Bach/Telemann: Cantatas for Baritone Christoph Prégardien, Vox Orchestra & Lorenzo Ghirlanda

• Johann Friedrich Fasch (1688 - 1758): Ouverture-Suite in G Minor, FaWV K:g2:
• 1Ouverture-Suite in G Minor, FaWV K:g2: I. Ouverture10:19
• Georg Philipp Telemann (1681 - 1767): Was gibst du denn, o meine Seele, TWV 1:1510:
• 2Was gibst du denn, o meine Seele, TWV 1:1510: I. Choral01:04
• 3Was gibst du denn, o meine Seele, TWV 1:1510: II. Recitativo00:53
• 4Was gibst du denn, o meine Seele, TWV 1:1510: III. Aria04:18
• 5Was gibst du denn, o meine Seele, TWV 1:1510: IV. Recitativo02:10
• 6Was gibst du denn, o meine Seele, TWV 1:1510: V. Aria01:01
• 7Was gibst du denn, o meine Seele, TWV 1:1510: VI. Choral01:48
• 8Jesus liegt in letzten Zügen, TWV 1:983: I. Aria05:54
• 9Jesus liegt in letzten Zügen, TWV 1:983: II. Recitativo01:19
• 10Jesus liegt in letzten Zügen, TWV 1:983: III. Aria04:40
• 11Jesus liegt in letzten Zügen, TWV 1:983: IV. Recitativo00:42
• 12Jesus liegt in letzten Zügen, TWV 1:983: V. Aria02:38
• 13Ouverture-Suite in D Minor, TWV 55:d307:46
• Johann Sebastian Bach (1685 - 1750): Ich will den Kreuzstab gerne tragen, BWV 56:
• 14Ich will den Kreuzstab gerne tragen, BWV 56: I. Ich will den Kreuzstab gerne tragen (Aria)07:04
• 15Ich will den Kreuzstab gerne tragen, BWV 56: II. Mein Wandel auf der Welt (Recitativo)01:45
• 16Ich will den Kreuzstab gerne tragen, BWV 56: III. Endlich, endlich wird mein Joch (Aria)06:24
• 17Ich will den Kreuzstab gerne tragen, BWV 56: IV. Ich stehe fertig und bereit (Recitativo)01:48
• 18Ich will den Kreuzstab gerne tragen, BWV 56: V. Komm, o Tod, du Schlafes Bruder (Choral)01:53
• Georg Friedrich Händel (1685 - 1759): Concerto grosso in E Minor, Op. 6, No. 4:
• 19Concerto grosso in E Minor, Op. 6, No. 4: I. Larghetto03:39
• Total Runtime01:07:05

Info for Bach/Telemann: Cantatas for Baritone

A famous cantata for baritone by Johann Sebastian Bach ("Kreuzstabkantate"), combined with two cantatas by Georg Philipp Telemann. In addition and as a supplementary musical color, there are three purely instrumental pieces: overtures by J. F. Fasch and Telemann, and as an "encore", the Larghetto from Handel's Concerto Grosso Op. 6/4. Christoph Prégardien was and is well known as one of the most versatile lyric tenors of our time. Actually, he now more and more discovers the "lower" musical repertoire for baritones and bass baritones. The legendary Dietrich Fischer-Dieskau has been one of the most famous interpreters of Bach's "Kreuzstabkantate". To compete with such an important predecessor is a great challenge and interesting undertaking for the artist. The Vox Orchestra represents a selection of young and enthusiastic musicians. They all grew up with the practically trained knowledge about historically informed performances. The combination of these musical "hotheads" with the experienced Christoph Prégardien is particularly attractive. Bach's cantata ends with the moving and impressive chorale "Komm, o Tod, du Schlafes Bruder" ("Come, o death, brother of sleep"). On our album, this chorale is sung by the young musicians of the orchestra themselves, who were especially trained for this occasion by Christoph Prégardien.

Christoph Pregardien, tenor
Vox Orchester
Lorenzo Ghirlanda, conductor

No biography found.

Booklet for Bach/Telemann: Cantatas for Baritone