Kaleidoscope Mai-Liis

• 1Book05:00
• 2Wash Away the Wrong05:01
• 3What If I Met You Then04:59
• 4New Year's Ditty03:20
• 5Whitehorse, Yukon04:34
• 6Elmo04:18
• 7Wonderin'04:35
• 8Daddy's Girl Blues04:04
• 9Springtime03:33
• Total Runtime39:24

Info for Kaleidoscope

With the release of her second recording, Mai-Liis has come into her own with a fresh set of tunes that are signature to her compelling musical storytelling. Through a voice that's uniquely hers, along with the ongoing writing partnership with composer/pianist Darin Clendenin, Mai-Liis' honest and understated delivery draws the listener in with its intimate calling, creating the feeling that you are who she is speaking to. With a great affinity for the works of Joni Mitchell, Norah Jones, Kurt Weill, and Leonard Cohen, Mai-Liis' work harkens back to songwriters of an earlier time. She delivers songs that are vulnerable and relatable. She can swing and she can phrase. She is the real deal.

"Female singer-songwriters and jazz singers, they are quickly judged on the basis of comparisons to Joni Mitchell and Norah Jones. Mai-Liis is one of the few to pass the test." (Georges Tonla Briquet, Jazz'halo, Belgium)

Mai-Liis, vocals
David Lee Joyner, piano
Darin Clendenin, piano (tracks 1, 9)
Clipper Anderson, bass
Brian Monroney, guitar
Mark Ivester, drums, percussion
Guest musicians:
Charlie Porter, trumpet (tracks 1, 2)
Alexey Nikolaev, alto & tenor saxophone (tracks 4, 6, 9)
Susan Pascal, vibraphone (track 3)
Hans Teuber, alto flute (track 5)

Recorded & mixed by Ben Lange at David Lange Studios, Edgewood, WA
Recorded November 2023 - January 2024
Mastered by Ross Nyberg at Nyberg Mastering, Issaquah, WA
Produced by Greta Matassa

Mai-Liis
is new on the scene, making her mark as an original artist with this first release. She hails originally from Toronto Ontario and also spent time in Vancouver BC, where she honed her skills performing in coffee shops and jazz rooms while supporting herself bartending. A writer by nature, the written words morphed into musical stories and became the project you now listen to thanks to the unending support of Greta Matassa, Mark Ivester, Clipper Anderson, Darin Clendenin, Scott Ahlsmith, Freddy Constantino and David and Ben Lange. A special thanks my guy Freddy Constantino. You’ve been a rock.

The project would not have been possible without the musical genius of pianist Darin Clendenin. Darin put the chord changes under Mai-Liis’ words and melodies in a unique musical team approach that made for some pretty cool tunes.

I picked up a pen and started writing again in 2016 after about a 30 year hiatus. Up until then had been gigging small coffee shops and jazz rooms on and off since 2000 in both Vancouver BC and then Seattle WA, and had resigned myself to the fact that music was going to be a sideline, a hobby, that ship had sailed etc. Ten years of classical piano, years of classical voice, and time spent with noticeable jazz greats to try and hone my skills eventually played out in the form of sitting in on weekly jams and scoring the occasional door gig.

I had challenges as we all do, but kept at the music as best I could. I was traveling every week to Portland in 2016 and found myself pulling out my computer to pen poetry type things. At that juncture these writings were a distraction, just something to do. Like creating friends with your past. It was comforting.

Eventually I had a whole bunch of them and then the thought occurred. Some of these would be great tunes. Well, at least I thought so. Convinced that someone else would have to write the melodies and music, I handed off one tune to someone I knew in Portland and asked them to put notes to my story. They did, and the melody and changes they wrote were great, but it wasn't how I heard the song in my head. That's when I realized that my lyrics were my babies and that their musical story was going to have to come from mama. I had never written melody lines or tunes before so I just forged my own method and path.

Enter Darin Clendenin. After I had written out melody lines to a handful of tunes, I took them to Darin to see if he would be interested enough, with just lyrics and melody lines at his disposal, to try and get into my head and hear what I was hearing. Man, he was good. I don't think I need to say more. Listen to the work. It's self-evident. After 4 years in the making, Mai-Liis on Life has emerged.

This album contains no booklet.