Hirundo Maris Arianna Savall & Petter Udland Johansen
Dear HIGHRESAUDIO Visitor,
due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.
We suggest, that you bookmark the album and use our Short List function.
Thank you for your understanding and patience.
Yours sincerely, HIGHRESAUDIO
- 1El Mestre06:33
- 2Buenas Noches05:49
- 3Ya Salió de la Mar02:36
- 4Om Kvelden04:38
- 5El Mariner06:14
- 6Le Chant Des Étoiles03:44
- 7Morena Me Llaman06:10
- 8Bendik og Årolilja07:01
- 9Ormen Lange02:50
- 11The Water Is Wide05:24
- 12El Noi de la Mare03:32
- 13Josep i Maria03:28
- 16Yo M'enamorí D'un Aire05:35
- 17Trollmors vuggesang03:13
Info for Hirundo Maris
Hirundo Maris is Latin for “sea swallow” and, like that bird’s nomadic flight, harpist Arianna Savall’s quintet – part early music ensemble, part folk group – drifts on musical currents between Norway and Catalonia, and adds its own songs, created on the wing. Savall and co-leader Petter Udland Johansen have shaped a band with a bright, glistening timbral blend, capped by Arianna’s ice-clear voice, well-equipped to address songs of the north and the south.
Arianna Savall’s leader debut for the New Series follows her distinguished contributions to Rolf Lislevand’s “Nuove musiche” and to Helena Tulve’s “Lijnen”, – sensuous early music on the one hand, bracingly contemporary composition on the other. In both genres she has proven to be a charismatic singer. Now comes “Hirundo Maris” which, with its very fresh instrumental textures, follows another trajectory.
Savall and band co-leader Petter Udland Johansen describe their project as a journey linking the Mediterranean and the North Sea. Hirundo Maris is Latin for “sea swallow” and, like that bird’s flight, the quintet – part early music ensemble, part folk group – drifts on musical currents between Norway and Catalonia, adds its own songs, created on the wing, and swoops down to dive beneath the surface of things. Near the centre of the sound are Ariana’s sparkling harps and the drones of Johansen’s Hardanger fiddle; when the colours of the mandolin and more unexpectedly the Dobro (not often heard outside bluegrass contexts) are added, a message is sent about the universality of song as well as of the transatlantic travels of old ballads…
Savall and band Johansen have shaped a band with a bright, glistening timbral blend, capped by Arianna’s ice-clear voice, eminently well-equipped to address songs of the north and the south. It is a voice already familiar to many who have followed the outstanding work of her parents, Catalan viol master Jordi Savall and singer Montserrat Figueras: until 2008 Arianna played and sang as a member of her father’s ensembles, including Hespèrion XXI. Since then, she has been devoted much of her time to the Hirundo Maris project.
Of their “Chants du Sud et du Nord” Arianna and Petter Udland Johansen write, “From remote times, north and south have been linked by waterways navigated by the Vikings of Norway. Catalans and the Sephardic Jews have also shared this love of the sea, which through a common melancholy at some deep level connects peoples seemingly poles apart. We discover subtle bridges of song, where a Catalan song and a Norwegian tune are linked by common rhythms and modes, or a Norwegian ballad and a Sephardic song share the same key... The origin of this project is the emblematic Catalan song ‘El Mariner’, which is very popular in the coastal regions of Catalonia and recounts the story of the love between a Mediterranean maiden and a knight from northern lands. This typical European sea shanty in the form of a dialogue is also sung to a very similar tune on the coast of Scotland. Could these intangible bridges have been forged by the numerous voyages of Vikings, Catalans, Scots and Sephardic Jews?” “Hirundo Maris” sets off in search of the answer.
“Hirundo Maris: Chants du Sud et du Nord” was recorded in January 2011 in the Austrian monastery of St Gerold, with Manfred Eicher producing. Arianna has dedicated the recording to the memory of her mother, Montserrat Figuerras.
Arianna Savall, harp
Petter Udland Johansen, violin
Sveinung Lilleheier, pedal steel guitar
Miquel Àngel Cordero, double bass
David Mayoral, percussion
Recorded January 2011 Propstei St. Gerold
Tonmeister: Markus Heiland
Produced by Manfred Eicher
Arianna Savall, born in Switzerland, studied in Basel and Terrassa. She began studying early music performance practise with Rolf Lislevand at the Toulouse Conservatory in 1992. Between 1996 and 2001 she returned to Schola Cantorum Basiliensis for postgraduate studies in singing with Kurt Widmer and historical harp studies with Heidrun Rosenzweig, and in 2006/7 studied Spanish baroque harp with Andrew Lawrence-King in Barcelona. She made her debut as singer of baroque opera in Basel in 2000 performing the “Opera Seria” of Florian Leopold Gassman. This was followed in 2002 by a highly successful Barcelona production of Moneverdi’s “Orfeo” directed by Jordi Savall, with Arianna as Eurydice. Her recordings with the Savall family and with Hespèrion XXI ensemble have received numerous awards. Arianna’s own albums for Alia Vox include “Bella Terra” (2003) and “Peiwoh” (2009), the latter also with contributions from Hirundo Maris’s Petter Udland Johansen and David Mayoral.
Petter Udland Johansen was born in Oslo, where he received his first voice and instrumental training. He graduated from the Norges Musikhøyskole, studying voice with Ingrid Bjoner and Svein Bjørkøy in 1996 and from Basel’s Schola Cantorum with Richard Levitt in 2000, making also additional studies with the tenor Hans Peter Blochwitz. His operatic and concert repertoire of classical music includes the works of Bach, Monteverdi, Mozart, and Mendelssohn as well as songs by Schubert, Grieg, Wolf, Mahler and Brahms. He has worked with conductors including Rinaldo Alessandrini, Jordi Savall, Pep Prats, Christer Løvold, Tom and Tobias Kjellum Gossmann. Groups with which he has given concerts and recordings include Sagene Ring, Capella Antiqua Bambergensis, Pratum Musicum, La Morra, Ferarra and Lucidarium. Together with Christer Løvold and Mark B. Lay, he founded the vocal trio Pechrima.