Things We Like to Hear Nils Wogram & Nostalgia
- 1Lucerne or Japan06:15
- 3Things We Like to Hear07:07
- 4Rich People in a Bad Mood07:21
- 5Soft Power06:01
- 6Plants Can't Wait04:29
- 7Quality Is Our Responsibility06:57
- 8Wet Stand06:36
- 9Possibilities Gain Desires04:10
Info for Things We Like to Hear
Nils Wogram`s reputation as the pioneer of contemporary jazz “made in Germany” has been boosted a lot by the fact that he, of all people, masters Albert Mangelsdorff`s instrument, the trombone with a virtuosity and recklessness few others possess. His trio Nostalgia takes the opposite approach going back to the swinging and grooving jazz of the 50s and 60s of the past century, a time when jazz was still at home at Blue Note or on 52nd Street, and managing masterfully the tightrope walk between nostalgic sound and curiosity about finding their own form of sound.Wogram manages to convey an authentic attitude to life in the shortest possible way- no instruction leaflet or highlighted map is necessary. He simply starts walking and takes the audience with him. Nostalgia conveys a thundering force of life to the listener.
Much of this is helped by the selection of his fellow musicians. Organist Arno Krijger plays the bass lines with his feet. Thus, the left hand can concentrate on the chords and the right hand provides melodies and improvisations. This unusual set up enables Wogram to build the pieces in an unconventional way. „ Also Arno is not a pianist who also plays the organ, but he exclusively plays the organ. His self-conception lends the organ tonal nuances that are a real asset for me”. Regarding drummer Dejan Terzic, Wogram not only appreciates his instinct for beat, groove and fieriness, but above all his sensitivity for dynamics and form.
To touch or to impress – that is the question the fifth album of the trio, “Things We Like To Hear” (release October 2019) poses. Wogram, Terzić and Krijger make it easy for the listener. They start their album in a light, relaxed manner with a defining dub-melody and carry this lightness through the following eight songs, where they leave out everything superfluous and focus on the essentials. Wogram has often shown that he knows how to implement complex ideas, but now he is breaking new ground. Instead of abstraction, the three musicians rely on simpler structures (without becoming trivial) as well as on undisguised emotions that need no explanation. Despite all the new features, the album still bears the unmistakable signature of Nostalgia. On his previous albums Wogram wondered where we come from, now with “Things We Like To Hear” he explores what we need to preserve from the past. “The timeless components of jazz for me are spontaneity and improvisation. And the simpler the structures are, the more spontaneous it is to improvise. “He himself is neither as a musician nor as a private person a nostalgic, and that applies also to his fellow musicians. All three live in the here and now and want to participate in further developing jazz music. Wogram does not need a headline for that. He refrains from all reflexes and defies expectations. He neither wants to provoke nor does he want to preserve, but he wants to share with listeners, what he and his fellow players crave for in music. Some of the tunes on “Things We Like To Hear” simply capture moods, others call for moving or humming, others may remind you of a good old film noir. His goal is to bring mind and body together. “Things We Like To Hear” is the next step in this direction.
Nils Wogram is a musician who keeps his ears open and who manages to capture the world like it is in his music. With Nostalgia he went back to a starting point, not because he wanted to start from scratch, but because everything that needed to be said has been said and therefore no repetition is necessary.
Nils Wogram, trombone
Arno Krijger, Hammond, pedals
Dejan Terzic, drums
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