Down To The Letter Grace Pettis

• 1Rain03:11
• 2Horses03:36
• 3I Didn't Break This 03:15
• 4Sobering Up 03:58
• 5I Take Care Of Me Now 03:53
• 6Wild04:31
• 7Joy04:57
• 8Thousand Times A Day03:54
• 9The Better And The Worst03:51
• 10Vivian04:00
• 11Year Of Losing Things 04:41
• 12When Nobody's Watching03:32
• Total Runtime47:19

Info zu Down To The Letter

Grace Pettis' much-anticipated sophomore release, "Down To The Letter", captures the Nashville-based (formerly Austin-based) singer-songwriter at the peak of her songwriting powers. Chronicling the end of a marriage and the reclamation of self after betrayal, codependency, and loss with heartbreaking detail, the lyrics deftly toe the line between personal pain and universal catharsis.

Mary Bragg — who also produced Pettis’ debut album on MPress, 2021’s Working Woman — was Pettis’ first choice for Down to the Letter as well, in spite of their second album calling for a markedly different approach. “I knew this album would be challenging,” says Pettis. “I was too close to these songs and the subject matter to be all that objective with things like song and production choices. But I was in good hands with Mary.”

Bragg and Pettis, along with good friend Josh Kaler (Frances Cone, Heather Nova), who contributes the majority of the electric and acoustic guitars on the album as well as pedal steel, make up the musical heart of the project. The three of them tracked much of the album in five days while holed up at musician/producer Jon Estes’ home studio in Nashville, when Jon and his family were out of town. While Grace played and sang and Mary contributed back-up vocals and acoustic guitar, Josh did the engineering until it was his turn to play something. Then Mary took over the engineering while he laid down his guitar parts.

Pettis reveals: "It was a very different process from the way Mary and I made our last record together. We recorded Working Woman at Sound Emporium, which is this big, beautiful, historic studio in Nashville. We brought in a raucous rock and roll band and we tracked it live, for the most part." But Bragg's instinct for Down to the Letter was ro record the project somewhere more familiar and intimate in a cozy and personal atmosphere. "It was just the three of us working on it for days," Grace explains: "That was smart, because it was the kind of safe and supportive environment I needed, where I was among friends and could be emotionally vulnerable with in the way I needed to be, to get the vocals we wanted to get." She concedes that she cried in her car after some of those days in the studio, so cathartic was the experience for her. "Mary was so great about allowing me to be human, while also encouraging me to make the best art possible."

Grounded by Pettis’ vocals and acoustic guitar along with notable contributions from Bragg and Kaler on acoustic and pedal steel guitar, respectively, the album also features Owen Biddle and Jordan Perlson on electric bass and drums. Jon Estes contributed upright bass, cello, piano, and B-3 and Will Hawley added horns to “Joy.” With final overdubs at Bragg’s own project studio, they were able to achieve both the aching intimacy of ballads like "Horses" and “Sobering Up,” and the pull-no-punches attitude of tracks like "Rain" and “I Didn’t Break This.”

On the last day of tracking, the studio was full to the brim with Pettis’ Nashville musician friends, supporting the tender “Joy,” and exuberant “I Take Care of Me Now” as a makeshift choir and then with gang vocals. Guest vocals from Mary Bragg, Robby Hecht, and Emily Scott Robinson round out this collection of twelve original songs, two of which are co-writes (“When Nobody’s Watching” - Gary Nicholson; “The Year of Losing Things” - Tom Prasada-Rao).

A year-round touring artist equally at home on a big festival stage as in a listening room in Ireland, Grace Pettis has also been a member of Austin-based trio Nobody's Girl with Rebecca Loebe and BettySoo since 2017, releasing their first EP in 2018 and full-length studio album in 2021 to critical acclaim. And while those musical friendships remain a big part of her landscape and have helped ground and inspire her along the way, this record is all about one woman's journey through tough times, coming out on the other side all the more herself – vulnerable but triumphant, bruised but in possession of her own, solitary strength.

Produced by Mary Bragg (Natalie Price), mixed by Jon Estes (Robyn Hitchcock, Dolly Parton), and mastered by John McLaggan (Parachute Mastering), the album showcases Pettis' rich voice, perhaps one of the most dynamic and agile of her generation.

"Grace has a melodic way of writing that not only stays in your head but reads what’s sitting in your soul. She writes what I’ve always wanted to say.” — Ruthie Foster, Grammy®-nominated blues artist)

“As a decorated songwriter, Pettis blurs the lines between country, Americana, and folk. Her soulful delivery of calculated lyrics helps her tell stories for all generations.” – American Songwriter

“Grace has a melodic way of writing that not only stays in your head but reads what's sitting in your soul. She writes what I always wanted to say.” – Ruthie Foster

“Grace Pettis writes visually lyrical songs with an infectious groove and a radio-ready vibe. You can't help but be moved by the stories she weaves.” - M Music & Musicians

Grace Pettis

Grace Pettis
An award-winning singer songwriter from Austin via Alabama, Grace Pettis has amassed a hearty resume. Grace, whose debut single for MPress Records "Landon" was received with tremendous critical acclaim, has been characterized as "a little bit folk, a little bit country/Americana and a whole lot of soul. Energized from recording her full debut album in Nashville for MPress (set for release in 2021), her new song and accompanying video, "Drop Another Pin", is already turning heads. Featuring co-production and keyboard contributions from fellow Austin native Shakey Graves, the uptempo track was mixed by Grammy® winner Andy Zulla (Kelly Clarkson)

Dishing out hearty portions of hooks,"Drop Another Pin" is a catchy, alt-country ode to living in the moment.. Grace says of the song: "Remember when we woke up one day and the whole world had changed? We lost jobs. We lost houses. We lost our savings. We lost faith in our government, and in our society. Maybe we even lost family and friends to a deadly pandemic. Now, more than ever, the idea that nothing is permanent or safe is real to me....We can only live in the moment we're in, the best that we can, getting comfortable with change, and trying to stay centered in the present. I'm happiest when I'm able to center myself within my own little dot on the map, in the midst of constant change." In between recording and hosting/playing on multitude of virtual concerts, Grace has been actively advocating for racial justice. She released the powerful song "White Noise" from which all proceeds are being donated to Color Of Change, an organization devoted to racial equality. It is currently available exclusively via Noisetrade as a donation-based download. Grace also holds-down duties as a member (along with Rebecca Loebe and BettySoo) of the Americana/folk-pop trio Nobody's Girl.

Grace has been steadily garnering attention for several years. She is the winner of many of the nation's most prestigious songwriting contests, including NPR's Mountain Stage New Song Contest, and has received grants from the Buddy Holly Educational Foundation. Grace's songs have been recorded by other esteemed artists, including Sara Hickman and Ruthie Foster, and she added to her songwriting accomplishments in 2019 by signing a publishing deal with BMG. Her highly acclaimed independently released records, Grace Pettis (2009), Two Birds (2012), and the acoustic EP, Blue Star in a Red Sky (2018), have garnered praise from top notch magazines, newspapers and radio.

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