The Art of Creative Music Tony Gould

• 1My Funny Valentine16:18
• 2Schindler's List08:20
• 3The Second Time Around05:16
• 4First Day of Spring07:04
• 5Lover Man12:48
• 6Kashmir Remembered12:30
• 7Shenandoah06:53
• 8Waiting for Jojo08:50
• 9Generous Spirits04:26
• 10It Could Happen to You13:55
• Total Runtime01:36:20

Info zu The Art of Creative Music

This is a tribute to revered Australian pianist, praised educator and musical thinker Dr Tony Gould, Australia’s first professor of jazz.

The documentary illustrates Gould’s approach to his collaborations with musicians of his own generation as well as the younger cats Gould plays with and has taught during his long standing career.

Gould feels that jazz musicians are starting to spread their own wings, and move into improvisation via exploring films scores such as Schindlers’ List, and he advises future music students about composition and improvisation. 'Forget about genres and idioms, choose the music you love as much as you think other people will. It (Schindler’s List) suits the cello and is a lovely cross over between jazz, and classical.' Van Leeuwen also explores jazz further with Gould as a 'minority art form' and craft, to which he has some wonderful insights. Can jazz musicians can be very self absorbed when they play – do they play for themselves or their audience?

'The jazz players play for themselves, which sounds terribly selfish … Selfishness it’s not...I think that’s the embracing of the people you listen to (if you’re sitting in audience listening to the musician) … come on the journey, it’s the journey, we don’t know what’s going to happen.'

'There’s a wonderful camaraderie, Australian musicians base their playings on “I trust you” we’ll see how it goes … you don’t get told what to do.' Gould also says for many jazz artists who improvise, becoming absorbed 'in the moment' varies greatly from that of the familiar classical music world.

Promotion of improvisational jazz can be tricky. 'It’s a hard music to grasp if you don’t saturate yourself in it,' he says. 'It’s incredibly exciting, but also can be disconcerting for people to come and listen to and they haven’t got anything really to hang onto unless they know the language.' ...

Tony Gould, piano
Ben Robertson, bass
Graeme Lyall, alto-saxophone
Dave Beck, drums
Imogen Manins, cello
Michelle Nicolle, vocals
Robert Burke, tenor-saxophone
Sam Evans, tabla
Aaron McCullough, drums
Hiroki Hoshino, bass
Ted Vining, drums

Tony Gould
Pianist and composer Tony Gould is one of Australia’s most respected musicians. His career has embraced many styles of music, not least jazz and other improvisatory musics in addition to traditional and contemporary classical musics. He gives many concerts each year and for 50 years he has been involved in an extraordinary number of recording projects both as pianist and composer and has been at the forefront of music education in Australia via various tertiary institutions in Melbourne and throughout Australia.

His performances cover a wide range. He has accompanied such eminent jazz musicians as Clark Terry, Mark Murphy and Ernestine Anderson and has been a supporting artist to Dave Brubeck, Oscar Peterson, Sarah Vaughan, Jean Luc Ponty, Ray Brown, the Art Ensemble of Chicago and many other distinguished groups. Yet he is equally at home playing Bach and Mozart and has been a guest soloist with both the Melbourne Symphony Orchestra and the Elizabethan Melbourne Orchestra.

He has recorded on over twenty commercially released CDs, among the most highly acclaimed are Lirik (1994), Unanimity (1995) with pianist Bob Sedergreen, Gateway and A Tin Roof for the Rain (1996 and 1997) with saxophonist Robert Burke and cellist Sarah Morse. He regularly records for the ABC.

Over the past few years, Tony has become increasingly active as a composer. He has fulfilled commissions for the Victorian Arts Centre, the Hamilton Arts Festival, the Solitaire Tuba Ensemble, and has written works for horn and piano and tuba and piano. He has been a guest artist with the State Orchestra of Victoria for a premiere of his work Homage to Bach for symphony orchestra and piano trio. He was commissioned to write music for two award winning CSIRO documentary films. In 1997 his chamber work Under Milk Wood, based on Dylan Thomas' work, was premiered by the Queensland Philharmonic Orchestra and narrated by distinguished Australian actor John Stanton.

Tony's music has wide appeal. He draws from a wide range of musical influences including Bach, Mahler, Stravinsky, Bartok, Keith Jarrett and Bill Evans. His style of composition is marked by rhythmic vitality and a particular sensitivity to harmony.

Tony is has recently resigned from his position as Dean of Music at the Victorian College of the Arts School of music.

In 1997 he was visiting Head of Post Graduate Studies, at the Conservatorium of Music, Western Australian Academy of Performing Arts. In recent years he has also lectured at The University of Melbourne and acted as a consultant for the National Academy of Music and Director of their inaugural program for improvisation studies.

He has been a chief adjudicator for The Sun Aria competition for the last twenty years and adjudicator of eisteddfods and scholarships throughout Australia, including the National Finals of the Yamaha Music Competition and the World Final of the Yamaha Music Competition. He was a member of the founding committee of advisors in establishing the Yamaha Music Foundation and continues to be a senior member of examining panels for exams in Keyboard.

Tony is a respected music writer and critic having contributed to The New Grove Dictionary of Jazz, The Oxford Companion to Australian Music and Music Forum. He was chief (classical) music critic for The Sun newspaper (Melbourne) for a number of years and has also written for The Australian.

He has a PhD from Latrobe University, a Master of Arts from Monash University and a Bachelor of Music from the University of Melbourne. In early 2005 Tony resigned his position as Head of the School of Music, Victorian College of the Arts to renew his passion for a hands-on approach to music-making in performance, composition and writing. He currently is a Professor of Music at Monash University.

Recent awards include the APRA /Australian Music Centre (AMC) Classical Music Award for Outstanding Contribution to Australian Music in Education (2005), an Australia Council Music Board Fellowship (2006-2007) and a Distinguished Artist residency at Arthur Boyd’s artist’s studios in Bundanon (2007). He was made a Member of the Order of Australia in 2007.

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