Cover The News

Album info

Album-Release:
2021

HRA-Release:
27.08.2021

Album including Album cover Booklet (PDF)

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  • 1Mountain08:25
  • 2Leaving East of Java08:49
  • 3Go Happy Lucky05:21
  • 4The News05:34
  • 5Incienso05:35
  • 6Baby05:34
  • 7Dance of the Nuances07:24
  • 8With You in Mind07:11
  • Total Runtime53:53

Info for The News



Andrew Cyrille’s album The News carries forward the story from The Declaration of Musical Independence, the 2014 ECM recording described by Down Beat as “an unabashed exploration into time, pulse space and atmosphere…ambitious yet simple, rich yet stripped-down, challenging yet infinitely satisfying.” The New York Times cited the album as evidence of a “late career renaissance” for the drummer.

A force in improvisation for more than sixty years, Cyrille has played across the landscape of jazz from Coleman Hawkins’s The Hawk Relaxes to Cecil Taylor’s Unit Structures, led his own bands, and worked extensively with Milford Graves, Walt Dickerson, David Murray, Muhal Richard Abrams, Oliver Lake, Reggie Workman and many, many more. His first ECM appearance was on 1970’s Afternoon of a Georgia Faun, Marion Brown’s album with Chick Corea, Anthony Braxton, Bennie Maupin and Jeanne Lee. Half a century later Cyrille appeared with his Lebroba trio with Wadada Leo Smith and Bill Frisell at Lincoln Center’s 50th birthday tribute to the label.

For The News, recorded at Sound on Sound Studio in New Jersey in August 2019, David Virelles was drafted as last-minute replacement for old associate Richard Teitelbaum, whose involvement had been ruled out by ill-health. (Virelles had previously played with Cyrille and Ben Street in contexts including the group Continuum.) Gently guiding from the drums, Cyrille gives his revised line-up plenty of freedom while also shaping, subtly, the group’s sonic identity with his flowing sense of pulse.

The title track “The News” revisits a conceptual piece that Andrew first recorded on a solo percussion album, The Loop, made for the Italian Ictus label in the late 1970s. Here a newspaper is placed over the snare drum and toms and played with brushes. In the quartet version, Frisell, Virelles and Street all impressionistically extend its rustling, whispering textures on their own instruments.

“Leaving East of Jordan” is a tune by AACM-associated pianist Adegoke Steve Colson. Cyrille has previously played it both with its composer and with the group Trio 3 with Oliver Lake and Reggie Workman. Cyrille’s “With You In Mind” is also a piece that has gone through diverse interpretations: there are earlier recorded interpretations in trio with Hentry Grimes and Bill McHenry and in duo with Greg Osby. Here the music takes off from Andrew’s unaccompanied spoken word introduction with the band amplifying its sentiments, with a particularly tender guitar solo from Bill Frisell.

The guitarist has three tunes here “Mountain”, “Baby” and “Go Happy Lucky”, the last of which, as an abstracted blues, has a distant kinship with Duke Ellington’s “Happy Go Lucky Local.” Frisell has recorded extensively for ECM, from early leader dates such as In Line and Rambler to the recent duet projects Small Town and Epistrophy with Thomas Morgan. Along the way there has also been a long association with Paul Motian and Joe Lovano documented on recordings from Psalm (1981) to Time and Time Again (2006). Bill has also contributed to other recordings of enduring significance including Paul Bley’s Fragments, Kenny Wheeler’s Angel Song, Marc Johnson’s Bass Desires, Jan Garbarek’s Paths, Prints and Gavin Bryars’s After the Requiem.

David Virelles. who contributes the tune “Incienso” to the programme and shares composer credits with Cyrille on the exploratory “Dance of the Nuances”, first appeared on ECM with Chris Potter in 2011. Albums with Tomasz Stanko followed (Wisława, December Avenue) as well as Virelles’s own recordings Mbókò, Antenna and Gnosis.

Ben Street and Andrew Cyrille have collaborated in contexts including the trio of Danish pianist Søren Kjærgaard. The bassist’s ECM credits include albums with the Billy Hart Quartet (All Our Reasons, One Is The Other) the Ethan Iverson/Tom Harrell Quartet (Common Practice), and the Aaron Parks Trio (Find The Way).

Andrew Cyrille, drums
Bill Frisell, guitar
David Virelles, piano, synthesizer
Ben Street, double bass


Andrew Cyrille
born in Brooklyn on November 10, 1939, studied with Philly Joe Jones in 1958 and then spent the first half of the 1960s studying in New York at Juilliard and the Hartnett School of Music. At the same time, he was performing with jazz artists ranging from Mary Lou Williams, Coleman Hawkins, and Illinois Jacquet to Kenny Dorham, Freddie Hubbard, Walt Dickerson, and Rahsaan Roland Kirk, among others. He also played with Nigerian drummer Babtunde Olatunji and worked with dancers. In 1964 he formed what would prove to be an eleven-year association with Cecil Taylor, a gig that brought him new acclaim and established him in the vanguard of jazz drumming.

Starting in 1969, Cyrille played in a number of percussion groups with notable drummers including Kenny Clarke, Milford Graves, Don Moye, Rashied Ali, Daniel Ponce, Michael Carvin, and Vladimir Tarasov. Cyrille formed his group Maono ("feelings") in 1975, with its fluid membership dictated by the forces his compositions called for rather than vice versa. Since leaving Taylor's group, he has also worked with such top-flight peers as David Murray, Muhal Richard Abrams, Mal Waldron, Horace Tapscott, James Newton, and Oliver Lake, was the drummer on Billy Bang's A Tribute to Stuff Smith (Soul Note 121216), notable for being the last studio session of Sun Ra.

An artist-in-residence and teacher at Antioch College (Yellow Springs, Ohio) from 1971 to 1973, Cyrille has also taught at the Graham Windham Home for Children in New York and is currently a faculty member at the New School for Social Research in New York City. His sterling work has earned him a number of grants and awards, mostly notably from Meet the Composer. Additionally, he has an educational video available from Alchemy Pictures.

"A great drummer; a fine writer; and a wonderful bandleader; you pass him by at your peril."--The Penguin Guide to Jazz

"A consummate modern drummer."--The New York Times

Booklet for The News

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