Proceed with Caution! (Remastered) Calvin Keys

• 1Proceed With Caution12:30
• 2Tradewinds04:29
• 3Efflugence07:58
• 4Aunt Lovey07:22
• 5Renaissance11:19
• 6Night Cry05:40
• Total Runtime49:18

Info zu Proceed with Caution! (Remastered)

Proceed With Caution! is the second album by American jazz-funk guitarist Calvin Keys, released in 1974 on Black Jazz.

"Calvin Keys is one of the most exciting and talented young guitarists to hit the jazz scene in recent year. As evidenced by his mastery of the instrument in his first album, he is to be reckoned with in years to come. The key to all of this is Calvin's ability to take a direction and to exploit it to the fullest in his own inimitable manner. On this, his second album on the Black Jazz Label, he leaps forward in time ans sets a pace that others will now have to follow. it would be unfair to single out any tune and call it "BEST" for each ear is served and satiated. Exceptional work by each of his sidemen makes manifest Calvin's, as well as their own, musical gifts. Calvin Keys is an innovator destined for greatness!" (Chuck Siler)

"This date followed Calvin Keys' first, Shawn Neeq, by about two years. Hazy, psychedelic, post-bop is the order of the day here as well, but as most soul-jazz collectors will tell you, there's always a chance for some monster funk on a Black Jazz record so, as predictable as these releases may be on the surface, you never really know until you hear them. In this case, the bomb drops at the beginning of Side Two with "Aunt Lovely." While probably a little too 'out there' for most dance floors, "Aunt Lovely" begins like some of the best funky Grant Green of the era. As the track progresses, though, it gets more than a little hectic -- especially during Charles Owens' Pharoah Sanders-esque soprano solo. Kirk Lightsey's overdriven and distorted electric piano only serves to add to this tension later. Otherwise, Proceed With Caution moves along rather like most good Black Jazz and Strata-East dates: a touch of straight bop here, some sustained and swirling Rhodes organ there. Keys may not blow you away with his licks, but he certainly never disappoints. This is a fine record very much in tune with the idiom of the day. Fans of early-'70s dates by Grant Green, Lou Donaldson, and Cannonball Adderley will likely find this session enjoyable as well." (Brandon Burke, AMG)

Ajafika Calvin Keys, guitar
Charles Owens, soprano saxophone, tenor saxophone, flute
Cha Che Oscar Brashear, trumpet, flugelhorn
Thalmus Kirk Lightsey, electric piano
Nyimbo Henry Franklin, double bass
Ndugu Leon Chancelor, drums
Owen Marshall, percussion, papali], bongos

Digitally remastered

Calvin Keys
Jazz guitarist Calvin Keys is a legend among soul-jazz fans and known for his lean, muscular single-string solo style, Keys was born in 1943 in Omaha, Nebraska. His first musical influence was his father Otis, a well-known drummer who passed the music bug on to Calvin.

In 1971, he signed with Black Jazz label, released a pair of albums and played in the Ray Charles Orchestra. Keys' unique phrasing and his ability to balance sophisticated jazz harmonics with tough R&B and soul grooves were showcased nightly in the Charles band.

By 1975, Keys had relocated to the San Francisco Bay Area, where he became -- and remains -- an avid participant in its jazz community. He worked in live settings and recording sessions with John Handy, Bobby Hutcherson, Eddie Marshall, Bob Braye, Ed Kelly, Eddie Duran, Bruce Forman, Junius Simmons, and Eddie Moore.

He was sidelined in 1997 by heart surgery, undergoing a quadruple bypass. Undaunted, he released the widely acclaimed Detours into Unconscious Rhythms on Wide Hive Records and toured in the U.S. and Europe. In 2005 Keys recorded Calvinesque for Silverado. The album hit number 30 on the jazz charts. In 2006 he released Vertical Clearance followed by Hand-Made Portrait on Silverado.

He remains active on the jazz scene today with frequent appearances in San Francisco Bay area venues. He is a member and teacher of the Oakland Public Conservatory (OPC).He also mentors upcoming musicians; gives private lessons; and is a frequent teacher at Jazz Camp west.

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