Schubert: Piano Trios, Volume 1 Gould Piano Trio

• Franz Schubert (1797 - 1828): Piano Trio No. 1 in B-Flat Major, Op. 99, D898:
• 1Schubert: Piano Trio No. 1 in B-Flat Major, Op. 99, D898: I. Allegro moderato15:19
• 2Schubert: Piano Trio No. 1 in B-Flat Major, Op. 99, D898: II. Andante un poco mosso09:41
• 3Schubert: Piano Trio No. 1 in B-Flat Major, Op. 99, D898: III. Scherzo & Trio07:11
• 4Schubert: Piano Trio No. 1 in B-Flat Major, Op. 99, D898: Rondo09:32
• Franz Schubert:
• 5Schubert: Valses nobles, Op. 77, D969 (Arr. for Piano Trio)10:02
• 6Schubert: Piano Trio in E-Flat Major, Op. 148, D897, ‘Notturno'09:15
• Total Runtime01:01:00

Info zu Schubert: Piano Trios, Volume 1

In their second album for Resonus, the Gould Piano Trio returns with a recording of Franz Schubert’s Piano Trios. Apart from a very early single movement written when he was fifteen years of age, Schubert came to the piano trio late in his short career and left only two full-length works in the form, written in 1827–8. By the time Schubert came to write his piano trios, the form had taken on a new stature thanks to work from composers such as Beethoven.

Here, Schubert’s Trios in B-flat major and the ‘Notturno’ in E-flat major are joined by the delightful Valses nobles D969, composed for solo piano and heard here in a world premiere recording in this arrangement for trio by Julius Zellner.

Gould Piano Trio:
Lucy Gould, violin
Richard Lester, cello
Benjamin Frith, piano

The Gould Piano Trio
directly compared to the great Beaux Arts Trio for their ‘musical fire’ and ‘dedicaon to the genre’ in the Washington Post, have remained at the forefront of the international chamber music scene for a quarter of a century. Launched by their first prize at the Melbourne Chamber Music Compeon, they were ‘ECHO Rising Stars’, making a highly successful debut at the Weill Recital Hall in New York’s Carnegie Hall, and described by The Strad magazine as ‘Pure Gould’.

Their many appearances at London’s Wigmore Hall have included the complete piano trios of Dvorak, Mendelssohn and Schubert – plus in the 2017–18 season, a Beethoven cycle, to celebrate twenty-five years since their first appearance at this iconic venue.

Commissioning and performing new works is an important part of the trio’s philosophy of staying creative and freshly inspired. Sir James MacMillan’s second Piano Trio was written for them in 2014 and premiered at the Bath International Fesval that season. 2017 featured the Goulds in the Hull ‘City of Culture’ celebration, performing former BBC Young Musician, Mark Simpson’s After Avedon The annual Corbridge Chamber Music Fesval, presented by the trio together with clarinetist Robert Plane, celebrated its tweneth anniversary with a commission from Huw Watkins – his Four Fables. It is scored for clarinet and piano trio, an instrumentation made famous by Messiaen in his Quartet for the End of Time which also forms part of their discography with Plane.

The Gould Trio’s extensive tours of North America, the Far East, New Zealand, and Europe are interspersed with masterclasses to nurture the next generaon, at instuons such as the Guildhall School in London, the Brien-Pears Young Arst Programme at Snape and Darington Summer School.

In addition to their highly praised recordings of the standard works, the trio have thrown light on neglected gems from the late romanc Brish repertoire with recordings for Naxos and Chandos, including C.V. Stanford’s and John Ireland’s piano trios, plus works by Bax, Milford, York Bowen and Cyril Sco. Just released is a recording entitled Stolen Airs of music by Northumbrian composer John Casken, including his piano trio and Shadowed Pieces for violin and piano.

Booklet für Schubert: Piano Trios, Volume 1