Mahler: Symphony No. 8 in E flat major 'Symphony of a Thousand' London Symphony Orchestra & Valery Gergiev

• Gustav Mahler (1860-1911): Part I – Hymnus: Veni, creator spiritus:
• 1Part I, Veni, creator spiritus: Veni, creator spiritus -01:25
• 2Part I, Veni, creator spiritus: Imple superna gratia -03:55
• 3Part I, Veni, creator spiritus: Infirma nostri corporis -06:12
• 4Part I, Veni, creator spiritus: Accende lumen sensibus -04:44
• 5Part I, Veni, creator spiritus: Veni, creator spiritus -03:47
• 6Part I, Veni, creator spiritus: Gloria sit Patri Domino02:47
• Part II – Final Scene from Goethe’s Faust:
• 7Part II, Final Scene from Faust: Poco adagio -12:30
• 8Part II, Final Scene from Faust: Ewiger Wonnebrand -01:34
• 9Part II, Final Scene from Faust: Wie Felsenabgrund mir zu Fussen -04:30
• 10Part II, Final Scene from Faust: Gerettet ist das edle Glied -03:08
• 11Part II, Final Scene from Faust: Uns bleibt ein Erdenrest -02:48
• 12Part II, Final Scene from Faust: Hochste Herrscherin der Welt! -04:02
• 13Part II, Final Scene from Faust: Dir, der Unberuhrbaren -03:37
• 14Part II, Final Scene from Faust: Bei der Liebe, die den Fussen -05:01
• 15Part II, Final Scene from Faust: Neige, neige, du Ohnegleiche -04:12
• 16Part II, Final Scene from Faust: Komm! Hebe dich zu hohern Spharen! -01:10
• 17Part II, Final Scene from Faust: Blicket auf zum Retterblick, alle reuig Zarten -06:16
• 18Part II, Final Scene from Faust: Alles Vergangliche ist nur ein Gleichnis05:29
• Total Runtime01:17:07

Info for Mahler: Symphony No. 8 in E flat major 'Symphony of a Thousand'

Mahler’s monumental Eighth Symphony is, unusually for a symphony, structured in two-parts. Part I’s exuberant hymn of praise to the creator spirit precedes a reading of the Final Scene from Goethe’s Faust, portraying “Faust’s redemption through wisdom and love”. The use of choirs throughout the work, combined with the colossal forces of eight soloists, off-stage brass, and an expanded orchestra, make this a work of epic proportions.

„Magnetic and compelling ... Brilliantly and subtly animated choral singing injects a sense of bleak mystery and awe. It’s the kind of performance you instantly wish you had witnessed, but this vivid and momentous recording takes you 99 per cent of the way there.“ (The Scotsman)

„Mahler’s mightiest symphony, with its huge orchestral forces and massive choral utterances, emerges with all the overwhelming sonic power the score demands ... its potent blend of spirituality and theatricality makes it a powerful contender for top honors amid a crowded field.“ (Chicago Tribune)

'two performances bringing Gergiev's Mahler cycle to a triumphant close. Gergiev caught the crucial moment of expectation to perfection. But in the end it was the shattering power of several hundred voices, an expanded orchestra and full cathedral organ that delivered the mightiest of Mahler's symphonies with the sonic splendour it demands.' (London Evening Standard)

“at once the most ambitious and the most impressive in Gergiev's variable Mahler series...The atmosphere of a great occasion is caught admirably, with the timpani and organ very impressive...A most competitive version.” (Penguin Guide)

Viktoria Yastrebova, soprano
Ailish Tynan, soprano
Ludmila Dudinova, soprano
Lilli Paasikivi, mezzo-soprano
Zlata Bulycheva, mezzo-soprano
Alexey Markov, baritone
Sergey Semishkur, tenor
Evgeny Nikitin, bass
Choir of Eltham College
Choral Arts Society of Washington
London Symphony Chorus
London Symphony Orchestra
Valery Gergiev, conductor

London Symphony Orchestra
From its first days the London Symphony Orchestra has been defiantly different and proudly pioneering.

It was the first British orchestra owned by its players, and its fiercly independent ethos has never waned. It was one of the first orchestras to make gramophone records and film scores; today it has more recordings to its name than any other orchestra in the world. It was the first to have its own peak-time television series. And more than a century on, the revolution continues.

Now in its twelfth decade, the history of the LSO contains many of the important developments of British orchestral life, including premieres of now-popular works and relationships with some of the greatest conductors. In these pages you can find out more about the LSO and its rich history, about the works it has premiered, the famous names that have held the position of Principal Conductor, the film soundtracks it has recorded and about the archive of programmes, photographs, attendance sheets and publicity materials.

Valery Gergiev
The art of Valery Gergiev is in great demand throughout the world. The maestro is a vivid representative of the St Petersburg conducting school and a former pupil of the legendary Professor Ilya Musin. While still a student at the Leningrad Conservatoire, Gergiev won the Herbert von Karajan Competition in Berlin and the All-Union Conducting Competition in Moscow, following which he was invited to join the Kirov Theatre (now the Mariinsky) as an assistant to the principal conductor. His debut as a conductor at the theatre came on 12 January 1978 with Sergei Prokofiev's opera War and Peace. In 1988 Valery Gergiev was appointed Music Director of the Mariinsky Theatre, and in 1996 he became its Artistic and General Director (leading the orchestra and opera and ballet companies).

With the arrival of Valery Gergiev at the helm, it became a tradition to hold major thematic festivals marking various anniversaries of composers. In 1989 there was a festival marking one hundred and fifty years of Modest Musorgsky, in 1990 there was one commemorating one hundred and fifty years of Pyotr Tchaikovsky, in 1991 there was another marking one hundred years of Sergei Prokofiev and in 1994 there was another marking one hundred and fifty years of Nikolai Rimsky-Korsakov. These festivals saw performances not only of well-known scores but also of rarely performed pieces or works that had never been staged before at all. The tradition of anniversary festivals has continued in the 21st century with a celebration of one hundred years of Dmitry Shostakovich in 2006, another marking one hundred and seventy-five years of Pyotr Tchaikovsky in 2015 and a third marking one hundred and twenty-five years of Sergei Prokofiev in 2016.

Through maestro Gergiev's efforts the Mariinsky Theatre has revived operas by Richard Wagner. In 1997 came Parsifal, which had not been performed in Russia for more than eighty years, in 1999 Lohengrin was revived and by 2003 the grandiose operatic tetralogy Der Ring des Nibelungen had been staged in full. That was the first time following an interval of almost a century that the complete tetralogy was staged in Russia and the first production in Russia to be performed in the original German. The tetralogy has been performed on Mariinsky Theatre tours to great acclaim in Moscow as well as abroad – in the USA, South Korea, Japan, Great Britain and Spain. The theatre's repertoire also includes productions of Tristan und Isolde(2005) and Der Fliegende Holländer (1998, 2008).

The Mariinsky Orchestra under Valery Gergiev has scaled new heights, assimilating not just opera and ballet scores, but also an expansive symphony music repertoire – every symphony by Beethoven, Brahms, Tchaikovsky, Mahler, Sibelius, Prokofiev and Shostakovich and works by Berlioz, Bruckner, Rimsky-Korsakov, Richard Strauss, Scriabin, Rachmaninoff, Stravinsky, Messiaen, Dutilleux, Ustvolskaya, Shchedrin, Kancheli and other composers.

Under the direction of Valery Gergiev the Mariinsky Theatre has become a major theatre and concert complex, without par anywhere in the world. In 2006 the Concert Hall was opened, followed in 2013 by the theatre's second stage (the Mariinsky-II). Since 1 January 2016 the Mariinsky Theatre has had a branch in Vladivostok – the Primorsky Stage, and since April 2017 it has had a branch in Vladikavkaz: the National State Opera and Ballet Theatre of the Republic of North Ossetia-Alania and State Academic Philharmonic of the Republic of North Ossetia-Alania. Other projects of Valery Gergiev hosted by the Mariinsky Theatre include media broadcasting, on-line broadcasts of concerts and the establishment of a recording studio. 2009 saw the launch of the Mariinsky label, which to date has released more than thirty discs that have received great acclaim from the critics and the public throughout the world; these recordings include symphonies by Tchaikovsky and piano concerti by Tchaikovsky and Shostakovich, operas by Wagner, Massenet and Donizetti and an entire plethora of other works. Recordings of Prokofiev's ballets Romeo and Juliet and Cinderellaand the opera The Gambler have been released on DVD.

Valery Gergiev's international activities are no less intensive and active. Having made debuts in 1992 at the Bayerishe Staatsoper (Musorgsky's Boris Godunov), in 1993 at the Royal Opera House, Covent Garden (Tchaikovsky's Eugene Onegin) and in 1994 at the Metropolitan Opera (Verdi's Otello with Plácido Domingo in the title role), the maestro successfully continues to collaborate with the world's great opera houses. He works with the World Orchestra for Peace (which he has directed since 1997 following the death of the ensemble's founder Sir Georg Solti), the Philharmonic Orchestras of Berlin, Paris, Vienna, New York and Los Angeles, the Symphony Orchestras of Chicago, Cleveland, Boston and San Francisco, the Royal Concertgebouw Orchestra (Amsterdam) and many other ensembles. From 1995 to 2008 Valery Gergiev was Principal Conductor of the Rotterdam Philharmonic (of which he remains an honorary conductor to this day), and from 2007 to 2015 he was Principal Conductor of the London Symphony Orchestra. Since autumn 2015 the maestro has headed the Munich Philharmonic Orchestra.

Valery Gergiev is the founder and director of prestigious international festivals including the Stars of the White Nights (since 1993), the Moscow Easter Festival (since 2002), the Gergiev Festival in Rotterdam, the Mikkeli Festival and the 360 Degreesfestival in Munich. Since 2011 he has directed the organisational committee of the International Tchaikovsky Competition. Valery Gergiev focuses much of his attention on working with young musicians. One of his initiatives saw the revival of the All-Russian Choral Society; this includes the Children's Chorus of Russia, which has appeared at the Mariinsky-II, the Bolshoi Theatre and at the closing ceremony of the XXII Winter Olympics in Sochi. Since 2013 the maestro has directed the National Youth Orchestra of the USA and regularly appears with the youth orchestras of the Schleswig-Holstein Festival, the Verbier Festival and the Pacific Ocean Music Festival in Sapporo. Since 2015 the Mariinsky Theatre has run the Mariinsky NEXT annual festival, which features children's and youth orchestras of St Petersburg.

Valery Gergiev's musical and public activities have brought him three State Prizes of the Russian Federation (1993, 1998 and 2015), the titles of People's Artist of the Russian Federation (1996) and Hero of Labour (2013), the Order of Alexander Nevsky (2016) and prestigious State awards of Armenia, Germany, Italy, The Netherlands, Poland, France and Japan.

Gergiev’s artistic achievements have brought him numerous titles and awards. These include the title of People’s Artist of Russia (1996), three State Prizes of Russia (1993, 1998 and 2015), the Order of Alexander Nevsky (2016), government awards from Germany (Cross of the First Class “For Services”), Italy (Grand’ufficiale dell’Ordine al merito), France (Ordre des Arts et des Lettres), the Netherlands (Knight of the Order of the Dutch Lion), Japan (Order of the Rising Sun), the honorary title of UNESCO Artist of the World, the Swedish Royal Academy of Music’s Polar Music Prize and Europe’s Glashütte Original Music Festival Prize in 2010 for his support of talented young musicians. That same year, Gergiev was elected Dean of the Faculty of Arts of the St Petersburg State University. He also joined the Council for Culture and the Arts of the Russian President and headed the organisational committee of the International Tchaikovsky Competition. In November 2011 France’s respected Classica magazine named him “Artist of the Year”. In 2012 he was awarded the titles of Honorary Doctor of the Moscow State University and Honorary Professor of the St Petersburg Conservatoire, while one year before that the maestro became Honorary President of the Edinburgh International Festival. On 1 May 2013 Russian President Vladimir Putin awarded maestro Gergiev the first title of Hero of Labour of Russia.

Booklet for Mahler: Symphony No. 8 in E flat major 'Symphony of a Thousand'