L' Amour Juan Diego Flórez

• François-Adrien Boiëldieu (1775-1834): La Dame blanche
• 1A quel plaisir04:48
• Georges Bizet (1838-1875): La jolie fille de Perth, Adapted Chris Hazell Act 2
• 2Elle est là ...A la voix d'un amant fidèle05:47
• Gaetano Donizetti (1797-1848): La Favorita, Critical Edition Rebecca Harris-Warrick, Act 1
• 3Un ange, une femme inconnue09:36
• Hector Berlioz (1803-1869): Les Troyens Act 4
• 4O blonde Cérès04:32
• Adolphe Adam: Le Postillon de Lonjumeau, Act 1
• 5Mes amis, écoutez l'histoire03:59
• Léo Delibes (1836-1891): Lakmé, Act 1
• 6Prendre le dessin d'un bijou... Fantaisie aux divins05:34
• Jules Massenet (1842-1912): Werther, Act 1
• 7O Nature, pleine de grâce04:54
• 8Toute mon âme est là! Pourquoi me réveiller, ô souffle de printemps?03:07
• Ambroise Charles Louis Thomas (1811-1896): Mignon, Act 1
• 9Oui je veux par le monde promener librement mon humeur vagabonde!04:47
• François-Adrien Boiëldieu (1775-1834): La Dame blanche
• 10Maintenant, observons … Viens, gentille dame08:38
• 11A Mont Ida, trois déesses03:54
• 12L'amour! L'amour! ...Ah! lève-toi, soleil!04:45
• Edouard Lalo (1823-1892): Le Roi d'Ys, Act 3
• 13Puisqu'on ne peut flêchir ces jalouses gardiennes - vainement ma bien aimée03:26
• Total Runtime01:07:47

Info zu L' Amour

Marking a departure for the Peruvian bel canto superstar, this new recording offers a personal survey of the French operatic repertoire from Donizetti to the romantic outpourings of Gounod and Massenet, including Massenet’s ‘Pourquoi me Reveiller’ from Werther.

This is a album that not only plays to Flórez’s strengths – virtuosic and high-lying – but also shows a new side to the popular singer, featuring repertoire which he has rarely sung on stage

The first solo album in four years by one of the classical world’s biggest stars reveals a voice which has become richer, rounder and more mellow; the choice of repertoire draws further new colors from this ever-stylish tenor.

„“The brilliant tone and breath control remain; but Flórez is human after all, and he’s been singing his lungs out round the world for more than 15 years. All he needed, perhaps, was a few extra retakes...everything is beguiling, dressed in succulent accompaniments from Roberto Abbado and the Teatro Comunale di Bologna orchestra. You just have to watch for the voice’s quirks.”“ (Geoff Brown, The Times - London)

„This is a captivating survey of French arias . . . Florez is a bel canto [specialist] . . . so some of the later arias here should be outside his comfort zone, but aren't . . . a thrilling voyage of discovery. And at 70 minutes, excellent value, with all texts and translations included.“ (Daily Mail - London)

Juan Diego Flórez, tenor
Orchestra e Coro del Teatro Comunale di Bologna
Roberto Abbado, conductor

Recorded at Teatro Manzoni, Bologna, 3, 5, 8, 11, 13 & 16 July 2013 at Teldex, Berlin
Executive Producer: Dominic Fyfe
Recording Producer: René Möller
Balance Engineers: Philip Siney and Tom Russbüldt

Juan Diego Flórez
Armed with consummate mastery of bel canto vocal technique, charismatic stage presence and superlative musicianship, Juan Diego Flórez occupies a special place among today’s leading operatic tenors. He was born in Peru in 1973 and studied music in his native Lima and at the Curtis Institute in Philadelphia. His expressive artistry attracted worldwide attention in 1996 following his official stage debut in Rossini’s Matilde di Shabran at the Rossini Opera Festival in Pesaro. Flórez, aged only 23, proved an overnight sensation with critics and public alike and was immediately invited to make his debut later that year at La Scala, Milan. He has remained in constant demand ever since at all the major international opera houses, collaborating closely with the world’s leading conductors.

As today’s bel canto tenor of choice, Flórez has won particular acclaim in the leading tenor roles of Rossini, Donizetti and Bellini, as well as in operas by Verdi (Rigoletto and Falstaff), Puccini (Gianni Schicchi), Gluck (Armide), Mozart (Mitridate) and Nino Rota (Il cappello di paglia di Firenze). In 2007 he became the first person to perform an encore at La Scala for over 70 years, after the audience demanded that he break with local tradition and sing an encore in Donizetti’s Fille du régiment, repeating the aria “Ah! mes amis” with its nine resounding high Cs. He created a sensation at New York’s Metropolitan Opera the following year in response to fervent calls for the same aria’s encore. In addition to his work in the opera house, Flórez is also active as a recitalist and as concert soloist in compositions such as Rossini’s Stabat Mater and Messa di gloria.

Juan Diego Flórez has been an exclusive Decca artist since 2001. His extensive discography comprises numerous solo albums and complete operas on CD and DVD. Many of these have won major prizes, Germany’s Echo Klassik, the Cannes Classical Award and a Gramophone Award among them. The tenor’s releases include complete recordings of Bellini’s La sonnambula, on CD with Cecilia Bartoli and DVD with Natalie Dessay; Gluck’s Orphée et Eurydice with Ainhoa Garmendia; Bel Canto Spectacular, nominated for a Grammy® 2010 as “Best Classical Vocal Performance”; and Santo, a CD album of sacred songs. Rossini’s Zelmira, recorded at the 2009 Pesaro Rossini Festival, was released on DVD and Blu-ray to critical acclaim in 2012, while Rossini’s Matilde di Shabran from the Teatro Comunale of Bologna secured rave reviews the following year. Flórez’s first all-French album, L’Amour, appeared in 2014, while his first recording of Neapolitan and Italian popular songs, Italia, is set for release in September 2015.

In recent seasons Juan Diego Flórez has beguiled audiences at the Met, La Scala, the Royal Opera House, Covent Garden, the Vienna State Opera, the Bavarian State Opera and the Salzburg Festival. He also performed at the ancient Incan site at Machu Picchu with Gustavo Dudamel and the Simón Bolívar Symphony Orchestra, and gave concerts in Marseille, Istanbul, Zurich, Geneva, London, Madrid, Baden-Baden, Munich, Vienna and Salzburg. Flórez returns to Covent Garden to open the 2015–16 season in Gluck’s Orphée et Eurydice and is also set to appear in productions of Lucia di Lammermoor in Barcelona, Rigoletto, Roméo et Juliette and Don Pasquale in Vienna and Werther in Paris.

The Peruvian tenor’s substantial collection of prestigious awards includes various international critics’ prizes, the Premio Abbiati, the Rossini d’Oro and the Plácido Domingo Award among them. He has also been decorated with Peru’s highest honour by the country’s government and made an honorary professor at Lima’s Conservatorio Nacional de Música. In 2012 he was designated a UNESCO Goodwill Ambassador and named as “Kammersänger” by Austria’s Minister of Cultural Affairs. In 2014 Juan Diego Flórez received a Crystal Award at the World Economic Forum’s annual meeting in Davos. (8/2015)

Booklet für L' Amour