Infinity Tom Harrell

• 1The Fast06:39
• 2Dublin09:40
• 3Hope07:30
• 4Coronation06:57
• 5Folk Song06:03
• 6Blue05:40
• 7Ground07:19
• 8The Isle08:26
• 9Duet01:42
• 10Taurus06:01
• Total Runtime01:05:57

Info for Infinity

When pianist Bill Charlap featured Tom Harrell at a recent gig with his trio at New York's Jazz Standard, he summarized the trumpeter's genius as concisely as anyone could. “It is our honor and privilege,” he announced, “To share the bandstand with a man who is a living, breathing melody.” For this latest HighNote release, featuring a razor-sharp quintet with saxophonist Mark Turner and guitarist Charles Altura, Harrell & company combine complex compositions, seductive rhythms, advanced harmonic concepts, vibrant solos and sheer inspiration in an album which transcends the jazz idiom. This is perhaps Harrell's most imaginative recording to-date, with the scoring for the piano-less, tenor sax and guitar front line ensemble sui generis among his work.

"The trumpeter Tom Harrell has been doing this a long time, through various schools and vogues: He can play slow and fast and in between, sometimes all within a single line. But his improvising is always temperate and proportionate. He keeps you on the hook, but doesn’t shout, doesn’t stop the clock. Plenty of improvisers are specialists in now-ness, revealing a solo as a series of events, or present-tense flashes. With Mr. Harrell, it’s all one event. He’s always processing ahead and behind, and you feel as if you’re hearing the whole of the narrative at all times, from was to is to will be...Mr. Harrell has been one of the best composers, improvisers and bandleaders in jazz since the late ’80s, and he knows how to make contrasts sound exciting: playing slowly over a fast tempo, playing quietly but with power. But he also uses the contrast of his own sound set against that of the groups he’s playing in." (The New York Times)

Mark Turner, tenor saxophone
Charles Altura, guitar
Ugonna Okegwo, bass
Johnathan Blake, drums

Tom Harrell
Voted “Trumpeter of the Year of 2018 “by the Jazz Journalists Association (JJA), Tom Harrell is one of the most creative and dynamic jazz instrumentalists and composers of our time. While Harrell is a master of the jazz idiom, he constantly seeks new challenges and influences. He has written scores and arrangements for ballet and symphony and chamber orchestras. Even with a discography of over 280 recordings and a career that spans more than five decades, Harrell has managed to stay fresh and current as he continues to actively record and tour around the world. Harrell all but transcends musical labels. His music runs the gamut from the modal and melodic to uncommon modernisms that sonically broach the film soundtrack and/or the avant-garde.

His warm, burnished sound on the trumpet and the flugelhorn, and the unparalleled melodic, harmonic and rhythmic sophistication in his playing and writing, have earned Harrell his place as a jazz icon to aspiring musicians and devoted fans alike. His music is at once intelligent, soulful, fresh and accessible. No matter the size of the group he works with, the trumpeter-composer deftly weaves complex and innovative harmonies together with daring rhythmic concepts and unforgettable melodies while utilizing the available colors to full effect.

In addition to the JJA award, Harrell received the "Award of Recognition" by the Festival of New Trumpet Music in 2018. He is also a frequent winner in DownBeat and JazzTimes magazines' Critics and Readers Polls and a multiple Grammy nominee. Harrell's new album, INFINITY is expected to be released on March 9, 2019. Harrell is joined by Mark Turner on tenor, Charles Altura on electric and acoustic guitars, Ben Street on bass and Johnathan Blake on drums, with Adam Cruz playing percussion on one track ("Hope") on this new album. It is also the first time that Harrell has recorded in a quintet format with tenor sax and guitar. "The music on INFINITY has some interesting textures with multiple guitar overdubs. This is something I have never done before. I was trying some harmonic ideas that are new to me" says Harrell.

The last ten years have ushered Harrell through a singularly fruitful period. While continuing to tour actively around the world, he has produced an average of one album a year with each successive release markedly distinct from its predecessor. Some of the recent albums include:

MOVING PICTURE (August 2017) is the first quartet studio album where he is the sole horn player. “Being the only horn gives me the opportunity to take a different approach to phrasing. It allows for some freedom to embellish the melody," Harrell says. The horn and rhythm format also allowed Harrell, the composer, to investigate overlooked options. “As a writer, I wanted to explore the resources of the quartet with piano, bass, drums and trumpet," Harrell says, “I thought it would also be an interesting contrast and complement to a couple of the piano-less projects I've done recently, especially TRIP and COLORS OF A DREAM." One of the highlights of this album is “Vibrer," an extended trumpet-piano duet piece, which Harrell composed after receiving a grant from the French-American Cultural Exchange.

SOMETHING GOLD, SOMETHING BLUE (September 2016) is Harrell's first two-trumpet vehicle as a leader. The project features fellow trumpeter Ambrose Akinmusire with a rhythm section comprising Charles Altura on guitar, and long-time cohorts Ugonna Okegwo and Johnathan Blake.

FIRST IMPRESSIONS (September 2015), is a chamber ensemble recording of Harrell's own arrangements of (mostly) chansons by Debussy and Ravel. The album received a five-star review by DownBeat and was further honored by the magazine’s Best Albums of 2015 list.

TRIP (August 2014) is a piano-less quartet that was formed after Harrell was commissioned to write new music for the Festival of New Trumpet Music. Harrell describes the quartet as a chamber group, where each instrument plays an equally important role. TRIP features tenor saxophonist Mark Turner, Harrell’s long-time bassist Ugonna Okegwo and drummer Adam Cruz. Harrell received his tenth SESAC Jazz Award for the album in January of 2016.

With COLORS OF A DREAM (October 2013), Harrell took the piano-less concept one step further, using two acoustic basses in a sextet with three horns (Jaleel Shaw on alto sax, Wayne Escoffery on tenor, and himself on trumpet and flugelhorn) and drums (Johnathan Blake). Esperanza Spalding, doubling on vocals, played acoustic bass together with Ugonna Okegwo, anchoring infectious grooves of the music Harrell wrote specifically for the group.

A graduate of Stanford University with a degree in music composition, Harrell is a prolific composer and arranger. Carlos Santana, Cold Blood, Azteca, Vince Guaraldi, Hank Jones, Kenny Barron, the Vanguard Jazz Orchestra, Danish Radio Big Band, WDR Big Band, Brussels Jazz Orchestra, Metropole Orchestra, Orchstre National de Lorraine and Arturo O'Farrill & the Afro-Latin Jazz Orchestra are among the many who have recorded or performed his work. Harrell's composition and arrangement, "Humility," was recorded for the latter's 2008 release, SONG FOR CHICO, which won a Grammy for the Best Latin Jazz Album.

Some of Harrell's notable RCA recordings include WISE CHILDREN, a project in which he combines woodwinds, brass, horns, strings, guitars, percussion and the vocals of Cassandra Wilson, Dianne Reeves, Jane Monheit and Claudia Acuna; PARADISE and THE ART OF RHYTHM, both of which feature chamber groups with strings; and his Grammy-nominated big band album, TIME'S MIRROR.

In addition to the 34 albums and thousands of concerts worldwide as a leader, Harrell has worked with important figures in jazz history including Stan Kenton, Woody Herman, Dizzy Gillespie, Horace Silver, Art Farmer, Phil Woods, Lee Konitz, Sam Jones (with whom he co-led a big band in the 70s), Jim Hall, Charlie Haden, Joe Lovano. Harrell also recorded on Grammy-winning albums by Gerry Mulligan and Bill Evans.

This album contains no booklet.