Joseph Spooner
came to the cello indirectly, via a degree in Classics at Cambridge, and a doctorate in Greek papyrology at London and Florence universities. During subsequent postgraduate study at the Royal Academy of Music, he embraced traditional repertoire and developed a taste for contemporary and non-standard works. Since then, he has pursued a diverse career, principally as a soloist and chamber musician, and this work has taken him across the UK, from the Baltic to the Atlantic, and from the recording studio to concert platforms in Continental Europe, New York, Russia, Mexico and New Zealand. As a soloist, there have been performances of familiar and less familiar concertos (including Dvořák, Leighton, Korngold, Shostakovitch and Moeran); broadcasts from his recordings on BBC Radio 3 and Radio New Zealand; and recital series featuring the complete works for the cello by Bach, Beethoven, Bloch, and the Mighty Handful.

Joseph has worked extensively as a chamber musician; regular collaborators include David Owen Norris and Madeleine Mitchell. His work with contemporary-music ensembles (notably Continuum and New Music Players) has included performances at major festivals (among them Huddersfield), broadcasts (BBC Radio 3, Channel 4), several premieres, and recordings of works by Errollyn Wallen and Roger Smalley. Joseph’s deep delving into the cello repertoire has led to the rediscovery of unjustly neglected works. Audiences have greatly appreciated hearing this music, and critics have offered high praise for Joseph’s recordings, noting the initiative entailed and agreeing that these works – by composers as diverse as Alan Bush, Alexander Krein, Michael Balfe, Samuel Coleridge-Taylor, Edgar Bainton, Aaron Copland, George Dyson, and Percy Sherwood – were indeed worth rehabilitating.

Joseph was elected an Associate of the Royal Academy of Music in 2012, and in 2013 was made an honorary member of the International Felix Draeseke Society. He is proud to be the dedicatee of Alwynne Pritchard’s Danaides, Errollyn Wallen’s Spirit Symphony: Speed Dating for Two Orchestras, and Martin Read’s Troper Fragment. His instrument was made by Nicholas Vuillaume in c.1865

Matthew Berry
the conductor and joint founder of Commotio, studied music at University College Oxford, where he was organ scholar and then assistant organist. After conducting The Oxford Chamber Choir for two years as a student, he founded Commotio in 1999. Having finished his degree, he studied postgraduate choral direction with Patrick Russill for two years at the Royal Academy of Music in London.

Berry’s expertise lies in the research and promotion of little-known contemporary choral repertoire, principally from Scandinavia, South Africa, the United States and Slovenia. In 19 years working with Commotio he has initiated many premieres including, most recently, the UK premiere of Rolande Falcinelli’s Messe de Sainte-Dominique. In February 2013, the Governing Body of the Royal Academy of Music elected Berry an Associate of the Royal Academy of Music (ARAM). Berry returned to conduct Commotio in 2019–20 after a short sabbatical during which Bob Chilcott directed the choir.