Antonio Vivaldi I Musici di Roma

• Antonio Vivaldi (1678-1741): Concerto per archi e continuo in Re Magg RV 123
• 1Concerto per archi e continuo in Re Magg, RV 123 - I Allegro01:59
• 2Concerto per archi e continuo in Re Magg, RV 123 - II Adagio01:34
• 3Concerto per archi e continuo in Re Magg, RV 123 - III Allegro02:14
• Concerto per archi e continuo in re min RV 127
• 4Concerto per archi e continuo in re min, RV 127 - I Allegro01:22
• 5Concerto per archi e continuo in re min, RV 127 - II Largo01:33
• 6Concerto per archi e continuo in re min, RV 127 - III Allegro01:02
• Sinfonia in Do Magg. dal Giustino RV 717
• 7"Sinfonia in Do Magg. dal ""Giustino"", RV 717 - I Allegro02:15
• 8"Sinfonia in Do Magg. dal ""Giustino"", RV 717 - II Andante02:21
• 9"Sinfonia in Do Magg. dal ""Giustino"", RV 717 - III Allegro00:45
• Sinfonia in Sol Magg RV 149 Il coro delle Muse
• 10Concerto per archi e continuo in do min, RV 119 - I Allegro02:11
• 11Concerto per archi e continuo in do min, RV 119 - II Largo01:21
• 12Concerto per archi e continuo in do min, RV 119 - III Allegro01:19
• Sinfonia in Sol Magg RV 149 Il coro delle Muse
• 13"Sinfonia in Sol Magg, RV 149 ""Il coro delle Muse"" - I Allegro molto01:38
• 14"Sinfonia in Sol Magg, RV 149 ""Il coro delle Muse"" - II Andante01:19
• 15"Sinfonia in Sol Magg, RV 149 ""Il coro delle Muse"" - III Allegro02:38
• 16Concerto per archi e continuo in Do Magg, RV 114 - I Allegro02:22
• 17Concerto per archi e continuo in Do Magg, RV 114 - II Adagio00:21
• 18Concerto per archi e continuo in Do Magg, RV 114 - III Ciaccona03:04
• Concerto per archi e continuo in sol min RV 156
• 19Concerto per archi e continuo in sol min, RV 156 - I Allegro02:28
• 20Concerto per archi e continuo in sol min, RV 156 - II Adagio01:18
• 21Concerto per archi e continuo in sol min, RV 156 - III Allegro01:33
• Concerto per archi e continuo in La Magg RV 158
• 22Concerto per archi e continuo in La Magg, RV 158 - I Allegro molto02:21
• 23Concerto per archi e continuo in La Magg, RV 158 - II Adagio molto02:11
• 24Concerto per archi e continuo in La Magg, RV 158 - III Allegro02:47
• Concerto per archi e continuo in sol min RV 157
• 25Concerto per archi e continuo in sol min, RV 157 - I Allegro01:48
• 26Concerto per archi e continuo in sol min, RV 157 - II Largo01:21
• 27Concerto per archi e continuo in sol min, RV 157 - III Allegro01:56
• Concerto per archi e continuo in Sib Magg RV 163 Conca
• 28"Concerto per archi e continuo in Sib Magg, RV 163 ""Conca"" - I Allegro molto moderato - Allegro molto - Tempo I - Allegro molto02:30
• 29"Concerto per archi e continuo in Sib Magg, RV 163 ""Conca"" - II Andante (molto)00:48
• 30"Concerto per archi e continuo in Sib Magg, RV 163 ""Conca"" - III Allegro00:54
• Concerto per archi e continuo in Sol Magg RV 151 alla Rustica
• 31"Concerto per archi e continuo in Sol Magg. RV 151 ""alla Rustica"" - I Presto01:14
• 32"Concerto per archi e continuo in Sol Magg. RV 151 ""alla Rustica"" - II Adagio01:08
• 33Concerto per archi e continuo in Sol Magg. RV 151 ""alla Rustica"" - III Allegro01:30
• Total Runtime57:05

Info zu Antonio Vivaldi

Sixty years have passed since twelve young graduates, mainly from the Santa Cecilia Conservatory, got together to give voice to their passion. Thus was born a rarity of its time, a chamber group without a conductor. This apparent lack could have been their Achilles’ heel when the great Toscanini heard them, but their enthusiasm brought out the strong and affectionate words: “Bravi, bravissimi…(very good, excellent) music won’t die!” … from him. Time has passed quickly, yet the sound that travelled these decades still lights up the eyes of those who were participants in this extraordinary cavalcade as if it had lasted only a moment. For I Musici time hasn’t flown and paradoxically, the future is behind their shoulders as for the Aymara people. It turns the traditional western concept upside down and without giving it a lot of thought, creates a vortex of thought that makes its mark. Nowadays not one of the foundation members still forms part of the group but this isn’t the reason that the original spirit has been lost.

The Milan Quartet Association, 1956-1957 season, Wednesday 20th February 1957, “9.30pm precisely, Gloria Cinema Hall, 18 Corso Vercelli”, were the temporary headquarters in one of the many postwar pilgrimages of the Milan institution before finding more suitable accomodation in the Conservatory Great Hall. This was printed on the programme of the second (the first one was in 1953) of many concerts that I Musici held for the historical, prestigious institution “founded in 1864” under the auspices of Verdi, even though he wasn’t fond of Quartet Associations. Arcangelo Corelli’s Concerto Grosso op. VI (one of the twelve) was played that 20th February in the cinema hall. Corelli was the father of eighteenth century violin playing, having created the Trio Sonata, concerto for solo instrument as well as the concerto grosso. His compositions were fundamental in the history of music but already by the middle of the twentieth century they weren’t heard frequently anymore. The Neapolitan composer born in 1744 and brother of Tommaso, Giuseppe Giordani’s Concerto in C major for piano and strings also featured. This opened the way to eighteenth century Italian music that was I Musici’s vocation, which included Antonio Vivaldi, flag in the newly formed group. The Four Seasons, Vivaldi’s best known composition was on the programme. In this work four descriptive sonnets give rise to the most scintillating instrumental and musical expression. The Four Seasons, proposed to the Quartet were publicised on yellow tissue-paper, inserted into the sober programme where the original Ricordi, Decca and Garzanti presented a work unlike any other, in 1500 pages, elegantly bound in leather: the World of Music. (Extracted from booklet notes…)

I Musici di Roma

Keine Biografie vorhanden.

Booklet für Antonio Vivaldi