Wagner: Das Rheingold (Remastered 2022) Wiener Philharmoniker & Sir Georg Solti
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- Richard Wagner (1813 - 1883): Das Rheingold, WWV 86A: Vorspiel:
- 1Wagner: Das Rheingold, WWV 86A: Vorspiel (Remastered 2022)04:13
- Das Rheingold, WWV 86A / Scene I:
- 2Wagner: Das Rheingold, WWV 86A / Scene I: Weia! Waga! Woge, du Welle! (Remastered 2022)02:24
- 3Wagner: Das Rheingold, WWV 86A / Scene I: Garstig glatter glitschriger Glimmer! (Remastered 2022)04:55
- 4Wagner: Das Rheingold, WWV 86A / Scene I: Wallala! Lalaleia! Leialalei! (Remastered 2022)02:23
- 5Wagner: Das Rheingold, WWV 86A / Scene I: Lugt, Schwestern! Die Weckerin lacht in den Grund (Remastered 2022)05:49
- 6Wagner: Das Rheingold, WWV 86A / Scene I: Der Welt Erbe Gewänn' ich zu eigen durch dich? (Remastered 2022)04:24
- Das Rheingold, WWV 86A / Scene II:
- 7Wagner: Das Rheingold, WWV 86A / Scene II: Wotan! Gemahl! Erwache! (Remastered 2022)10:52
- 8Wagner: Das Rheingold, WWV 86A / Scene II: Sanft schloß Schlaf dein Aug' (Remastered 2022)07:27
- 9Wagner: Das Rheingold, WWV 86A / Scene II: Zu mir, Freia! (Remastered 2022)01:40
- 10Wagner: Das Rheingold, WWV 86A / Scene II: Endlich, Loge! (Remastered 2022)03:44
- 11Wagner: Das Rheingold, WWV 86A / Scene II: Immer ist Undank Loges Lohn! (Remastered 2022)07:01
- 12Wagner: Das Rheingold, WWV 86A / Scene II: Ein Runenzauber zwingt das Gold zum Reif (Remastered 2022)03:07
- 13Wagner: Das Rheingold, WWV 86A / Scene II: Hör', Wotan, der Harrenden Wort! (Remastered 2022)02:47
- 14Wagner: Das Rheingold, WWV 86A / Scene II: Was sinnt nun Wotan so wild? (Remastered 2022)05:09
- 15Wagner: Das Rheingold, WWV 86A / Scene II: Auf, Loge, hinab zu mir!... Hehe! Hehe! (Remastered 2022)04:31
- 16Wagner: Das Rheingold, WWV 86A / Scene II: Schau, du Schelm! (Remastered 2022)02:07
- Das Rheingold, WWV 86A / Scene III:
- 17Wagner: Das Rheingold, WWV 86A / Scene III: Nibelheim hier (Remastered 2022)05:20
- 18Wagner: Das Rheingold, WWV 86A / Scene III: Nehmt euch in acht! Alberich naht! (Remastered 2022)07:32
- 19Wagner: Das Rheingold, WWV 86A / Scene III: Vergeh, frevelnder Gauch! (Remastered 2022)03:55
- 20Wagner: Das Rheingold, WWV 86A / Scene III: Ohe! Ohe! Schreckliche Schlange (Remastered 2022)06:29
- Das Rheingold, WWV 86A / Scene IV:
- 21Wagner: Das Rheingold, WWV 86A / Scene IV: Da, Vetter, sitze du fest! (Remastered 2022)04:41
- 22Wagner: Das Rheingold, WWV 86A / Scene IV: Gezahlt hab'ich: nun laßt mich ziehn! (Remastered 2022)05:35
- 23Wagner: Das Rheingold, WWV 86A / Scene IV: Bin ich nun frei? (Remastered 2022)04:09
- 24Wagner: Das Rheingold, WWV 86A / Scene IV: Fasolt und Fafner nahen von fern (Remastered 2022)05:17
- 25Wagner: Das Rheingold, WWV 86A / Scene IV: Gepflanzt sind die Pfähle nach Pfandes Maß (Remastered 2022)05:47
- 26Wagner: Das Rheingold, WWV 86A / Scene IV: Weiche, Wotan, weiche! (Remastered 2022)06:00
- 27Wagner: Das Rheingold, WWV 86A / Scene IV: Hört, ihr Riesen! (Remastered 2022)06:33
- 28Wagner: Das Rheingold, WWV 86A / Scene IV: Schwüles Gedünst schwebt in der Luft (Remastered 2022)03:11
- 29Wagner: Das Rheingold, WWV 86A / Scene IV: Abendlich strahlt der Sonne Auge (Remastered 2022)04:50
- 30Wagner: Das Rheingold, WWV 86A / Scene IV: Rheingold! Rheingold! (Remastered 2022)03:40
Info for Wagner: Das Rheingold (Remastered 2022)
"No one has surpassed Solti's DECCA Ring in momentum, ambition, grandeur, dramatic immediacy and sheer adrenaline" Stereophile.
The first release of the legendary Solti Ring, the RHEINGOLD appears as a HIGHRESAUDIO edition in 192kHz, 24-bit. The other music dramas of the Ring cycle will be released in the coming months.
A dream cast, including George London as Wotan, Set Svanholm as Loge, Gustav Neidlinger as Alberich and Kirsten Flagstad as Fricka. Sir Georg Solti conducts the Vienna Philharmonic.
The booklet contains: A text about the new HD remastering by Decca Classics Label Director & Executive Producer Dominic Fyfe. Introduction to the opera by John Culshaw. Synopses in English & German. Libretti (German + English). Photos from the original recording sessions, facsimiles of Solti's and Culshaw's scores, and previously unpublished curiosities from the recording sessions.
At the beginning of the 1965 documentary The Golden Ring, Humphrey Burton and Decca producer John Culshaw are seen in the back of a limousine on their way to the airport to meet Georg Solti. Burton asks Culshaw what his greatest concern is now that recording is about to begin. "To do justice to Wagner," Culshaw replies, then adds meaningfully, "and to try to reflect in sound and in this medium alone what he wanted, what he meant."
The Decca Ring was always about sound. With this new transfer of the original analogue master tapes, Decca has sought to bring out the best for Solti, for Culshaw and his chief engineer Gordon Parry, and ultimately for Wagner. "This is the greatest achievement in gramophone history to date," wrote Alec Robertson in Gramophone magazine in 1965. It was the perfect marriage of art and technique. Solti and Culshaw assembled a dream cast of the leading Wagner singers of their time, including Birgit Nilsson, Wolfgang Windgassen, Hans Hotter, Gottlob Frick, Kirsten Flagstad, Régine Crespin, Dietrich Fischer-Dieskau, Christa Ludwig, James King, Lucia Popp and Joan Sutherland.
"A grandiose cast and opera recording carried by inner tension as well as orchestral virtuosity, which has lost none of its topicality to this day. A brilliant, wide, emphatically opera-realistic sound panorama, which has not been approached by numerous recent recordings. Downright a sensation." (STEREO)
Sir Georg Solti, conductor
Sir Georg Solti
was one of this century’s most brilliant conductors and a leading figure of musical culture in Europe and the US. The great Maestro made his first recordings for Decca in 1947, as a pianist with Kulenkampff (Brahms and Beethoven violin sonatas) and as a conductor with the Zurich Tonhalle Orchestra (Beethoven Egmont Overture). He continued as an exclusive Decca artist for over half a century and leaves a vast legacy of over 250 great recordings - including 45 complete operas - chiefly with the Vienna Philharmonic, the London Philharmonic and the Chicago and London Symphony Orchestras. He won many international honours for his recordings including 32 Grammy awards - more than any other classical or popular recording artist.
Sir Georg studied piano, composition and conducting with Bartók, Dohnányi, Kodály and Leo Weiner at Budapest’s Liszt Academy. Although he made his concert debut as a pianist, he was soon engaged as a conductor by the Budapest Opera. In 1937, Toscanini selected him as his assistant at the Salzburg Festival. Before the outbreak of World War II, Sir Georg went to Switzerland as a refugee, turning again to the piano for his livelihood and in 1942, he was awarded first prize in the Concours International in Geneva.
Following the war in 1946, he was invited by the American military government to conduct a performance of Beethoven's Fidelio in Munich. The success of this performance led to his appointment as Music Director of the Bavarian State Opera, whose quality and reputation he firmly re-established over the next six years. During his tenure in Munich, the Salzburg Festival was revived and Sir Georg appeared there, as well as in Vienna, Berlin, Paris, Rome, Florence and Buenos Aires.
In 1952, Maestro Solti accepted the post of Artistic and Music Director at the Frankfurt City Opera, where he remained for nine years. From 1961 until 1971, he was Music Director of the Royal Opera House, Covent Garden, and in 1992 was named Music Director Laureate. During his tenure there he achieved international fame for his performances of Die Frau ohne Schatten, the British premiere of Moses und Aron and Wagner’s Ring. With Decca he made perhaps the most famous single recording of all time - the entire Ring cycle with the Vienna Philharmonic. It took seven years to complete and was the first complete studio recording.
Maestro Solti's remarkable partnership with the Chicago Symphony Orchestra began in 1954, when he first led the Orchestra at the Ravinia Festival. He returned to Chicago for guest engagements with the Lyric Opera in 1956, conducting Die Walküre, Salome, and La forza del destino. His Chicago Orchestra Hall debut took place on December 9, 1965, and his first concerts as Music Director were in September 1969. Maestro Solti served as Music Director for 22 years (1969-1991) and is credited with greatly extending and enhancing the Orchestra's worldwide reputation - its first foreign tour, in 1971, was under his direction. As Music Director Laureate he was due to conduct the orchestra’s 1000th concert at the beginning of October. Up until his death last year, Sir Georg’s performing schedule was as packed as that of a man half his age, and he had engagements booked up to the 21st century.
For his outstanding contribution to music, he received a knighthood from Queen Elizabeth II of Great Britain in 1972. From 1979 to 1984, he served as Principal Conductor and Artistic Director of the London Philharmonic Orchestra and subsequently its Conductor Emeritus. Maestro Solti has received honorary doctor of music degrees from Oxford University, the University of London, and the Universities of Durham, Leeds and Surrey; and in the United States from Roosevelt and De Paul Universities in Chicago, Yale and Harvard Universities, and the Eastman School of Music. He has received an honorary doctor of humanities degree from Furman University, Greenville, South Carolina. An honorary degree "in disciplines of art, music, and drama" from the University of Bologna completes the list of honorary degrees.
As well as his record number of Grammys Sir Georg has received many other major awards. In 1989, he received the Gold Medal of the Royal Philharmonic Society, Great Britain's highest musical honour (previous recipients include Johannes Brahms, Richard Strauss, Arturo Toscanini and Igor Stravinsky). He is an honorary fellow of the Royal College of Music, London. In September 1985, Sir Georg was given the title of Professor Honoris Causa by the Minister-President of Baden-Württemberg in Germany. He also received the Knight Commander's Cross (with badge and star) of the Order of Merit from the Federal Republic of Germany and the 1987 Loyola-Mellon Humanities Award. That year, on the occasion of his seventy-fifth birthday, Maestro Solti received the Medal of Merit, Chicago's highest award, and was honoured with the dedication of a bronze bust of his likeness in Lincoln Park. He also received the Order of the Flag of the Republic of Hungary and was named "Musician of the Year" by Musical America.
In 1988, he received the Edward Moss Martin Award from the Union League Civic and Arts Foundation in Chicago and, in 1992, the Leonie Sonning Music Prize from Denmark. In 1993, he received the Middle Cross of the Order of Merit with Star from the Republic of Hungary. In that same year to mark his 80th birthday, and a collaboration of over 40 years, the Vienna Philharmonic Orchestra struck and presented to Sir Georg as its first recipient, the "Hans Richter Medal". In December 1993, he was the recipient of the Kennedy Center Honour and the Belgian title of "Commandeur de l'Ordre de Leopold." In 1994, he received the "Ordem Militar De Santiago De Espada" from the President of Portugal, the country's highest civilian honour (the last musician to receive it was Stravinsky in 1954). He holds the French "Légion d'Honneur" and in 1995 received the "Commandeur de l'Ordre des Arts et des Lettres." In 1996, he was given the honour "Knight Grand Cross of the Order of Merit of the Republic of Italy" and the Académie du Disque Lyrique in Paris established the "Solti Prize", to be awarded annually to an outstanding young singer. The first recipient of this prestigious award was American soprano Renée Fleming.
In October 1998, a little over a year after his death, Sir Georg Solti’s life and music were celebrated in a special concert recorded for TV and audio at London’s Royal Albert Hall. Mstislav Rostropovich, Angela Gheorghiu, Anne Sofie von Otter, Maxim Vengerov and Zubin Mehta joined the London Philharmonic Orchestra for the occasion, which also raised money for the newly formed Solti Foundation, a fund conceived of by Sir Georg just before he died with the aim of promoting musical education and helping young talent throughout the world. A plaque now adorns the Budapest house where Solti grew up. The conductor's ashes were interred in Budapest next to Bartok's grave.
This album contains no booklet.