Pony Orville Peck
Dear HIGHRESAUDIO Visitor,
due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.
We suggest, that you bookmark the album and use our Short List function.
Thank you for your understanding and patience.
Yours sincerely, HIGHRESAUDIO
- 1Dead of Night03:59
- 2Winds Change02:59
- 3Turn to Hate04:56
- 4Buffalo Run03:38
- 5Queen of the Rodeo03:17
- 6Kansas (Remembers Me Now)03:35
- 7Old River01:01
- 8Big Sky03:32
- 9Roses Are Falling03:05
- 10Take You Back (The Iron Hoof Cattle Call)03:27
- 11Hope to Die04:29
- 12Nothing Fades Like the Light03:46
Info for Pony
Combining the lulling ambiance of shoegaze with the iconic melodies and vocal prowess of classic American country music, outlaw cowboy, Orville Peck croons about love and loss from the badlands of North America. The resulting sound is entirely his own. He takes the listener down desert highways, through a world where worn out gamblers, road-dogs, and lovesick hustlers drift in and out of his masked gaze.
Orville’s debut album, Pony, delivers a diverse collection of stories that sing of heartbreak, revenge and the unrelenting tug of the cowboy ethos. Warm lap steel guitars and echoing drums move through dreamy ballads and sometimes near frantic buzzsaw tunes - all the while paying homage to his country music roots.
Pony’s lead single “Dead of Night” is a torch song about two hustlers traveling through Nevada desert. Their whirlwind romance takes us on a dusty trail of memories - racing down canyon highways, hitchhiking through casino towns and ultimately, ending in tragedy. Orville recalls the adventures of his young love, as he watches the boys silently pass him on the strip, haunted by the happy memories of his past.
On the campfire lullaby, “Big Sky,” Orville sings about his past lovers - an aloof biker, an abusive boxer and an overly protective jailor in the Florida Keys - and the inevitable demise of each one, as he leaves them for the wide open, big sky.
Meanwhile “Turn To Hate” finds Orville struggling to keep his resentment from building into hatred. A continuous battle between embracing the strength and freedom of being an outsider, and the inevitable struggle of wanting normalcy and familiarity. It encapsulates Orville's dilemma as a cowboy. He sings about having to constantly repair situations in his wake, and fighting with himself over his decision making. To stay or go; to cry or not; whether to leave without saying goodbye in order to soften the blow; All the while wishing someone would tell him that they "can't stay," and to make the decision for him.
And “Buffalo Run” acts as a warning, a song built around the imagery of stampeding buffalo in the badlands of the Northern Plains. It’s one that begins peacefully enough but soon transcends into a kinetic charge that crescendos as the buffalo are headed off the cliffside.
Pony was produced by Orville Peck, recorded and mixed by Jordan Koop at The Noise Floor on Gabriola Island, British Columbia and mastered by Harris Newman at Grey Market Mastering in Montreal, Quebec.
Orville Peck, vocals
Combining the lulling ambiance of shoegaze with the iconic melodies and vocal prowess of classic American country music, outlaw cowboy, Orville Peck croons about love and loss from the badlands of North America. The resulting sound is one entirely his own - taking the listener down dusty rose-colored desert highways; through a world where worn out gamblers, road-dogs, and lovesick hustlers drift in and out of his masked gaze.
Somewhere out in the badlands of North America, in-between the desert and mountain ranges of the Western state of Nevada, you’ll find enigmatic troubadour Orville Peck. Having lived in a lot of places, from Canada to Africa, and played in a bunch of badass bands over the years, Peck is now going it alone, armed with his anthems of love and loss for road dogs and lonely gamblers.
Peck’s is a handsome as hell sound that’s full of twangy guitars, shuffling 50’s percussion, and banjos. On tracks like debut single “Dead Of Night”, which tells the story of a biker hustler’s whirlwind romance and its tragic end, Peck throws back to a bygone era of queer lovin’ by channeling the cruising stories of artist David Wojnarowicz. With his inked torso and Stetson firmly on, Peck cuts an unmistakable figure. Saddle up as we head out into the dust to meet the man behind the mask.
This album contains no booklet.