Vivaldi: Teatro alla moda Amandine Beyer & Gli incogniti

Cover Vivaldi: Teatro alla moda

Album info

Album-Release:
2015

HRA-Release:
14.10.2015

Label: harmonia mundi

Genre: Classical

Subgenre: Chamber Music

Artist: Amandine Beyer & Gli incogniti

Composer: Antonio Vivaldi (1678-1741)

Album including Album cover Booklet (PDF)

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Formats & Prices

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FLAC 88.2 $ 13.20
  • Antonio Vivaldi (1678-1741): Sinfonia de L'Olimpiade in C Major, RV 725
  • 1I. Allegro02:08
  • 2II. Andante02:31
  • 3III. Allegro01:10
  • Concerto per Violino in F Major, RV 282
  • 4I. Allegro poco04:29
  • 5II. Largo02:02
  • 6III. Allegro03:47
  • Concerto per Violino scordato in B Minor, RV 391
  • 7I. Allegro non molto04:30
  • 8II. Largo02:41
  • 9III. Allegro03:44
  • Concerto per Violino in D Major, RV 228
  • 10I. Allegro02:54
  • 11II. Largo01:59
  • 12III. Allegro04:31
  • Concerto per Violino, RV 314a.
  • 13I. Adagio03:07
  • Concerto per Violino in G Minor, RV 323
  • 14I. Allegro02:23
  • 15II. Largo01:42
  • 16III. Allegro02:21
  • Concerto per Violino in G Minor, RV 322
  • 17I. Allegro03:53
  • 18II. Largo02:43
  • 19III. Allegro02:34
  • Concerto per Violino in Tromba in G Major, RV 313
  • 20I. Allegro02:32
  • 21II. Andante02:18
  • 22III. Allegro02:17
  • Ballo Primo de Arsilda Regina di Ponto in G Minor, RV 700
  • 23I. Largo01:45
  • 24II. Allegro00:46
  • Concerto per Violino in G Minor, RV 316
  • 25III. Giga (Presto)01:44
  • Concerto per Violino in B Flat Major, RV 372a
  • 26I. Andante04:30
  • Version de J.G. Pisendel
  • 27Largo, RV 22801:51
  • Total Runtime01:12:52

Info for Vivaldi: Teatro alla moda

In his famous 1720 pamphlet Il teatro alla moda, composer Benedetto Marcello satirized what he saw as 'excesses' in the new style of Venetian opera espoused by Vivaldi and others. Each of the qualities he mocked, from cadenzas and virtuoso variations to the addition of popular dances and sound effects, has provided inspiration for the works on this new release from Amandine Beyer and Gli incogniti. Vivaldi's experiments - his spontaneity, his striking juxtapositions and contrasts - are key to the gloriously theatrical flavor of his instrumental music. Take your seats!

Amandine Beyer, Violin
Gli incogniti



Amandine Beyer
Since some years ago, Amandine Beyer is recognized as a reference in the interpretation of the baroque violin repertoire. Her recording of the Sonatas & Partitas by J. S. Bach in 2012, has been awarded the best international critics (Diapason d’or de l’année, Choc de Classica de l’année, Editor’s choice de Gramophone, Prix Academie Charles Cros, Excepcional de Scherzo....). The work in this masterpiece is being continued with the performance "Partita 2", choreographed and danced by Anne Theresa de Keersmaeker and Boris Charmatz.

She plays regularly in the most important halls and festivals worldwide (Théatre du Chatelet, Festival de Sablé, Innsbruck Festwochen, Konzerthaus de Viena...). She shares her time between between different music ensembles were she takes part off : les Cornets Noirs, the duos with Pierre Hantai, Kristian Bezuidenhout or Laurance Beyer and her own ensemble: Gli Incogniti (their CD's devoted to Vivaldi's Four Seasons and Corelli's Concerti Grossi have been welcomed by the international critic as new highlights in the performance of this repertoire).

Her other passion is teaching, giving lessons at the ESMAE of Porto (Portugal), as well as masterclasses worldwide (France, Taiwan, Brasil, Italy, Spain, USA, Canada). Since 2010 she teachs baroque violin at the Schola Cantorum Basiliensis in Switzerland.

Gli Incogniti
was founded in 2006 by a group of friends, brought together by the violinist Amandine Beyer. It is named after the Accademia degli Incogniti, an artistic and academic circle that was amongst the most active and libertarian of 17th century Venice. The spirit of this Accademia is indeed what drives the Incogniti today: a taste for the unknown in all its forms, for sound experimentation, research for new repertoire, for rediscovery of the “classics” and of lesser-known masterpieces.

The genuine pleasure they take in rehearsing and playing together meets their core ambition – to transmit a committed and coherent vision of the pieces they perform, connected to their combined sensitivities and personal preferences. The group now ranks among the top reference ensembles for historically informed performance, exploring a repertoire from baroque (Vivaldi, Bach, Pachelbel) to classic with Haydn, CPE Bach or even Mozart.

Booklet for Vivaldi: Teatro alla moda

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