sylvia, ou la nymphe de Diane (Excerpts): Strette. Galop02:27
• 7Sylvia, ou la nymphe de Diane (Excerpts): Marche et cortège de Bacchus06:45
• La source (Excerpts):
• 8La source (Excerpts): Pas des voiles03:30
• 9La source (Excerpts): Variation01:08
• 10La source (Excerpts): Danse circassienne02:58
• 11La source (Excerpts): Scène dansée02:17
• 12La source (Excerpts): Lent02:28
• 13La source (Excerpts): Mouvement de valse04:40
• 14La source (Excerpts): Pas de Naïla02:04
• 15La source (Excerpts): Scène et pas d'action03:59
• 16La source (Excerpts): Mazurka02:53
• 17La source (Excerpts): Marche dansée et final02:38
• Coppélia (Excerpts):
• 18Coppélia (Excerpts): Prélude04:50
• 19Coppélia (Excerpts): Valse02:40
• 20Coppélia (Excerpts): Thème slave varié00:45
• 21Coppélia (Excerpts): Var. 100:44
• 22Coppélia (Excerpts): Var. 200:44
• 23Coppélia (Excerpts): Var. 300:40
• 24Coppélia (Excerpts): Var. 402:29
• 25Coppélia (Excerpts): Var. 501:37
• 26Coppélia (Excerpts): Csárdás03:14
• 27Coppélia (Excerpts): Musique des automates02:13
• 28Coppélia (Excerpts): Scène01:24
• 29Coppélia (Excerpts): Valse de la poupée02:17
• 30Coppélia (Excerpts): La prière02:19
• 31Coppélia (Excerpts): Danse de fête01:21
• 32Coppélia (Excerpts): Galop final02:59
• Total Runtime01:22:41

Info for Delibes: Ballet Suites

Neeme Järvi returns to the Royal Scottish National Orchestra for a dazzling album of suites from the ballets Sylvia, La Source, and Coppélia by Delibes. Born into a musical family, Delibes enrolled at the Paris Conservatoire aged twelve, studying under several professors including Adolphe Adam. He spent the 1850s and early 1860s composing light operettas and working as a church organist, before achieving public recognition for his music for the ballet La Source in 1866. His later ballets Coppélia and Sylvia were key works in the development of modern ballet, giving the music much greater importance than was previously the case. Typical of the period, the plots for these ballets are obscure, convoluted, and complex, but its certainly Delibess talent for lyrical melody and musical expression of a mood or feeling that elevates all three of these scores above their contemporaries indeed Coppélia went on to become the most frequently performed ballet at the Paris Opéra. Delibes was at the forefront of creating orchestral suites from his ballet music (much to the envy of Tchaikovsky, among others), and thus were indeed envisaged to be performed without staging or dancers. On this album Neeme Järvi adds several additional movements to expand upon the suites which appeared in Delibess lifetime.

Royal Scottish National Orchestra
Neeme Järvi, conductor

No biography found.

Booklet for Delibes: Ballet Suites