Adams: Harmonielehre - Short Ride in a Fast Machine San Francisco Symphony & Michael Tilson Thomas
- John Adams (1947):
- 1Harmonielehre: I. —17:23
- 2Harmonielehre: II. The Anfortas Wound12:55
- 3Harmonielehre: III. Meister Eckhardt and Quackie11:47
- 4Short Ride in a Fast Machine05:04
Info for Adams: Harmonielehre - Short Ride in a Fast Machine
Michael Tilson Thomas and the San Francisco Symphony present an album of John Adams' San Francisco Symphony commissioned Harmonielehre and the Michael Tilson Thomas commissioned Short Ride in a Fast Machine.
The SFS commissioned, premiered, and recorded Harmonielehre in March 1985 under Edo De Waart during Adams’ tenure as SFS composer in residence. Adams recalled, “I was a young composer when I wrote Harmonielehre and I had really only written two other orchestra pieces at that point and one of them was Harmonium, which was premiered by the San Francisco Symphony only a few years before that. Harmonielehre was tough coming out… I was searching for what I wanted to say. I knew that part of what I wanted to write for the orchestra was a music that would kind of strum the strings of its repertoire that would play to its strengths… [with Harmonielehre] I really confronted who I was, who I am, John Adams as a composer - somebody who grew up listening to classical music, classical orchestral music, who played in orchestras when I was younger, who conducted, who loved that repertoire, but at the same time was somebody who also grew up listening to jazz and rock and who was very influenced by minimalism. So it’s this rather strange marriage of the driving pulse of American minimalism and the sensuous and emotional and expressive world of the great European masterpieces.”
Michael Tilson Thomas, who conducted the work during his first season as SFS Music Director in 1995 and multiple times since, said of the work, “When a new piece is premiered, it can make a stunning impression. But the real story of that piece is what emerges over time. When the SFS first performed Harmonielehre in the mid-80s it was a life changing moment for everybody who heard it. I heard it first on the recording and I was drawn into the piece in so many ways, its enormous power, but also its tenderness and depth of expression. And now, decades later, the piece still stands up.”
MTT commissioned Short Ride in a Fast Machine from John Adams in 1986 for a Pittsburgh Symphony performance in Massachusetts. Adams shared, “Michael called me back in 1986 when he was opening a new music festival in Massachusetts with the Pittsburgh Symphony and he asked me to do a fanfare. The sort of traditional fanfare with blaring trumpets didn’t really appeal to me, and how do you write a fanfare when Copland has already done it so well? I thought about it and for some reason the connection with Cape Cod came to mind. Years before that I had been there with a former brother-in-law and he had asked me at about 1 in the morning if I would like to take a ride with him in his Lamborghini. I did and once he started up I wished I hadn’t because he drove very, very fast. The idea of a piece that had that combination of excitement and thrill and was just on the edge of anxiety or terror was the motivating force for [Short Ride in a Fast Machine.] The piece starts with the click of the wood block and that wood block never changes, it just keeps driving and it’s sort of like a gauntlet through which a 100-piece orchestra has to pass.”
“Adams has a closer relationship with the San Francisco Symphony than any other orchestra, so it’s fitting that Michael Tilson Thomas’s band should release superb recordings of two of Adams’s finest orchestral pieces to mark its centenary...Performances are supremely clear, cogent and virtuosic.” (The Times)
“[Harmonielehre] requires a very safe pair of conductor's hands to smooth out its eclectic fissures. Michael Tilson Thomas is about as safe as one could wish for...both live recordings serve to reinforce Tilson Thomas and the San Francisco Symphony's status as true champions of Adam's orchestral music.” (Gramophone Magazine)
“More than in previous recordings, Michael Tilson Thomas's superbly paced approach conveys the music's sense of vast surrounding spaces, and the momentum of the biggest passages is the more thrilling for being cannily unrushed.” (BBC Music Magazine)
“These are masterly live performances played with intensity and radiant with character. The recording is first class, vividly clear and excellently balanced.” (MusicWeb International)
San Francisco Symphony
Michael Tilson Thomas, conductor
San Francisco Symphony
The San Francisco Symphony, widely considered to be among the most artistically adventurous and innovative arts institutions in the U.S., celebrated its Centennial season in 2011-12. The Orchestra was established by a group of San Francisco citizens, music-lovers, and musicians in the wake of the 1906 earthquake, and played its first concert on December 8, 1911. Almost immediately, the Symphony revitalized the city's cultural life. The Orchestra has grown in stature and acclaim under a succession of distinguished music directors: American composer Henry Hadley, Alfred Hertz (who had led the American premieres of Parsifal, Salome, and Der Rosenkavalier at the Metropolitan Opera), Basil Cameron, Issay Dobrowen, the legendary Pierre Monteux (who introduced the world to Le Sacre du printemps and Petrushka), Enrique Jordá, Josef Krips, Seiji Ozawa, Edo de Waart, Herbert Blomstedt (now Conductor Laureate), and current Music Director Michael Tilson Thomas (MTT). Led by Tilson Thomas, who begins his nineteenth season as Music Director in 2013-14, the SFS presents more than 220 concerts annually, and reaches an audience of nearly 600,000 in its home of Davies Symphony Hall, through its multifaceted education and community programs, and on national and international tours.
Since Tilson Thomas assumed his post as the SFS's eleventh Music Director in September 1995, he and the San Francisco Symphony have formed a musical partnership hailed as one of the most inspiring and successful in the country. His tenure with the Orchestra has been praised for outstanding musicianship, innovative programming, highlighting the works of American composers, and bringing new audiences to classical music. In addition, the Orchestra has been recognized nationally and internationally as a leader in music education and for the use of multimedia, television, technology, and the web to make classical music available worldwide to as many people as possible. MTT now is the longest-tenured music director for a major American orchestra, and the longest-serving music director in the San Francisco Symphony's history.
In its Centennial season, the Orchestra reprised its acclaimed American Mavericks Festival of music by pioneering modern American composers, featuring the world premieres of four commissioned works in two weeks of concerts at Davies Symphony Hall and on a two-week national tour, including four performances at Carnegie Hall. The San Francisco Symphony regularly mounts special weeklong semi-staged productions with multimedia, hosted and curated by MTT, and in 2012-13 presented specially staged performances of Grieg's Peer Gynt and the first concert performances by an orchestra of the complete music from Bernstein's West Side Story, which were recorded for release on SFS Media. Tilson Thomas and the Orchestra also dedicated several weeks to explorations of the music of Beethoven, selections of which were recorded for SFS Media, and Stravinsky, on the occasion of the 100th anniversary of the premiere of his Rite of Spring.
Since 1996, when Tilson Thomas led the Orchestra on the first of their more than a dozen national tours together, they have continued an ambitious yearly touring schedule that takes them to Europe, Asia and throughout the United States. In March 2014 they return to Europe for a three-week tour performing repertoire from the SFS Media catalogue including John Adams' Absolute Jest, Ives' A Concord Symphony, Mahler's Symphony No. 3, and Berlioz' Symphonie fantastique at two concerts each in London, Paris, and Vienna, and performances in Prague, Geneva, Luxembourg, Dortmund, and Birmingham. In 2012, they performed during a two-week national American Mavericks tour and a two-week tour of Asia with pianist Yuja Wang in Beijing, Shanghai, Hong Kong, Tokyo, Taipei, and Macau. In 2011, they made a three-week tour of Europe, culminating in Vienna performances of three Mahler symphonies to commemorate the anniversaries of the composer's birth and death. Recent touring highlights also include a three-week 2007 European tour that featured two televised appearances at the BBC Proms in London and concerts at several other major European festivals.
The Orchestra's recording series on SFS Media continues to reflect the artistic identity of its programming, including its commitment to performing the work of American maverick composers alongside that of the core classical masterworks. The San Francisco Symphony has recorded works from the American Mavericks Festival
concerts by Henry Cowell, Lou Harrison, and Edgard Varèse with pianist Jeremy Denk and organist Paul Jacobs, and won a 2013 Best Orchestral Performance Grammy award for its recording of John Adams' Harmonielehre and Short Ride in a Fast Machine. Other recently recorded works include Beethoven's Symphonies No. 5, 7, 9, and Piano Concerto No. 4, with soloist Emanuel Ax; Ives' A Concord Symphony; and Copland's Organ Symphony with Paul Jacobs. A live performance of John Adams' Absolute Jest with the St. Lawrence String Quartet and the Orchestra was recorded for future release on SFS Media, and live performances of Beethoven's Symphony No. 2 and Cantata on the Death of Emperor Joseph II was released in November 2013. Tilson Thomas and the Orchestra have recorded all nine of Gustav Mahler's symphonies and the Adagio from the unfinished Symphony No. 10, and the composer's works for voices, chorus, and orchestra for SFS Media. Their 2009 recording with the SFS Chorus of Mahler's sweeping Symphony No. 8, Symphony of a Thousand, and the Adagio from Symphony No. 10 won three Grammy awards, including Best Classical Album and Best Choral Performance. Other significant recordings include scenes from Prokofiev's Romeo and Juliet, a collection of Stravinsky ballets, a Gershwin collection, and Charles Ives: An American Journey, among others. In addition to fifteen Grammy awards, seven of them for the Mahler cycle, the SFS has won some of the world's most prestigious recording awards, including Japan's Record Academy Award, France's Grand Prix du Disque, and Germany's ECHO Klassik Award.
Tilson Thomas and the SFS launched the national Keeping Score PBS television series and multimedia project in 2006 to help make classical music more accessible to people of all ages and musical backgrounds. The project, an unprecedented undertaking among orchestras, is anchored by eight composer documentaries, hosted by Tilson Thomas, and eight live concert films; it also includes www.keepingscore.org, an innovative website to explore and learn about music; a national radio series; documentary and live performance DVD and CDs; and an education program for K-12 schools to further teaching through the arts by integrating classical music into core subjects. More than six million people have seen the Keeping Score television series, and the radio series has been broadcast on almost 100 stations nationally.
The San Francisco Symphony provides the most extensive education programs offered by any American orchestra today. In 1988, the Symphony established Adventures in Music (AIM), a free, comprehensive music education program that reaches every first- through fifth-grade child in the San Francisco Unified School District. The SFS Instrument Training and Support program reaches students in all San Francisco public middle and high schools with instrumental music programs, providing coaching by professional musicians. The Symphony expanded its educational offerings in 2011-12 with Community of Music Makers, a program that supports amateur choral singers and instrumental musicians with professional coaching by SFS musicians, rehearsals, and other learning opportunities. In development is a revitalized children's music education website, www.sfskids.org, created in conjunction with the UC Irvine Center for Computer Games and Virtual Worlds. The SFS also offers opportunities to hear and learn about great music through its programs Concerts for Kids, Music for Families, the internationally-acclaimed SFS Youth Orchestra, and annual free and community concerts.
This album contains no booklet.