Tchaikovsky, Korngold: String Sextets The Nash Ensemble

• Pyotr Ilyich Tchaikovsky (1840 - 1893): Sextet in D Minor, Op. 70, TH 118 "Souvenir de Florence":
• 1Tchaikovsky: Sextet in D Minor, Op. 70, TH 118 "Souvenir de Florence": I. Allegro con spirito10:30
• 2Tchaikovsky: Sextet in D Minor, Op. 70, TH 118 "Souvenir de Florence": II. Adagio cantabile e con moto10:01
• 3Tchaikovsky: Sextet in D Minor, Op. 70, TH 118 "Souvenir de Florence": III. Allegretto moderato06:47
• 4Tchaikovsky: Sextet in D Minor, Op. 70, TH 118 "Souvenir de Florence": IV. Allegro vivace07:17
• Erich Wolfgang Korngold (1897 - 1957): String Sextet in D Major, Op. 10:
• 5Korngold: String Sextet in D Major, Op. 10: I. Moderato – Allegro10:55
• 6Korngold: String Sextet in D Major, Op. 10: II. Adagio10:27
• 7Korngold: String Sextet in D Major, Op. 10: III. Intermezzo. Moderato, con grazia07:00
• 8Korngold: String Sextet in D Major, Op. 10: IV. Finale. Presto07:08
• Total Runtime01:10:05

Info zu Tchaikovsky, Korngold: String Sextets

Der jugendliche Korngold besaß eine kompositorische Gewandtheit und Reife, die sein Alter nicht ahnen ließen; im Gegensatz dazu fürchtete Tschaikowsky—völlig zu Unrecht—, dass seine eigenen schöpferischen Kräfte verblassten, als er Souvenir de Florence schrieb. Das Nash Ensemble bringt Leidenschaft und Überzeugung in beide Werke ein.

Die beiden hier miteinander kombinierten Streichsextette liegen kaum mehr als 25 Jahre auseinander und sie haben auch das gleiche tonale Zentrum (D), doch entstanden sie in jeweils ganz unterschiedlichen Schaffensperioden ihrer Komponisten. Die Premiere von Korngolds Sextett wurde wenige Wochen vor seinem 20. Geburtstag gegeben; Tschaikowsky's „Souvenir de Florence“ hingegen ist ein Spätwerk, das in seiner überarbeiteten Fassung weniger als ein Jahr vor dem Tod des russischen Komponisten uraufgeführt wurde. In beiden Werken ist die Herausforderung, für jeweils zwei Violinen, Bratschen und Violoncelli zu komponieren, erfolgreich gemeistert—„sechs unabhängige und doch homogene Stimmen“, wie Tschaikowsky an seinen Bruder Modest schrieb, „das ist unvorstellbar schwierig“. ...

The Nash Ensemble

The Nash Ensemble
The Nash Ensemble Resident Chamber Ensemble at London’s Wigmore Hall, is regarded as a standard-bearer of British music-making, and has been acclaimed by The Independent as a ‘chamber music group beyond compare’. The Nash Ensemble has built up a remarkable reputation as one of Britain’s finest ensembles and, through the dedication of its founder and artistic director Amelia Freedman and the calibre of its players, has gained a similar reputation all over the world. The repertoire is vast and the imaginative, innovative and unusual programmes are as finely architectured as the beautiful Nash terraces in London from which the group takes its name. The Nash Ensemble is not classically restricted; it performs with equal sensitivity and musicality works from Mozart to the avant-garde. Indeed, it is one of the major contributors towards the recognition and promotion of many leading composers, the group having premiered over 320 new works by 225 different composers, including 224 commissions written specially for the ensemble, thereby providing a legacy for generations to come.

An impressive collection of recordings illustrates the same varied and colourful combination of classical masterpieces, little-known neglected gems and important contemporary works. Notable recordings for Hyperion include a series of works by British composers of the first half of the twentieth century; string quintets by Mozart, Brahms, Bruch and Beethoven; works by Czech composers incarcerated in the Theresienstadt concentration camp between 1941 and 1945; and chamber works by Fanny Mendelssohn and Clara Schumann, as well as Max Bruch and Ferdinand Ries.

The Nash has made many foreign tours; concerts have been given throughout Europe, the USA and Canada. The group is a regular visitor to many European and British music festivals, and can be heard on radio, television, at the BBC Proms, and at music clubs throughout the country. Since 1979 it has presented a celebrated series every season at Wigmore Hall exploring the many facets of the chamber music repertoire.

The ensemble won The Edinburgh Festival Critics’ music award ‘for general artistic excellence’, and in 1990 and 2003 The Royal Philharmonic Society’s small ensemble award ‘for the breadth of its taste and its immaculate performance of a wide range of music’.

Booklet für Tchaikovsky, Korngold: String Sextets