Star Fleet Sessions (Deluxe) Brian May & Friends

• 1Star Fleet (Edited Single Version / 2023 Mix)04:01
• 2Let Me Out (2023 Mix)07:19
• 3Blues Breaker (2023 Mix)12:51
• 4Cynthia Fox Release Day Interview 198309:19
• 5Bob Coburn Rockline Interview 198404:43
• 6Let Me Out (Live at The Palace Theater, LA / 1993)07:34
• 7We Will Rock You (Live at The Palace Theater, LA / 1993)01:59
• 8We Will Rock You (Fast) (Live at The Palace Theater, LA / 1993)02:35
• 9Star Fleet (2023 Mix)08:04
• 10Star Fleet (Take 1 / from Star Fleet - The Complete Sessions)03:19
• 11Star Fleet (Take 2 / from Star Fleet - The Complete Sessions)04:48
• 12Star Fleet (Take 3 / from Star Fleet - The Complete Sessions)04:37
• 13Star Fleet (Take 4 / from Star Fleet - The Complete Sessions)01:07
• 14Star Fleet (Take 5 / from Star Fleet - The Complete Sessions)04:29
• 15Solo Jam (from Star Fleet - The Complete Sessions)03:58
• 16Star Fleet (Take 7 / from Star Fleet - The Complete Sessions)00:47
• 17Star Fleet (Take 8 / from Star Fleet - The Complete Sessions)04:40
• 18Star Fleet (Take 10 / from Star Fleet - The Complete Sessions)05:03
• 19Star Fleet (Take 11 / from Star Fleet - The Complete Sessions)04:53
• 20Star Fleet (Alternative Overdub EVH Solo / from Star Fleet - The Complete Sessions)00:55
• 21Jam (from Star Fleet - The Complete Sessions)01:31
• 22Let Me Out (Rehearsal 1 / from Star Fleet - The Complete Sessions)01:41
• 23Let Me Out (Rehearsal 2 / from Star Fleet - The Complete Sessions)05:55
• 24Boogie Woogie Jam (from Star Fleet - The Complete Sessions)00:42
• 25Let Me Out (Take 1 / from Star Fleet - The Complete Sessions)06:23
• 26Jazz Police (from Star Fleet - The Complete Sessions)00:32
• 27Let Me Out (Take 3 / from Star Fleet - The Complete Sessions)01:32
• 28Let Me Out (Take 4 / from Star Fleet - The Complete Sessions)06:32
• 29Jam (Let's Do The Show Right Here) (from Star Fleet - The Complete Sessions)01:04
• 30Let Me Out (Take 6 / from Star Fleet - The Complete Sessions)06:18
• 31Funky Jam (from Star Fleet - The Complete Sessions)06:07
• 32Let Me Out (Take 7 False Start / from Star Fleet - The Complete Sessions)00:48
• Total Runtime02:16:06

Info zu Star Fleet Sessions (Deluxe)

On 21st and 22nd April, 1983, Brian May was joined at Record Plant Recording Studios, Los Angeles, California, U.S.A. by his friends Eddie Van Halen (guitar), Alan Gratzer (drums), Phil Chen (bass), and Fred Mandel (keyboards). The output of the two days’ sessions was captured on a 3-track mini album and released on October 31st, 1983, titled Brian May + Friends: Star Fleet Project. Now celebrating its 40th anniversary, Star Fleet Project will be given the full reissue treatment as part of Brian’s ongoing Gold Series. Brian and his studio team, Justin Shirley-Smith and Kris Fredriksson, have created a completely new 2023 mix of the sessions from the original multi-track master tapes, and the artwork has been completely digitally recreated from the original 1983 source material, to give fans the very best experience at the highest possible quality.

"It's all here. ALL of it. Every note we played on those two days is right here, on show for the first time. I will take you behind the scenes into that studio with us for two unforgettably exhilarating days." – Brian May

When Queen took a break for the first part of 1983, Brian May put his time to good use. Waking up one morning in Los Angeles, he decided to phone a few friends and invite them to collaborate on some tracks in California's famous Record Plant studios. The resulting collaboration was a great success, and Brian would later mold the recordings into a unique mini-album, Brian May + Friends: Star Fleet Project.

This third release in the "Brian May Gold Series" offers an extensively revisited and expanded box set edition of these legendary sessions. The set is a complete document of the two days, April 21 and 22, 1983 that May spent in the Record Plant, Los Angeles accompanied by top rock music luminaries Edward Van Halen (guitar), Alan Gratzer (drums), Phil Chen (bass) and Fred Mandel (keyboards).

The Deluxe version includes spectacular 23-tracks with previously unreleased material.

May writes in his introductory sleeve notes in the box set: "We are going to give you everything… every take of every song, the things that went wrong, the laughing, the finding new things to do. But it won't be just a remaster – we've rescued everything from the original multitracks, every detail magnificently remixed, and more! You'll hear every take from the historic 1983 sessions plus fragments of conversations, out-takes and musical experimentation."

The original 3-track mini album, released October 31, 1983, featured a full-length take of "Star Fleet," May's hard rock re-imagining of the signature tune from the Japanese-made kid's science fiction series of the same name. The program was compulsive regular viewing for Brian and his four year-old son Jimmy on Saturday morning TV, inspiring Brian's attachment to its title song, written by English musician Paul Bliss. The album also featured "Let Me Out," including extensive opportunities for May and Eddie Van Halen to solo.

May says: "If Paul hadn't written a very catchy song as the theme tune for that kid's TV science fiction drama series, things would have been different. The signature tune began to stick in my head, and I could hear my own arrangement of the tune developing in my mind. But how to record it?"

"So one morning, I woke up in Los Angeles on a break from activities with Queen and made some phone calls. I've told the story of what happened next in the material you will find in this box. The outcome was something I will forever treasure."

"We did a little preparation on the phone and at home with tiny Rockman amps and earphones. Then we went in. The tapes rolled. My LA neighbour Alan Gratzer beat the hell out of his kit with the fattest, heaviest drum sticks I had ever seen. Phil Chen, a friend I had met when he played with Rod Stewart, brought his unusual style of funk-orientated rock playing to the party, along with his sunny Caribbean energy and humor. Fred Mandel, one of the classiest keyboard players I have ever met, tickled both the ivories and some very technical synth patches to bring the spacey riffs to life. Ed (I can still never call him 'Eddie Van Halen' because he more than once told me that he found it annoying!) played the guitar as if it were a piano … tapping and snapping and sliding and skipping around the fingerboard like an electric sprite - always with a cheeky smile. If anything he did was difficult for him, he never showed it. A total original. Pure joy. What an everlasting privilege to play with him."

A superlative show of back-to-basics passion and purpose, Star Fleet brims with the freedom of an off-the-cuff break from the day jobs for all involved.

The record emerged on October 20, 1983 as a set of blistering guitar work, rock'n'roll spontaneity and vibrant melody infused with a palpable chemistry and respect between the players. Spawning a single in the title track, the mini-album reached No. 1 in the British 'Kerrang' rock charts.

Now, of course, the record stands in part as a celebration of those we've lost: a chance to reconvene with great, much-missed talents. As Brian puts it, "It's been very exciting to open up the vault to find these tapes where, in the blink of an eye, I'm trading licks with my friends including the fantastic Ed Van Halen. It's highly emotional, especially since Ed is sadly no longer around. We have since also lost Phil - so the rest of us cherish these fleeting moments together."

The troupe also worked on an earlier May song, the bluesy "Let Me Out," while the set closes with the titanic "Blues Breaker," almost 13 minutes of scorching guitar interplay between Brian and Edward: not so much duelling as sharing ideas and passions. As Brian explains, "It was inspired by John Mayall's Blues Breakers, the album with Eric Clapton reading The Beano on the front cover. Edward said, 'This is great for me; I haven't played like this in years. This is where I come from! I didn't come up doing tapping and all the fireworks. I grew up doing blues, wanting to be like Eric Clapton and do something melodic."

If that sense of liberation rings out, so does a spirit of shared adventure. "There was a lot of ebullience, a lot of exploration, discovery and astonishment," says Brian. "And some truly magical moments when everything gelled together - a fusion of energies!"

Brian May, guitar, vocals, production, keyboards
Edward Van Halen, guitar, backing vocals
Alan Gratzer, drums
Phil Chen, bass
Fred Mandel, keyboards
Roger Taylor, backing vocals on "Star Fleet"

Digitally remastered

Brian May
CBE, PhD, FRAS is a founding member of Queen, a world-renowned guitarist, songwriter, producer and performer, also a Doctor of Astrophysics, 3D stereoscopic photographic authority, campaigner for animal rights and a passionate advocate for political and social change.

Queen’s accolades accrued over five decades include a staggering list of sales with a catalogue that consistently tops popularity polls, along with a deserved list of awards and honours. Brian has penned 22 Queen top 20 hits, among them the powerful ballads ‘Who Wants to Live Forever’, ‘No-One But You’ and ‘Save Me’, along with anthems ‘The Show Must Go On’, ‘I Want It All’, and ‘We Will Rock You’, namesake to the Queen/Ben Elton hit musical which enjoyed an unprecedented 12 year run at London’s Dominion Theatre alongside numerous worldwide productions. Iconic sports anthem, ‘We Will Rock You’ was performed live by Brian and Roger during the London 2012 Olympics closing ceremony, viewed by an estimated one billion TV audience. Other memorable global live appearances include the band’s 1985 Live Aid show stealing set and during the 2002 Golden Jubilee celebrations, Brian playing his own arrangement of ‘God Save the Queen’ from the rooftop of Buckingham Palace.

Queen became the first rock group to score a major film, Flash Gordon, followed by definitive music for Highlander. Brian’s personal credits include further film, TV and theatre collaborations and two successful solo albums earning him two Ivor Novello awards. He continues to inspire a diverse genre of international artists and has a wealth of guest artist appearances featuring his distinctive guitar style, produced from his revered homemade ‘Red Special’ guitar using a sixpence as a plectrum.

A Queen and Paul Rodgers joint performance at the 2004 induction into the UK Music Hall of Fame led to a return to touring after a 20 year break, featuring the former Free/Bad Company singer as guest vocalist. 2012 saw a return of Queen onstage, this time with current guest vocalist Adam Lambert, to award winning universal critical acclaim. Over 70 worldwide sold out concerts have been played, including a spectacular New Years Eve concert heralding 2015, broadcast live by the BBC.

Most recently Brian has enjoyed writing, producing, recording and touring with Kerry Ellis. Brian and Kerry are currently working on their third album and have a series of European concert dates confirmed for early 2016 after which he returns to tour with Queen + Adam Lambert headlining the Isle of Wight Festival along with a dozen further European festival appearances.

Brian retains his keen passion for Astronomy and after a 30 year break returned to Astrophysics to update his doctoral thesis on the Motions of Interplanetary Dust and achieved his full PhD degree from Imperial College, London, in 2007. He continues his work in Astronomy and in July 2015 Brian spent time with fellow Astrophysicists at NASA Headquarters interpreting new data as it was transmitted from the Pluto New Horizons probe whilst compiling the first high-quality stereo image of Pluto.

Brian has co-authored numerous publications, including two in the Astronomy field with the late Sir Patrick Moore. He now heads his own publishing house, The London Stereoscopic Company which specializes in Victorian 3-D Photography. All books come complete with Brian’s own design OWL stereoscopic viewer. More information on the upcoming published work Crinoline: Fashion’s Most Magnificent Disaster (Spring 2016) and the celebrated short animated film ‘One Night in Hell’ along with all matters stereoscopic are available at Brian’s dedicated website, www.londonstereo.com.

Brian is proud to be an ambassador for the Mercury Phoenix Trust, set up in memory of Freddie Mercury to support AIDS projects. Over 700 projects and millions of people have benefitted from the Trust as the global battle against HIV/AIDS continues.

A lifelong advocate of animal welfare, Brian is a leading inspiration in the fight against fox hunting, trophy hunting and badger culling. He campaigns tirelessly from grass roots through to parliamentary level with his Save Me Trust campaign, established in 2009 to champion British wildlife, working alongside Harper Asprey Wildlife Rescue and rehabilitation centre. Projects include rejuvenation of ancient woodlands to create protected wildlife habitats and as a key player working alongside the major conservation and wildlife NGOs, the Save Me Trust created Team Fox and Team Badger - the largest ever wildlife coalition. Further details can be found at www.savemetrust.org. The Save Me Trust is currently fronting a petition calling for the introduction of Cecil’s Law inspired by the death of Cecil, South Africa’s most famous lion, and to end the senseless slaughter of our magnificent wildlife creatures.

Brian was appointed Commander of the Order of the British Empire in 2005 for ‘services to the Music Industry and for his charity work’ and is patron to a number of charities, also a vice-president of the RSPCA. Brian enjoys interacting with his fans, who can enjoy updates on his work and thoughts on twitter at @DrBrianMay and via his website at www.brianmay.com.

Dieses Album enthält kein Booklet