As a mandolinist and lutenist, as well as a conductor, Alon Sariel is at home in the fields of both early and new music, having premiered dozens of works dedicated to him. He appeared at festivals such as the Salzburger Biennale for New Music and the Early Music Festival in Utrecht, and has performed in halls such as the Berliner Philharmonie and Sala São Paulo in Brazil.
Musical roads have taken Alon Sariel to many different genres from folk to avantgarde, leading him to collaborations with a bright spectrum of first-class artists such as soprano Dame Emma Kirkby, counter-tenor Andreas Scholl, trumpeter and intuitive-music artist Markus Stockhausen, violinist Jean-Christophe Spinosi, accordionist and banjo player Stian Carstensen and clarinetist David Krakauer.
A winner of numerous international competitions, prizes and awards, Alon Sariel has also been actively engaged in several socio/political-musical projects including Live Music Now (Yehudi Menuhin), Rhapsody in School (Lars Vogt) and the West-Eastern Divan (Daniel Barenboim).
As a soloist and member of different ensembles, Alon Sariel toured throughout Europe, the USA and Mexico, South America, South Africa, and the Middle- and Far-East. He has given master classes for the Classical Mandolin Society of America (CMSA) and at institutions such as Trinity College of Music (London), Lilla Akademien (Stockholm), the conservatories of Kazan (Russia) ZUŠ Nová Paka (Czech Republic) and Celaya (Mexico). Alon Sariel's playing was transmitted via radio stations worldwide, including Arte, BBC4, Bayerischer Rundfunk, WDR3, P2 Klassiskt, Kol HaMusika, WQXR and WNYC among others.
Currently residing in Hanover, where he is musical director of the international Baroque orchestra Concerto Foscari and founding member of PRISMA, with whom he was awarded the first prize at the International Biber Competition in Austria 2015. Recent engagements as soloist/conductor include ensembles as Munich Chamber Orchestra, Jerusalem Radio Symphony, Sofia Philharmonic, Tel Aviv Soloists, Camerata Tinta Barocca (Cape Town) and the Barokksolistene (Norway).
Among diverse recording productions with different ensembles, Alon Sariel is signed on several world premiere recordings such as the trios for plucked instruments by Paul Ben-Haim (for Albany Records) and by Yehezkel Braun (for IMI), as well as for "Nedudim" for mandolin and string orchestra by Gilad Hochman (with the Deutsches Kammerorchester Berlin for Neue Meister). His recording "Paisiello in Vienna" marking the 200th anniversary of the composer's passing was released by Brilliant Classics to a wide critical acclaim. Alon Sariel's last recording "Telemandolin" (Berlin Classics) was awarded the "Golden Label" by Klassiek Centraal (Belgium) and the prestigious OPUS KLASSIK (Germany). Furthermore, the album has been described by the press as „a recording of epic proportions“. (Mandolin Café, USA)
2019 saw the release of his album "Rembrandt“ (querstand) with music of the Dutch Golden Age, and "Bach in the White City“ (Sheva Collection), an homage to the Bauhaus Centenary, bridging elegantly between Weimar and Tel Aviv. Furthermore, Alon Sariel has recorded Beethoven's mandolin literature on historical instruments for the 2020 NAXOS Classics Beethoven complete works CD box set.