Hummel: Piano Quintets, Op. 74 & 87 Nepomuk Fortepiano Quintet

• :Johann Nepomuk Hummel (1778 - 1837): Quintet in D Minor, Op. 74:
• 1Hummel: Quintet in D Minor, Op. 74: I. Allegro con spirito14:59
• 2Hummel: Quintet in D Minor, Op. 74: II. Menuetto o scherzo. Allegro05:56
• 3Hummel: Quintet in D Minor, Op. 74: III. Andante con variazioni08:31
• 4Hummel: Quintet in D Minor, Op. 74: IV. Finale. Vivace08:33
• Quintet in E-Flat Minor, Op. 87:
• 5Hummel: Quintet in E-Flat Minor, Op. 87: I. Allegro e risoluto assai09:49
• 6Hummel: Quintet in E-Flat Minor, Op. 87: II. Menuetto - Allegro con fuoco05:53
• 7Hummel: Quintet in E-Flat Minor, Op. 87: III. Largo02:08
• 8Hummel: Quintet in E-Flat Minor, Op. 87: IV. Allegro agitato05:14
• Total Runtime01:01:03

Info for Hummel: Piano Quintets, Op. 74 & 87

Lively and colourful period-instrument accounts of pioneering works in the genre that later gave us masterpieces by Schubert, Schumann and Brahms. This album brings together the two great piano quintets by Hummel, substantial works written on a large scale, counting among the best works in their genre.

As a pupil of Mozart and contemporary of Beethoven, Hummel was esteemed for the elegance of both his playing and his music. His tone was clear and pure, his touch accurate, equal and refined, and Goethe is said to have remarked that ‘Hummel handles the piano as Napoleon handles the world.’

The opus numbers of these appealing quintets are misleading. The piano quintet had barely been invented as a genre – its principal forebears being the piano quartets of Mozart – when Hummel wrote this powerful E flat minor piece in 1802, later catalogued as Op.87 when he adapted it 20 years later for a piano with a larger range. Thus the piece itself belongs to his early period, much more Classical and Mozartian in manner than the powerful Op.74 which opens with a powerful D minor statement and continues in turbulent fashion as a work belonging to 1815, by which time the composer had achieved both fame and security.

A quartet of Dutch string players, experienced in the early-music scene, forms the core of the Nepomuk quintet, named after the composer on this album; they are joined by the pianist Riko Fukuda, who contributes an authoritative essay on Hummel and his piano quintets to the booklet.

When this recording of the Op.87 Quintet was first released in 2008, it received an enthusiastic welcome from Fanfare magazine: ‘This is a very valuable release… The manner in which all five musicians construct musical phrases throughout is quite impressive. And their sound blends superbly… The refinement with which these musicians rediscover this relatively unknown music is simply astonishing… The sound of this recording is quite impressive too; the level of detail is amazing, and the spatial depth is compelling.’

Johann Nepomuk Hummel (1778-1837) was an Austrian composer and virtuoso pianist. His music reflects the transition from the Classical to the Romantic musical era. He was one of the most celebrated and successful composers of his time. The name of Hummel usually is related to two other musical giants of his period: Mozart and Beethoven. Hummel was a pupil of the former and a rival of the later, both being piano virtuosos in Vienna. Hummel’s piano style is influenced by Mozart in its adherence to the Classical Viennese Style and the grace and charm of his melodies. Beethoven’s influence is seen in the dramatic and sometimes stormy character of his music, whereas Hummel himself invented and developed his own personal pianism of unprecedented virtuosity and brilliance, which had great influence on piano composers after him (Chopin, Liszt and Schumann).

Nepomuk Fortepiano Quintet

The Nepomuk Fortepiano Quintet
was founded in 1999 by Riko Fukuda and Pieter Smithuijsen to play music for the unusual combination of fortepiano, violin, viola, cello and double bass. For most listeners this instrumentation is associated primarily with Schubert’s Trout Quintet. But Schubert was not the only composer to write for this combination, nor the first; it is believed that he was inspired by a piano quintet of Johann Nepomuk Hummel, in whose honour the Nepomuk Fortepiano Quintet is named. Research by members of the quintet in various European libraries has so far brought to light more than twenty-five little-known (or completely unknown) quintets from the 19th century.

The Nepomuk Fortepiano Quintet is convinced that the best way to bring these works to life is by performance on authentic instruments, to stay as close as possible to the composer’s original intentions. The string players play on gut strings, and a permanent collaboration with piano restorer and collector Edwin Beunk enables the ensemble to play with any type of piano that is suitable to the pieces. Therefore the instruments played by Riko Fukuda each correspond to the time and place in which the music was written and performed. The listener travels back in time to when the pieces first were played, in an intimate 19th century salon, with the composer’s inkt still wet on the page.

The Nepomuk Fortepiano Quintet has recorded seven quintets for the Brilliant Classics label: by Ferdinand Ries and Franz Limmer, the latter a world premiere recording (92200), and by Jan Ladislav Dussek (the earliest composition known for this instrumentation), Johann Nepomuk Hummel and George Onslow (93203). Both CDs were awarded a 10 out of 10 rating by Luister magazine in The Netherlands, and received international acclaim. In 2008 a third CD was released with a quintet of John Baptist Cramer, another world premiere recording, and Schubert’s Trout Quintet (93771). Their most recent recording with the quintets of Johann Nepomuk Hummel op.74 and George Onslow op. 70 is expected to be released in the late 2010.

Booklet for Hummel: Piano Quintets, Op. 74 & 87