Liszt: Petrarca Sonnets André Schuen & Daniel Heide
Album info
Album-Release:
2019
HRA-Release:
13.09.2019
Label: Deutsche Grammophon GmbH, Berlin
Genre: Classical
Subgenre: Vocal
Artist: André Schuen & Daniel Heide
Composer: Franz Liszt (1811-1886)
Album including Album cover Booklet (PDF)
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- Franz Liszt (1811 - 1886): Tre Sonetti del Pertraca for Voice and Piano, S. 270a:
- 1Tre Sonetti del Pertraca for Voice and Piano, S. 270a: I. Sonetto 104 "Pace non trovo"07:41
- 2Tre Sonetti del Pertraca for Voice and Piano, S. 270a: II. Sonetto 47 "Benedetto sia 'L giorno"06:28
- 3Tre Sonetti del Pertraca for Voice and Piano, S. 270a: III. Sonetto 123 "I' vidi in terra"06:58
- Années de Pèlerinage, Année II, S. 161:
- 4Années de Pèlerinage, Année II, S. 161: IV. Sonetto 4705:46
- 5Années de Pèlerinage, Année II, S. 161: V. Sonetto 10406:26
- 6Années de Pèlerinage, Année II, S. 161: VI. Sinetto 12307:59
- Tre Sonetti del Pertraca for Voice and Piano, S. 270b:
- 7Tre Sonetti del Pertraca for Voice and Piano, S. 270b: I. Sonetto 47 "Benedetto sia 'L giorno"06:17
- 8Tre Sonetti del Pertraca for Voice and Piano, S. 270b: II. Sonetto 104 "Pace non trovo"05:32
- 9Tre Sonetti del Pertraca for Voice and Piano, S. 270b: III. Sonetto 123 "I' vidi in terra"06:40
- Oh! Quand je dors, S. 282:
- 10Oh! Quand je dors, S. 28205:34
Info for Liszt: Petrarca Sonnets
„This complete recording of Franz Liszt’s Petrarch Sonnets attempts to highlight the significance of his different versions of the three Sonnets 47, 109, und 123 – possibly for the first time. Musicologists are baffled by the fact that Liszt wrote several versions of the same works. He even set the same texts to different music: not twice, but occasionally three or more times – an absolute exception in the history of music. This is both bewildering and rewarding: Liszt aficionados can embark on a treasure hunt through the scores.
Just imagine our astonishment if Beethoven had modified his Piano Sonata Op. 13 in C Minor, Pathétique, several times in the course of his life, composing the initial movements each time in a different way while introducing new harmonic structures. That would have left us with three Pathétiques in parallel – a sensation!
For several reasons, the versions (or compositions of equivalent value) of Liszt songs such as Freudvoll und leidvoll, Der du von dem Himmel bist, and particularly the Three Petrarch Sonnets have not been duly acknowledged in all their fascinating diversity. Throwing light on this field is like solving a complicated puzzle.……. (Excerpt from the booklet notes bx Daniel Heide)
Andrè Schuen, baritone
Daniel Heide, piano
No biography found.