Troika (Bonus Track Edition) D'Virgilio, Morse & Jennings

• 1Everything I Am05:43
• 2Julia06:07
• 3You Set My Soul on Fire03:22
• 4One Time Less04:53
• 5Another Trip Around the Sun04:39
• 6A Change Is Gonna Come04:24
• 7If I Could04:02
• 8King for a Day05:47
• 9Second Hand Sons04:43
• 10My Guardian03:43
• 11What You Leave Behind04:16
• 12Julia [Bonus Track] (Alternative Version)08:19
• Total Runtime59:58

Info zu Troika (Bonus Track Edition)

Nick D'Virgilio (Big Big Train, ex-Spock's Beard), Neal Morse (Transatlantic, NMB, ex-Spock's Beard) und Ross Jennings (Haken, Novena) geben die Gründung ihres neuen Trios D'Virgilio, Morse & Jennings bekannt. Die Gruppe hat bei InsideOutMusic unterschrieben und wird Anfang 2022 ihr Debütalbum ‚Troika‘ veröffentlichen. Der Aufnahmeprozess begann damit, dass Neal Morse einige akustische Songs schrieb, von denen er dachte, dass sie durch starke Gesangsharmonien aufgewertet werden könnten. Er wusste bereits, wie gut seine Stimme mit dem ehemaligen Bandkollegen von Spock's Beard und Schlagzeuger/Sänger von Big Big Train, Nick D'Virgilio, harmonierte, und als die Amerikaner einen dritten Mann suchten, holten sie Ross Jennings von Haken aus Großbritannien, um das Trio zu komplettieren. Alle drei stellten fest, dass ihre Songs von der dreistimmigen harmonischen Mischung profitieren würden, und so legten sie ihre Ressourcen zusammen und trugen kreativ zu den Kompositionen der anderen bei.

"Das Trio, sonst fest im progressiven Rock verankert, liefert mit seinem Debüt ein herrlich melodisches Westcoast-Album ab und brilliert mit einem Satzgesang, der an die Heroen CSNY mehr als nur erinnert.​" (Audio)

"Herrlich positiver und konstruktiv melancholischer AOR light von drei echten Könnern, die in diesem Kontext zumindest bis zu einem gewissen Grad überraschen, weil man nicht erwartet hätte, dass sie sich solchen Klängen derart konsequent und unironisch hingeben würden." (Andreas Schiffmann, musikreviews.de)

Nick D’Virgilio, Vocals, Drums, Percussion, Bass guitar, Acoustic Guitar, Tron Flute, Electric Guitar
Neal Morse, Vocals, Acoustic Guitar, Bass, Organ, Slide and Electric Guitar, Windkey, Electric Piano, Fretless Bass, Mandolin
Ross Jennings, Vocals, 6 & 12-String Acoustic Guitar, Ebow, Lead Electric Guitar, Synth

Nick D’Virgilio
Born in Whittier California on November 12th 1968, Nick began playing drums when he was 4 years old. "I went to the front door on Christmas Eve because some one knocked on it and when I opened the door to see who was there it was a blue sparkle Ludwig kit sitting there already set up. Did Santa carry it like that on his sleigh? I don't know but from that moment on I knew Santa was one cool cat. ...From there my Bro turned me on to Led Zeppelin and Genesis and the rest is history. I was a rocker from then on. I have to say I am very lucky and blessed. The drums came to me pretty easily and don't know why. I don't have any other drummers in my family."After high school, Nick attended the Dick Grove School of Music in Los Angeles. After studying drums for a while, Nick shifted his focus to the study of music theory/songwriting and vocals. Dispite the change in major, Nick continuted to play drums activley at the school with his fellow classmates.In 1990 Nick won the very 1st Guitar Center drum off and in 1992 he was first introduced to Neal and Al Morse at a blues jam in Studio City, CA. "We ended up sitting in together by pure chance. Neal told me about some PROG tunes he had written and that him and Al were thinking of putting a band together. I went with my wife Tiffany to Neal's house in LA and got the demos. I liked them very much and to make a long story short, I joined the guys and we started SPOCK'S BEARD. We didn't call our selves that at first, I think we called our selves AUGUST and then ONE. We played around town a few times but didn't do that much. Spock's ended up taking off a few years later.

Neal Morse
As a young musician, Neal's dream was like many others—to find success in the pop music world. But after years of struggling in the LA singer-songwriter scene, he realized that his dream would not materialize. Eschewing conventional wisdom, Neal took a courageous step: he about-faced and devoted himself to progressive rock, the music truly in his heart. The obscure and fiercely competitive genre held little chance of commercial success.

Undaunted, he formed the quirkily-named Spock's Beard with his brother, Alan. They recorded The Light with what money they could scrape together. Against all odds, it was a breakout success, sending shockwaves through the small genre's community. Over the next 10 years, Spock's Beard released 10 critically acclaimed CDs and 2 concert DVDs, ascending to the top of the "prog" world. Neal also released 6 CDs and 3 DVDs with Transatlantic, the heralded prog "supergroup" comprised of the world's finest prog musicians.

The proverbial wayward son, Neal had finally found the success he dreamed of. But something was missing. While on the outside Neal had it all^ on the inside, something was missing.

Morse came to realize that for him, embracing the Christian faith was the fulfillment of his spiritual quest. His walk was at once gradual and sudden—and like with so many, completely unexpected. As he continued, his path increasingly revealed more of what his heart had sought all along. Yet he also began to find his career growing at odds with his faith. The rising spiritual tension and increasing commercial success finally came to a head with the release of Snow (2002), Spock's Beard's (with Morse) magnum opus...and swan song.

The extraordinary 2-CD rock opera, composed by Morse, was widely acclaimed as the group's finest. But it was the end of the era. Neal felt God calling him out of his former musical life and into the unknown. He made the agonizing decision to leave Spock's Beard and Transatlantic. Despite having finally achieved the success he had long sought, Morse then had to begin all over again^ musically, emotionally and spiritually.

Neal then embarked upon the most ambitious musical project of his career. Entitled Testimony (2003), it chronicles his spiritual and musical journey in words and music. The 2 CD set (3 CDs for the Special Edition) spans over two hours as one continuous piece of music. It ranges in style from a full gospel choir to hard rock^ from a symphony orchestra to contemporary pop. A deftly woven musical tapestry, the album takes the listener on a fascinating journey as unique as the man behind it.

Artistically, Testimony was a remarkable solo achievement, with Neal not only writing, arranging and producing^ but singing the lead vocals and performing most of the instruments. Recognized as a virtuoso multi-instrumentalist, he is endorsed as a guitarist, keyboardist and singer (Yamaha, Gibson, Rode Microphones, and others). Legendary drummer Mike Portnoy performed on drums, with guest guitarist Kerry Livgren ( Kansas) on several tracks.

The mainstream and CCM press alike lauded Testimony as was one of the best progressive rock albums of the year. It received numerous honors, from Progressive World (Top 5 Albums) to The National Review (10 Best of the Year). The ensuing world tour was captured on one unforgettable night at the beautiful Dutch concert hall, (named only as a number) 013, (013 is the telephone code of Tilburg) during his European tour. The performance (and tour) won him "Best Rock Tour" from the Dutch Progressive Rock Poll, besting nominees Peter Gabriel, Radiohead, RUSH and others. (Neal also won Best Album for the Testimony studio release.) Released as a 2-DVD set, Testimony Live (2004) showcases Neal Morse as a remarkably passionate and engaging live performer. On lead vocals, guitar and keyboards, Neal demonstrates why, after the European leg of the tour, England's Classic Rock Magazine included him in their "100 Greatest Frontmen of Rock" listing.

Morse's next studio album was a conceptual, progressive rock album entitled, One. Mike Portnoy returned to perform on drums (in what is regarded as perhaps his finest performance), and up-in-coming prog artist Randy George (Testimony Live) returned on bass. They were joined by legendary guitarist Phil Keaggy on several tracks. The result was more of a band-focused, straight-ahead sound than on Testimony, harkening back to Neal's Transatlantic work.

Neal also took a more collaborative approach on One, writing with Portnoy and George. The three artists worked together closely to capture and articulate Neal's vision^ his singular design enriched with their distinct voices. Continuing in the tradition of Snow and Testimony, One is epic in scope and sublime in nature. Like Testimony, One received numerous awards^ and for the first time, saw mainstream commercial radio airplay around the country.

Neal's third progressive rock album was steeped in mystery. Morse weaves a storyline that owes as much to C.S. Lewis as Indiana Jones. It’s presented as one continuous story, as the listener journeys in search of the Tabernacle, the biblical dwelling place of God. Entitled simply, “?”, Neal is joined by Mike Portnoy (Dream Theater), Jordan Rudess (Dream Theater), Roine Stolt (Flower Kings, Transatlantic), Steve Hackett (Genesis), and Randy George (Ajalon).

Neal's newest prog epic is as thrilling as it is controversial. Morse tells a compelling and sometimes macabre tale of the darkness that inevitably follows when Man elevates himself to God. On another level, the album presents a fast-paced account of Martin Luther's dangerous reformation of the Church in the Middle Ages. Bursting with emotion and thrills, Morse is unflinching in his description of the Church's abuses, and profound in his respect for anyone who rises up against tyranny. The album Sola Scriptura closes not with an end but a beginning—his sublime conclusion to how anyone of us can bring salvation to humanity.

Ross Jennings
Born on Feb 7th 1984 in Salisbury, UK, Ross grew up in Sutton, Surrey and picked up the guitar from a young age. Despite having semi-regular guitar lessons throughout his school days, Ross is mostly self-taught. Ross was rhythm guitarist in his school band ‘Lost Child’ and went on to form local band ‘REDADOS’ with some friends from Surrey.

His affinity with the guitar remained merely a hobby whilst he explored his passion for film-making and working as a freelance photographer. Reconnecting with his school friends after completing his studies, HAKEN were conceived and eventually officially formed in 2007, with Ross as the lead vocalist and lyricist.

The hugely successful modern progressive metal band HAKEN, need no introduction in some circles, having released 1x EP, 1x Live album and 6x full length studio albums of consistently high quality. They have been climbing their career mountain with grace and gusto, albeit on the fringe of mainstream rock and metal. In 2019 HAKEN won ‘Best UK Artist’ at the annual PROG awards, with their latest release ‘Virus’ reaching #2 in the UK rock charts and entering the US Billboard Hot 100 at #52.

Also a member of UK progressive metal act, NOVENA, Ross’s undeniable appeal is his uniquely soothing yet versatile voice and captivating lyricism. Novena have so far released 1 EP and 1 Full length album to critical acclaim.

In 2017 Ross was selected to front 'Mike Portnoy's Shattered Fortress’, a show that featured Ex-Dream Theater drummer Mike Portnoy performing the legendary '12 Step suite' among other classic Dream Theater anthems. The show was performed and toured internationally throughout 2017 and received fantastic reviews.

2020 gave Ross the opportunity to write and record his debut solo album A SHADOW OF MY FUTURE SELF which was released in November 2021. The album sees Ross as vocalist and guitarist, stepping slightly away from his Progressive Metal niche with songs crying out for mainstream Rock Radio...

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