Schubertiade: Du holde Kunst, ich danke dir Anima Eterna Brugge & Jos van Immerseel

• Franz Schubert (1797–1828): Ständchen, D. 920
• 1Ständchen, D. 92005:29
• Auf der Bruck in G Major, D. 853
• 2Auf der Bruck in G Major, D. 85303:58
• Gretchen am Spinnrade, D. 118
• 3Gretchen am Spinnrade, D. 11803:36
• 4 Gesänge, Op. 17, D. 983
• 44 Gesänge, Op. 17, D. 983: IV. Die Nacht02:42
• Deux marches caractéristiques in C Major, Op. 121, D. 886
• 5Deux marches caractéristiques in C Major, Op. 121, D. 886: Marche No. 106:27
• Die junge Nonne, D. 828
• 6Die junge Nonne, D. 82804:45
• Piano Quintet in A Major, Op. 114, D. 667 -Die Forelle-
• 7Piano Quintet in A Major, Op. 114, D. 667 -Die Forelle-: I. Allegro vivace13:26
• 8Piano Quintet in A Major, Op. 114, D. 667 -Die Forelle-: II. Andante07:12
• 9Piano Quintet in A Major, Op. 114, D. 667 -Die Forelle-: III. Scherzo04:32
• 10Piano Quintet in A Major, Op. 114, D. 667 -Die Forelle-: IV. Andantino (Theme & Variations)07:47
• 11Piano Quintet in A Major, Op. 114, D. 667 -Die Forelle-: V. Allegro giusto07:12
• Nachtgesang im Walde, D. 913
• 12Nachtgesang im Walde, D. 91306:08
• Ganymed, Op. 19/3, D. 544
• 13Ganymed, Op. 19/3, D. 54404:17
• Du liebst mich nicht, Op. 59/1, D. 756
• 14Du liebst mich nicht, Op. 59/1, D. 75603:44
• Piano Trio in E-Flat Major, Op. 100, D. 929
• 15Piano Trio in E-Flat Major, Op. 100, D. 929: II. Andante con moto10:01
• Drei Gesänge, Op. 83, D. 902
• 16Drei Gesänge, Op. 83, D. 902: I. L'incanto degli occhi02:54
• 17Drei Gesänge, Op. 83, D. 902: II. Il traditor deluso03:48
• 18Drei Gesänge, Op. 83, D. 902: III. Il modo di prender moglie04:25
• Divertissement à la hongroise in G Minor, Op. 54, D. 818
• 19Divertissement à la hongroise in G Minor, Op. 54, D. 818: I. Andante10:54
• 20Divertissement à la hongroise in G Minor, Op. 54, D. 818: II. Marcia (Andante con moto)03:06
• 21Divertissement à la hongroise in G Minor, Op. 54, D. 818: III. Allegretto13:50
• Fantasie in F Minor, Op. 103, D. 940
• 22Fantasie in F Minor, Op. 103, D. 94018:11
• Der Wanderer, D. 489
• 23Der Wanderer, D. 48904:55
• Nacht und Träume, Op. 43/2, D. 827
• 24Nacht und Träume, Op. 43/2, D. 82703:46
• Der König in Thule, Op. 5/5, D. 367
• 25Der König in Thule, Op. 5/5, D. 36703:49
• La pastorella al prato, D. 513
• 26La pastorella al prato, D. 51301:55
• Du bist die Ruh, Op. 59/3, D. 776
• 27Du bist die Ruh, Op. 59/3, D. 77604:54
• An Sylvia in A Major, Op. 106/4, D. 891
• 28An Sylvia in A Major, Op. 106/4, D. 89102:50
• Violin Sonata in G Minor, Op. 137/3, D. 408
• 29Violin Sonata in G Minor, Op. 137/3, D. 408: I. Allegro giusto04:58
• 30Violin Sonata in G Minor, Op. 137/3, D. 408: II. Andante04:39
• 31Violin Sonata in G Minor, Op. 137/3, D. 408: III. Menuetto02:20
• 32Violin Sonata in G Minor, Op. 137/3, D. 408: IV. Allegro moderato03:54
• Der Tod und das Mädchen, Op. 7/3, D. 531
• 33Der Tod und das Mädchen, Op. 7/3, D. 53102:37
• Schwanengesang, D. 957
• 34Schwanengesang, D. 957: 14. Die Taubenpost, D. 965a03:55
• Der Hirt auf dem Felsen, D. 965
• 35Der Hirt auf dem Felsen, D. 96512:20
• Der Gondelfahrer in C Major, Op. 28, D. 809
• 36Der Gondelfahrer in C Major, Op. 28, D. 80903:22
• Der Zwerg, Op. 22/1, D. 771
• 37Der Zwerg, Op. 22/1, D. 77105:04
• Allegro in A Minor, Op. 144, D. 947
• 38Allegro in A Minor, Op. 144, D. 94714:10
• Meeres Stille, Op. 3/2, D. 216
• 39Meeres Stille, Op. 3/2, D. 21601:59
• Arpeggione Sonata in A Minor, D. 821
• 40Arpeggione Sonata in A Minor, D. 821: I. Allegro moderato in A Minor12:42
• 41Arpeggione Sonata in A Minor, D. 821: II. Adagio in E Major04:23
• 42Arpeggione Sonata in A Minor, D. 821: III. Allegretto in A Major11:23
• An die Musik in D Major, Op. 88/4, D. 547
• 43An die Musik in D Major, Op. 88/4, D. 54702:53
• Total Runtime04:21:12

Info for Schubertiade: Du holde Kunst, ich danke dir

Happy Birthday, Mister Jos! Jos Van Immerseel is celebrating his 70th birthday with three important releases that will punctuate the end of the year at Alpha: a symphonic programme (Janacek, Dvorak), a chamber music programme (Schubert) and a set grouping the rereleases of his recordings of French music. These anthologies will once again demonstrate everything the pianofortist brings to the interpretation of the symphonic and chamber repertoires.

4 CD’s, 17 musicians, 32 master pieces: these are the main ingredients of Schubertiade - a compilation of vocal and instrumental chamber music by Schubert, hand-picked and assembled by Jos van Immerseel to form the soundtrack to 4 imaginary Schubertian salons.

An ode to the master of Ständchen and Forellenquintett, this recording is also a celebration of Anima Eterna Brugge’s maestro, who, over the past 25 years, has led the orchestra to many happy encounters with his favorite composer.

Anima Eterna Brugge
Jos Van Immerseel, conductor

Anima Eterna Brugge
Founded in 1987 by Jos van Immerseel as a musical Petri dish to cultivate the results of his research into music of the baroque era, Anima Eterna Brugge evolved from a compact string ensemble to the full-bred symphonic orchestra that it is today, exploring repertoire from Bach, Mozart and Beethoven to Strauss, Debussy and Gershwin. The consequent use of period instruments, the permanent direction by its inspirator van Immerseel, a project-based setup and respect for the composer’s intentions, are at the core of this orchestra’s vision. Soloists either stem from Anima’s own ranks, or are ‘friends of the family’ - Claire Chevallier (piano), Midori Seiler (violin), Sergei Istomin (violoncello), Lisa Shklyaver (clarinet) and Thomas Bauer (baritone), to name but a few. With its partners Opéra de Dijon, Concertgebouw Brugge and Beethovenfest Bonn, AEB continues along the lines of an exceptional trajectory that by now stretches over a quarter of a century. During this time, the orchestra has produced an impressive range of recordings, since 2002 constituting the Zig-Zag Territoires (Outhere) series Collection Anima Eterna. Upcoming release in 2014 is the long-anticipated live-recording of Carl Orff’s Carmina Burana. Anima’s curiosity and the public’s amazement haven’t faded over the years: the orchestra still vouches for innovation without provocation, and keeps on getting its drive from musicological research and analysis, a logical and natural approach, and tons of musical passion and pleasure.

Jos van Immerseel
was born in Antwerp in 1945. He studied piano (Eugène Traey), organ (Flor Peeters), singing (Lucie Frateur) and direction (Daniel Sternefeld) as well as organology, rhetoric and historical fortepiano (autodidact). His passion for historical keyboard instruments burgeoned after coming into contact with two magnificent instruments at the Antwerp Museum Vleeshuis (Joannes Dulcken – 1747; Conrad Graf – 1826), and with exceptional musicians such as René Jacobs, the Kuijken brothers, Jaap Schröder, Anner Bijlsma, Paul Van Nevel, Guy de Mey and Paul Dombrecht. Reinforced by his fascination for organ and vocal music, these interests naturally guided van Immerseel to the field of early music. Shortly thereafter, he founded his own ensemble (Collegium Musicum, 1964-1968) that experimented with music from the renaissance and the baroque era on period instruments. Still on the same track, Jos van Immerseel embarked upon harpsichord studies with Kenneth Gilbert and carried off the palm at the first edition of the Paris Harpsichord Competition (1973) after a unanimous decision of both the jury and the audience. Van Immerseel turned out to be the only competitor rigorously choosing to play the historical harpsichord, thereby starting a new chapter of the French harpsichord school’s history.

Booklet for Schubertiade: Du holde Kunst, ich danke dir