where are we Joshua Redman

• 1After Minneapolis (face toward mo[u]rning)07:44
• 2Streets Of Philadelphia05:20
• 3Chicago Blues04:53
• 4Baltimore05:37
• 5By The Time I Get To Phoenix04:41
• 6Do You Know What It Means To Miss New Orleans?05:05
• 7Manhattan03:55
• 8My Heart In San Francisco (Holiday)03:13
• 9That’s New England04:47
• 10Alabama (intro)00:17
• 11Stars Fell On Alabama01:56
• 12Alabama07:54
• 13Where Are You?05:10
• Total Runtime01:00:32

Info for where are we

Seit 30 Jahren gehört der Saxofonist Joshua Redman nun schon zu den meistgeschätzten und charismatischsten Künstlern auf der internationalen Jazzszene. In diesem Zeitraum spielte er allein für seine beiden Stammlabels Warner und Nonesuch rund zwei Dutzend Alben ein, für die er insgesamt elf Grammy-Nominierungen erhielt. Nun wird Redman mit seinem neuen Album “where are we” bei Blue Note ein neues Kapitel aufschlagen und dabei in für ihn ungewohnte Gefilde vorstoßen.

Auf “where are we” wird Redman zum ersten Mal in seiner Karriere die Zusammenarbeit mit einer Vokalistin in den Mittelpunkt rücken. Seine musikalische Partnerin ist hier die 26-jährige Gabrielle Cavassa, die 2021 eine der beiden Gewinnerinnen des International Sarah Vaughan Jazz Vocal Competition war (zur Erinnerung: 2019 wurde bei dem Wettbewerb eine gewisse Samara Joy zur Siegerin gekrönt). Cavassa ist mit ihrer stimmungsvoll kühlen, geschmeidigen Stimme in neun der dreizehn Stücke von “where are we” Redmans unbestreitbarer Co-Star.

Mit dem Album will Redman die Hörer/innen auf eine Reise quer durch die US-amerikanische (Musik-)Landschaft mitnehmen. Ein großer Teil des Albums besteht aus Jazz- und Pop-Standards, die zum Teil viele Jahrzehnte alt sind und bereits von unzähligen Künstlern interpretiert wurden. Obwohl Redman die Songs nah am Original hält, schafft er durch seine Interpretation immer wieder ein Gefühl des Neuentdeckens. Bei einigen Titeln hat er sogar Partikel von Songs intuitiv kombiniert, er selbst bezeichnet die Ergebnisse als “Mash-ups”.

Ein Beispiel für diese Arbeitsweise liefert die erste Single des Albums, die den Titel “Chicago Blues” trägt und zwei sehr unterschiedliche Songs miteinander verschmilzt. “‘Chicago Blues’ ist eine Art moderne Neuinterpretation des von Count Basie und Jimmy Rushing geschriebenen Klassikers ‘Goin’ To Chicago’”, erläutert Joshua Redman. “Gabrielle hat einige der ursprünglichen Strophen des Lieds genommen und aus ihnen heraus ihren eigenen, intimeren lyrischen Ansatz entwickelt. Ich habe melodische und harmonische Motive von Sufjan Stevens’ ‘Chicago’ übernommen und sie in und um die Bluesform herum gewoben.”

Joshua Redman, Saxophon
Gabrielle Cavassa, Gesang
Aaron Parks, Klavier
Joe Sanders, Bass
Brian Blade, Schlagzeug
Nicholas Payton, Trompete
Kurt Rosenwinkel, Gitarre
Peter Bernstein, Gitarre
Joel Ross, Vibraphon

Joshua Redman
is one of the most acclaimed and charismatic jazz artists to have emerged in the decade of the 1990s. Born in Berkeley, California, he is the son of legendary saxophonist Dewey Redman and dancer Renee Shedroff. He was exposed at an early age to a variety of musics (jazz, classical, rock, soul, Indian, Indonesian, Middle-Eastern, African) and instruments (recorder, piano, guitar, gatham, gamelan), and began playing clarinet at age nine before switching to what became his primary instrument, the tenor saxophone, one year later. The early influences of John Coltrane, Ornette Coleman, Cannonball Adderley and his father, Dewey Redman, as well as The Beatles, Aretha Franklin, the Temptations, Earth, Wind and Fire, Prince, The Police and Led Zeppelin drew Joshua more deeply into music. But although Joshua loved playing the saxophone and was a dedicated member of the award-winning Berkeley High School Jazz Ensemble and Combo from 1983-86, academics were always his first priority, and he never seriously considered becoming a professional musician.

In 1991 Redman graduated from Harvard College summa cum laude, Phi Beta Kappa with a B.A. in Social Studies. He had already been accepted by Yale Law School, but deferred entrance for what he believed was only going to be one year. Some of his friends (former students at the Berklee College of Music whom Joshua had met while in Boston) had recently relocated to Brooklyn, and they were looking for another housemate to help with the rent. Redman accepted their invitation to move in, and almost immediately he found himself immersed in the New York jazz scene. He began jamming and gigging regularly with some of the leading jazz musicians of his generation: Peter Bernstein, Larry Goldings, Kevin Hays, Roy Hargrove, Geoff Keezer, Leon Parker, Jorge Rossy and Mark Turner (to name just a few). In November of that year, five months after moving to New York, Redman was named the winner of the prestigious Thelonious Monk International Saxophone Competition. This was only one of the more visible highlights from a year that saw Redman beginning to tour and record with jazz masters such as his father, Jack DeJohnette, Charlie Haden, Elvin Jones, Joe Lovano, Pat Metheny, Paul Motian, and Clark Terry. For Joshua, this was a period of tremendous growth, invaluable experience and endless inspiration. Visit: http://www.joshuaredman.com/bio

Brad Mehldau
Jazz pianist Brad Mehldau has recorded and performed extensively since the early 1990s. Mehldau’s most consistent output over the years has taken place in the trio format. Starting in 1996, his group released a series of five records on Warner Bros. entitled The Art of the Trio (recently re-packaged and re-released as a 5-Disc box set by Nonesuch in late 2011). During that same period, Mehldau also released a solo piano recording entitled Elegiac Cycle, and a record called Places that included both solo piano and trio songs. Elegiac Cycle and Places might be called “concept” albums made up exclusively of original material with central themes that hover over the compositions. Other Mehldau recordings include Largo, a collaborative effort with the innovative musician and producer Jon Brion, and Anything Goes—a trio outing with bassist Larry Grenadier and drummer Jorge Rossy.

His first record for Nonesuch, Brad Mehldau Live in Tokyo, was released in September 2004. After ten rewarding years with Rossy playing in Mehldau’s regular trio, drummer Jeff Ballard joined the band in 2005. The label released its first album from the Brad Mehldau Trio—Day is Done—on September 27, 2005. An exciting double live trio recording entitled Brad Mehldau Trio Live was released on March 25th, 2008 (Nonesuch) to critical acclaim. On March 16, 2010 Nonesuch released a double-disc of original work entitled Highway Rider, the highly anticipated follow up to Largo. The album was Mehldau’s second collaboration with renowned producer Jon Brion and featured performances by Mehldau’s trio—drummer Jeff Ballard and bassist Larry Grenadier—as well as percussionist Matt Chamberlain, saxophonist Joshua Redman, and a chamber orchestra led by Dan Coleman. In 2011 Nonesuch released Live in Marciac – a two CD release with a companion DVD of the 2006 performance, and Modern Music, a collaboration between pianists Brad Mehldau and Kevin Hays and composer/arranger Patrick Zimmerli. In 2012 Nonesuch released an album of original songs from the Brad Mehldau Trio – Ode - the first from the trio since 2008’s live Village Vanguard disc and the first studio trio recording since 2005’s Day is Done. Ode went on to garner a Grammy-Nomination. Nonesuch released the Brad Mehldau Trio’s Where Do You Start, a companion disc to the critically acclaimed Ode, in the fall of 2012. Whereas Ode featured 11 songs composed by Mehldau, Where Do You Start comprises the Trio’s interpretations of 10 tunes by other composers, along with one Mehldau original. In 2013 Mehldau produced and performed on Walking Shadows, the acclaimed Nonesuch release from Joshua Redman. 2013 also saw a number of collaborative tours including a duo tour with mandolin virtuoso Chris Thile, piano duets with Kevin Hays and a new electric project with prodigious drummer Mark Guiliana entitled “Mehliana.” Mehliana: Taming the Dragon, the debut release by Mehliana, was released to critical acclaim in early 2014. Visit: http://www.bradmehldau.com/brad/

This album contains no booklet.