Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr) [Live] Symphonieorchester des Bayerischen Rundfunks & Mariss Jansons

• Wolfgang Amadeus Mozart (1756 - 1791): Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr):
• 1Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): I. Introitus. Requiem aeternam [Live]04:27
• 2Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): II. Kyrie eleison [Live]02:43
• 3Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): IIIa. Dies irae [Live]01:49
• 4Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): IIIb. Tuba mirum [Live]03:20
• 5Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): IIIc. Rex tremendae [Live]01:50
• 6Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): IIId. Recordare [Live]05:33
• 7Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): IIIe. Confutatis [Live]02:45
• 8Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): IIIf. Lacrimosa [Live]03:13
• 9Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): IVa. Offertorium. Domine Jesu Christe [Live]04:05
• 10Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): IVb. Offertorium. Hostias [Live]04:08
• 11Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): V. Sanctus [Live]01:36
• 12Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): VI. Benedictus [Live]04:57
• 13Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): VII. Agnus Dei [Live]03:19
• 14Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr): VIII. Communio. Lux aeterna [Live]06:00
• Total Runtime49:45

Info for Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr) [Live]

It is difficult to say anything about Mozart's famous Requiem – the masterpiece having been described and analysed all too often. It is known to almost everyone in the world, either in its entirety or in large parts, or is familiar to them at the very least from its title. Almost everybody has come into contact with the Requiem’s music, whether from the concert hall or merely from watching Miloš Forman's 1984 film drama "Amadeus". What breathes new life into this work and this music time and again are congenial performances with outstanding casts. A true highlight in the performance history of the Requiem was Mariss Jansons' interpretation of it in May 2017, which absolutely delighted the Munich concert audience and was also highly acclaimed by the trade press. Under Jansons' direction, the Bavarian Radio Chorus and the Symphonieorchester des Bayerischen Rundfunks gave of their best, with an excellent quartet of vocal soloists rounding off the outstanding ensemble. This made the performances of Mozart's Requiem in the popular completed version by his student Sussmayr a truly memorable experience.

The live recording from the Herkulessaal of the Munich Residenz was made on May 11 and 12, 2017.

Genia Kühmeier, soprano
Elisabeth Kulman, mezzo-soprano
Mark Padmore, tenor
Adam Plachetka, bass-baritone
Chor des Bayerischen Rundfunks
Symphonieorchester des Bayerischen Rundfunks
Mariss Jansons, conductor

Mariss Jansons
son of conductor Arvıds Jansons, was born in Riga in 1943. He studied violin, piano, and conducting at the Leningrad Conservatory, completing his education as a student of Hans Swarowsky in Vienna and of Herbert von Karajan in Salzburg. In 1971 he became a laureate of the Karajan Competition in Berlin and began his close partnership with the St. Petersburg Philharmonic, first as an assistant to Yevgeny Mravinsky and then as a permanent conductor. From 1979 to 2000 Jansons served as Music Director of the Oslo Philharmonic Orchestra. Under his tenure, the orchestra earned international acclaim and undertook tours to leading concert halls around the world. Between 1997 and 2004 he was Principal Conductor of the Pittsburgh Symphony Orchestra, and in the 2003–2004 season he took over leadership of the Bavarian Radio Symphony Orchestra, where he is extending his contract until 202; he began his tenure as head of the Royal Concertgebouw Orchestra in the 2004–2005 season, and ended it in 2015. Jansons is guest conductor of the Berlin and Vienna Philharmonic Orchestras (in Vienna in 2016 he will be conducting the New Year’s concerts for a third time); he has additionally conducted the leading orchestras in the U.S. and Europe. His discography comprises many prizewinning recordings, including a Grammy for his account of Shostakovich’s 13th Symphony. Mariss Jansons is an honorary member of the Society of Friends of Music in Vienna and of the Royal Academy of Music in London; the Berlin Philharmonic has honoured him with the Hans-von-Bülow Medal, the City of Vienna with the Golden Medal of Honour, and the State of Austria with the Honorary Cross for Science and Arts. In 2006 Cannes MIDEM named him Artist of the Year, and he received the ECHO Klassik Award in 2007 and 2008. In June 2013, for his life’s work as a conductor, he was awarded the prestigious Ernst von Siemens Music Prize, and on 4 October 2013, he was awarded the Federal Cross of Merit 1st Class by German Federal President Joachim Gauck in Berlin. In France in 2015, the Ministry of Culture named Mariss Jansons “Commandeur des Arts et des Lettres“.

Symphonieorchester des Bayerischen Rundfunks
Not long after it was established in 1949, the Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) developed into an internationally renowned orchestra. The performance of new music enjoys an especially long tradition, and right from the be- ginning, appearances in the musica viva series, created by composer Karl Amadeus Hartmann in 1945, have ranked among the orchestra’s core activities. On extensive concert tours to virtually every country in Europe, to Asia as well as to North and South America, the Symphonieorchester des Bayerischen Rundfunks continually con rms its position in the first rank of top international orchestras. The history of the Symphonieorchester is closely linked with the names of its previous Chief Conductors: Eugen Jochum (1949–1960), Rafael Kubelík (1961– 1979), Sir Colin Davis (1983– 1992) and Lorin Maazel (1993–2002). In 2003, Mariss Jansons assumed his post as new Chief Conductor. With a number of CD releases, among others a series of live recordings of concerts in Munich, Mariss Jansons continues the orchestra’s extensive discography. Maestro Jansons, the Chor and Symphonieorchester des Bayerischen Rundfunks were honoured for their recording of the 13th Symphony of Shostakovich when they were awarded a Grammy in February of 2006 in the “Best Orchestral Performance” category. In December, 2008, a survey conducted by the British music magazine Gramophone listed the Symphonieorchester des Bayerischen Rundfunks among the ten best orchestras in the world. In 2010, Mariss Jansons and the Symphonieorchester des Bayerischen Rundfunks received an ECHO Klassik Award in the category “Orchestra/Ensemble of the Year” for their recording of Bruckner’s 7th Symphony on BR-KLASSIK. The complete Beethoven symphonies, performed by the Symphonieorchester under Mariss Jansons in Tokyo in the autumn of 2012, were voted by the Music Pen Club Japan – the organisation of Japanese music journalists – as the best concerts by foreign artists in Japan in 2012.

Booklet for Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr) [Live]