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Dead Club City (Extended Deluxe) Nothing But Thieves
Album Info
Album Veröffentlichung:
2024
HRA-Veröffentlichung:
19.07.2024
Das Album enthält Albumcover
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- 1Welcome to the DCC03:18
- 2Overcome03:34
- 3Tomorrow Is Closed03:58
- 4Keeping You Around03:35
- 5City Haunts03:11
- 6Do You Love Me Yet?05:26
- 7Members Only02:49
- 8Green Eyes :: Siena03:48
- 9Foreign Language03:54
- 10Talking To Myself04:15
- 11Pop The Balloon04:31
- 12Oh No :: He Said What?03:48
- 13Time :: Fate :: Karma :: God03:04
- 14Pure You03:32
- 15Overcome (Stripped)03:20
- 16Tomorrow Is Closed (Stripped)04:15
- 17Welcome to the DCC (Live from Wembley Arena)04:00
- 18Tomorrow Is Closed (Live from Wembley Arena)04:04
- 19Oh No :: He Said What? (Live from Ziggo Dome)04:06
Info zu Dead Club City (Extended Deluxe)
Reknown for their ability to straddle both heartfelt soundscapes with bombastic, riff-driven rock, Southend four-piece Nothing But Thieves present their fourth album Dead Club City - now expanded with five additional tracks. Opening with the driving synth stabs of 'Welcome to the DCC', one would be forgiven for thinking this was an all-guns-blazing collaboration with The Weeknd.
For those unfamiliar with the original release, the full-length was undeniably a success. It charted as the #1 album in the UK and even on Australian shores, the single ‘Welcome To The DCC’ appeared in the famed Triple J Hottest 100 of 2023. ‘Is Everybody Going Crazy?’ – well for these five British blokes, that is what their alt-pop-rock formula has instigated on a global scale.
Opener and single ‘Welcome To The DCC’ is that Armageddon disco-rock revelation that is an eerily flawless soundtrack to specific perspectives of the current world we live in. A fusion of noughties’ Justin Timberlake with some of Prince’s funk brilliance and 80s synthpop discotheque; the entire amalgamation feels like it belongs on the Ghostbusters II soundtrack, in the best way possible. If we are facing the end of the world and the decision is to go out with a bang, Nothing But Thieves have created the anthem for the annihilation.
Nothing But Thieves
Nothing But Thieves
Hailing from Southend-on-Sea, 40 miles east of central London, Nothing But Thieves grew out of a friendship formed at school, between Connor Mason/vocals and Joe Langridge-Brown/Guitar.
Conor and Joe played in a string of teenage bands together before Joe left for university. Conor then hooked up with classically trained guitar player Dom, after a meeting at a sixth-form music class. The two collaborated casually for a while, without any expectation of success. “It was stupid not to just jam,” says Dom, “but it was just for fun, nothing serious.”
Though the band haven’t clarified the timeline it seems that Joe continued to be involved. At some point, management interest arrived in the form of Drive-Thru Records duo, Richard and Stefanie Reinesa.
Connor recalls calling Joe to ask him if he wanted to form a proper band saying, “Do you want to come back and do a band thing?” to which Joe replied, “Yeah! I’ll leave uni and drop straight out – I’ll leave this week!”
Dom’s cousin, Phillip Blake eventually joined as the bassist they’d been looking for over 2 years. James Price/Drums, (a friend of Dom’s from school) was the final puzzle-piece.
Once complete, it would still take a further 2 years of frustration trying to nail down their sound in Dom’s garage, before they were ready to venture out.
“The stuff we were coming out with wasn’t good, and it was all the same” remembers Dom. “We were just like, “Anything to get out of the garage and explore a bit, because we completely hit a plateau with the writing.”
Encouraged by their management, the band headed off to the US on a six-week low-budget trip, meeting with producers and writers. The adventure galvanised them and when they returned, it was to record their first EP ‘If You Don’t Believe, It Can’t Hurt You.’ Self-released in October, 2013, it attracted immediate interest from Radio 1’s, resident new-music bellwether, Zane Lowe.
September, 2014, saw the arrival of a second re-configured EP, titled ‘Graveyard Whistling’ released via RCA. With major-backing and promotional interest from Lowe’s Radio 1 show, the band were ready to take a prime-time bow.
Dieses Album enthält kein Booklet